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Underground Gay Graphics from Before Stonewall

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The cover of “Out/Lines” - Open Library.

"Out/Lines" was published by Arsenal Pulp Press in 2002 - Vancouver, it has 296 pages and the language of the book is English.


“Out/Lines” Metadata:

  • Title: Out/Lines
  • Author:
  • Language: English
  • Number of Pages: 296
  • Publisher: Arsenal Pulp Press
  • Publish Date:
  • Publish Location: Vancouver

“Out/Lines” Subjects and Themes:

Edition Specifications:

  • Pagination: 296 p. :

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"Out/Lines" Table Of Contents:

  • 1- Acknowledgments
  • 2- Sources
  • 3- Sex Ideas, Sex Politics
  • 4- Sex Forms
  • 5- Narrative Modes
  • 6- Genres
  • 7- Iconographies
  • 8- Queer Discourses: from Camp to Melodrama
  • 9- Styles and Aesthetics
  • 10- Sex Histories
  • 11- Underground Graphics vs Other Corpuses
  • 12- The Artists: "Personal Talents, a Gift from the Fairies, and a Moment in History''
  • 13- "Jean Vincent'': Warm Feelings
  • 14- "GR'': French Kissing
  • 15- Roland Caillaux: "Sad Flesh'' or "Glorious Immodesty''?
  • 16- Jean Boullet: "Lovelorn Fairies'' and "Weary Mouths''
  • 17- "Lowenhaupt'': "My Cock is My Fortune''
  • 18- "Happyface'': "Hand''-Jobs, or "The Subject Takes Over''
  • 19- Touku Laaksonen ("Tom of Finland''): Homophile Hyperrealism, or "My Cock Will Always Tell Me''
  • 20- Neel Bate ("Blade''): "Trade-Breaker''
  • 21- Dom Orejudos ("Etienne/Stephen''): Harems and Pleasantville
  • 22- Mike Miksche ("Steve/Scott Masters''): "Thin, Fragile Paper''
  • 23- Felix Lance Falkon ("Graewolf''): "Healthy Shifts''
  • 24- Conclusions
  • 25- Plates
  • 26- Further Reading
  • 27- Index

"Out/Lines" Description:

The Open Library:

"Gay male sexuality has alwas been represented in contexts of widely diverging visibility and acceptance. The first two-thirds of the twentieth century witnessed intensifying waves of queer self-identification through erotic images and at the same time cycles of societal suppression. Out/Lines resurrects a heritage of explicit homoerotic illustrations, once buried and invisible to all but the clandestine communities who produced, circulated and treasured them. Here is a wealth of 200 previously unpublished "obscene" graphics from the pre-stonewall underground."

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