Monstrous Fellowship - Info and Reading Options
"Pagan, Turk, and Jew" in English Popular Culture, 1780-1845
By Toni Wein
"Monstrous Fellowship" was published by Lang AG International Academic Publishers, Peter in 2018, it has 336 pages and the language of the book is English.
“Monstrous Fellowship” Metadata:
- Title: Monstrous Fellowship
- Author: Toni Wein
- Language: English
- Number of Pages: 336
- Publisher: ➤ Lang AG International Academic Publishers, Peter
- Publish Date: 2018
“Monstrous Fellowship” Subjects and Themes:
- Subjects: ➤ English literature, history and criticism, 19th century - English literature - History and criticism - Stereotypes (Social psychology) in literature - English drama - Theater - History - Literature and society - Popular culture - Stereotypes (Social psychology) - Prejudices - Jews in literature - Muslims in literature - Englisch - Heide - Juden - Literatur - Massenkultur - Religiöse Gemeinschaft - Türken
Edition Identifiers:
- The Open Library ID: OL28893033M - OL21332225W
- Online Computer Library Center (OCLC) ID: 1035263089
- Library of Congress Control Number (LCCN): 2018011650
- ISBN-13: 9781787078840
- All ISBNs: 9781787078840
AI-generated Review of “Monstrous Fellowship”:
"Monstrous Fellowship" Description:
The Open Library:
"This book brings together a range of texts and events: nineteenth-century novels and plays, riots on the streets and stages of London, popular games, artwork, criminal profiles and political economy. Tying these topics together is the spectacle created around 'Pagan, Turk and Jew', a phrase appearing as early as 1548, and one that came to denominate fictional stand-ins for Irish Catholics, Muslims and Jews during the long nineteenth century. Beginning with the Gordon riots of 1780, these 'Others' were objectified as exotic bodies and used oppositionally against one another, both in policy and legislation and in cultural representations. Surveying literary works by Maria Edgeworth and Charles Dickens, as well as the work of lesser known figures such as Richard Cumberland, John Thomas Smith and Patrick Colquhoun, the author probes the links between those contests in both real and virtual spaces in order to study the role played by racial marking and ethnic stereotyping in the solidification of a post-riot British social body. Unlike other studies of minority experience and culture that concern a single population, this book casts a wider net, believing racist and religious bias to be a reactionary dynamic, prey to a host of struggles occurring simultaneously that ricochet off one another in the contestatory culture of the Romantic era" --
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