Prosody and Poetics in the Early Middle Ages - Info and Reading Options
Essays in Honour of C.B. Hieatt
By M. J. Toswell

"Prosody and Poetics in the Early Middle Ages" was published by University of Toronto Press in April 1995, it has 223 pages and the language of the book is English.
“Prosody and Poetics in the Early Middle Ages” Metadata:
- Title: ➤ Prosody and Poetics in the Early Middle Ages
- Author: M. J. Toswell
- Language: English
- Number of Pages: 223
- Publisher: University of Toronto Press
- Publish Date: April 1995
“Prosody and Poetics in the Early Middle Ages” Subjects and Themes:
- Subjects: ➤ Poetics - History and criticism - English language - Epic poetry, English (Old) - Civilization, Medieval, in literature - Congresses - English poetry - Versification - History - English poetry, history and criticism, old english, ca. 450-1100 - English poetry, history and criticism, middle english, 1100-1500 - Epic poetry, history and criticism - English language, versification
- Time: Old English, ca. 450-1100 - To 1500 - Middle English, 1100-1500
Edition Specifications:
- Format: Hardcover
- Weight: 1.2 pounds
- Dimensions: 9.5 x 6.5 x 1 inches
Edition Identifiers:
- The Open Library ID: OL7872572M - OL19431414W
- Online Computer Library Center (OCLC) ID: 31515984
- Library of Congress Control Number (LCCN): 95168361 - cn94932538
- ISBN-13: 9780802006530
- ISBN-10: 0802006531
- All ISBNs: 0802006531 - 9780802006530
AI-generated Review of “Prosody and Poetics in the Early Middle Ages”:
"Prosody and Poetics in the Early Middle Ages" Description:
The Open Library:
The well-known reference works and analyses of Old English literature show little agreement about the definition and exemplification of style in the poetry of the period. Medieval poetry, particularly its style, is often described as 'complex,' 'sophisticated,' 'extraordinarily compressed,' or simply as 'dense and difficult.' This collection of papers, dedicated to medievalist Constance B. Hieatt, considers the prosody and poetics of Old and early Middle English. The contributors concern themselves with the details of how poems and their metre work and employ a variety of approaches, including traditional text analysis, historiographical consideration of the works and responses to them, linguistics-based analysis, application of pragmatic theory, computer analysis, and a comparative-literature perspective. The writers suggest both implicitly and explicitly that whatever cultural constructions are relevant to the poetry of Anglo-Saxon and Anglo-Norman England, the poems remain worthy of study in and of themselves.
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