Non-commutative harmonic analysis - Info and Reading Options
proceedings, Marseille-Luminy, France, June 26 to 30, 1978 : actes du Colloque d'analyse harmonique non commutative
By Colloque d'analyse harmonique non commutative (3rd 1978 Université d'Aix-Marseille Luminy) and Jürgen Meyer
"Non-commutative harmonic analysis" was published by Springer-Verlag in 1979 - Berlin, it has 244 pages and the language of the book is English.
“Non-commutative harmonic analysis” Metadata:
- Title: ➤ Non-commutative harmonic analysis
- Authors: ➤ Colloque d'analyse harmonique non commutative (3rd 1978 Université d'Aix-Marseille Luminy)Jürgen Meyer
- Language: English
- Number of Pages: 244
- Publisher: Springer-Verlag
- Publish Date: 1979
- Publish Location: Berlin
“Non-commutative harmonic analysis” Subjects and Themes:
- Subjects: ➤ Congresses - Harmonic analysis - Lie algebras - Lie groups - Conducting - Acoustic properties - Music - Acoustics and physics - Performance - Theaters - Acoustical engineering - Music -- Acoustics and physics - Music -- Performance - Theaters -- Acoustic properties - Physics - Acoustics - Acoustics in engineering - Engineering Acoustics
Edition Specifications:
- Pagination: 244 p. ;
Edition Identifiers:
- The Open Library ID: OL4413818M - OL6563823W
- Online Computer Library Center (OCLC) ID: 5219385 - 312120827
- Library of Congress Control Number (LCCN): 79017579 - 2008944095
- ISBN-10: 0387095160
- All ISBNs: 0387095160
AI-generated Review of “Non-commutative harmonic analysis”:
"Non-commutative harmonic analysis" Description:
The Open Library:
Connects scientific understandings of acoustics with practical applications to musical performance. Of central importance are the tonal characteristics of musical instruments and the singing voice including detailed representations of directional characteristics. Furthermore, room acoustical concerns related to concert halls and opera houses are considered. Based on this, suggestions are made for musical performance. Included are seating arrangements within the orchestra and adaptation of performance techniques to the performance environment. This presentation dispenses with complicated mathematical connections and aims for conceptual explanations accessible to musicians, particularly for conductors. The graphical representations of the directional dependence of sound radiation by musical instruments and the singing voice are unique. This German edition has become a standard reference work for audio engineers and scientists.
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