Pots & plays - Info and Reading Options
interactions between tragedy and Greek vase-painting of the fourth century B.C.
By Oliver Taplin
"Pots & plays" was published by J. Paul Getty Museum in 2007 - Los Angeles, it has 309 pages and the language of the book is English.
“Pots & plays” Metadata:
- Title: Pots & plays
- Author: Oliver Taplin
- Language: English
- Number of Pages: 309
- Publisher: J. Paul Getty Museum
- Publish Date: 2007
- Publish Location: Los Angeles
“Pots & plays” Subjects and Themes:
- Subjects: ➤ Vase-painting, Greek - Theater in art - Greek drama (Tragedy) - Illustrations - Themes, motives - Vase painting - Painting, greek - Yunan Vazo resmi - Temalar, motifler - Sanatta Tiyatro - Yunan draması (Trajedi) - Resimleme - Vase-painting, greek--themes, motives - Greek drama (tragedy)--illustrations - Nk4645 .t377 2007 - 738.3/820938
Edition Specifications:
- Pagination: p. cm.
Edition Identifiers:
- The Open Library ID: OL22769389M - OL3675084W
- Online Computer Library Center (OCLC) ID: 608159085 - 73926989
- Library of Congress Control Number (LCCN): 2006033834
- ISBN-13: 9780892368075
- All ISBNs: 9780892368075
AI-generated Review of “Pots & plays”:
"Pots & plays" Table Of Contents:
- 1- Setting the scenes
- 2- The pots
- 3- Aeschylus
- 4- Sophocles
- 5- Euripides
- 6- Fragments of Euripides
- 7- Unknown tragedies
- 8- Index of vases.
"Pots & plays" Description:
The Open Library:
"Although Greek tragedy usually generates greater popularity and interest than comedy, past studies of the depiction on ceramic vases of theater scenes have mostly concentrated on comedies. A significant proportion of the vases with depictions of tragedy has been first published only in the last twenty-five years. There has been no sustained attempt to discuss these exciting additions in relation to tragedy, nor to reconsider the cultural context in the light of these discoveries." "Oliver Taplin here sets out to examine the previously understudied tragic scenes. Through detailed scrutiny of some 109 vases and vase fragments with depictions of Greek tragedies, he is able to identify plays and scenes by the great playwrights Aeschylus, Sophocles, and Euripides. Some scenes can with great certainty be identified with surviving tragedies, while the author more tentatively suggests that others may depict scenes from tragedies that are now lost or survive only as fragments."--Jacket.
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