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Argentina and the Globalization of Popular Music

Book's cover
The cover of “Musicians in Transit” - Open Library.
Musicians in Transit - cover - The Open Library
Book's cover - The Open Library
Musicians in Transit - cover - Google Books
Book's cover - Google Books

"Musicians in Transit" was published by Duke University Press in 2017 - ncu, the book is classified in History genre, it has 268 pages and the language of the book is English.


“Musicians in Transit” Metadata:

  • Title: Musicians in Transit
  • Author:
  • Language: English
  • Number of Pages: 268
  • Is Family Friendly: Yes - No Mature Content
  • Publisher: Duke University Press
  • Publish Date:
  • Publish Location: ncu
  • Genres: History

“Musicians in Transit” Subjects and Themes:

Edition Specifications:

  • Pagination: x, 268 pages

Edition Identifiers:

AI-generated Review of “Musicians in Transit”:


"Musicians in Transit" Table Of Contents:

  • 1- Black in Buenos Aires : Oscar Alemán and the transnational history of swing
  • 2- Argentines into Latins : the jazz histories of Lalo Schifrin and Gato Barbieri
  • 3- Cosmopolitan tango : Astor Piazzolla at home and abroad
  • 4- The sound of Latin America : Sandro and the invention of balada
  • 5- Indigenous Argentina and revolutionary Latin America : Mercedes Sosa and the multiple meanings of folk music
  • 6- The music of globalization : Gustavo Santaolalla and the production of rock Latino.

Snippets and Summary:

... <b>LCCN 2016028811</b> (print) | LCCN 2016029536 (ebook) ISBN 9780822362166 (hardcover : alk. paper) ISBN 9780822362364 (pbk. : alk. paper) ISBN 9780822373773 (e-book) Subjects: LCSH : Music—Argentina—20th century—History and criticism&nbsp;...

"Musicians in Transit" Description:

The Open Library:

Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Aleman, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation's place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad, an anti-imperialist, revolutionary folk genre, and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.

Google Books:

In Musicians in Transit Matthew B. Karush examines the careers of seven major twentieth-century Argentine popular musicians in the transnational context to show how their engagement with foreign genres, ideologies, and audiences helped them create innovative new music and shape new Argentine cultural and national identities.

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  • Public Domain: No
  • Availability Status: Partially available
  • Availability Status for country: US.
  • Available Formats: Text is available, image copy is available.
  • Google Books Link: Google Books

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