Prime-time animation - Info and Reading Options
By Carol A. Stabile
"Prime-time animation" was published by Routledge in 2003 - London, it has 254 pages and the language of the book is English.
“Prime-time animation” Metadata:
- Title: Prime-time animation
- Author: Carol A. Stabile
- Language: English
- Number of Pages: 254
- Publisher: Routledge
- Publish Date: 2003
- Publish Location: London
“Prime-time animation” Subjects and Themes:
- Subjects: ➤ Animated television programs - Animated films - History and criticism - PERFORMING ARTS - Reference - Fernsehsendung - Animationsfilm - Animatiefilms - Televisieprogramma's - Animated television programs--united states - Animated television programs--history and criticism - Animated television programs--united states--history and criticism - Pn1992.8.a59 p75 2003 - 791.45/3
- Places: United States
Edition Specifications:
- Pagination: p. cm.
Edition Identifiers:
- The Open Library ID: OL3556120M - OL18228479W
- Online Computer Library Center (OCLC) ID: 858861328 - 50422882
- Library of Congress Control Number (LCCN): 2002012968
- ISBN-10: 0415283256 - 0415283264
- All ISBNs: 0415283256 - 0415283264
AI-generated Review of “Prime-time animation”:
"Prime-time animation" Description:
The Open Library:
"The essays in this volume critically survey the landscape of television animation, from Bedrock to Springfield and beyond. The contributors explore a series of key issues and questions, including: How do we explain the animation explosion of the 1960s? Why did it take nearly twenty years following the cancellation of The Flintstones for animation to find its feet again as prime time fare? In addressing these questions, as well as many others, the essays in the first section examine the relation between earlier, made-for-cinema animated production (such as the Warner Looney Toons shorts) and television-based animation; the role of animation in the economies of broadcast and cable television; and the links between animation production and brand image. Contributors also examine specific programs like The Powerpuff Girls, Daria, The Simpsons, The Ren and Stimpy Show and South Park from the perspective of fans, exploring fan cybercommunities, investigating how ideas of c̀lass' and t̀aste' apply to recent TV animation, and addressing themes such as irony, alienation, and representations of the family."--Jacket.
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