Mona Hatoum - Info and Reading Options
terra infirma
By Mona Hatoum, Michelle White, Anna Chave and Rebecca Solnit
"Mona Hatoum" was published by The Menil Collection in 2017 - txu, it has 191 pages and the language of the book is English.
“Mona Hatoum” Metadata:
- Title: Mona Hatoum
- Authors: Mona HatoumMichelle WhiteAnna ChaveRebecca Solnit
- Language: English
- Number of Pages: 191
- Publisher: The Menil Collection
- Publish Date: 2017
- Publish Location: txu
“Mona Hatoum” Subjects and Themes:
- Subjects: ➤ Abstract Sculpture - Installations (Art) - Exhibitions - Art, american - Palazzo Querini Stampalia (Venice, Italy) - Art - Private collections - Rennie Collection at Wing Sang - Rennie Collection - Hatoum, mona , 1952- - Sculpture, abstract - Sculpture, abstract--21st century--exhibitions - Installations (art)--21st century--exhibitions - N6797.h338 a4 2017 - 709.2
- People: Mona Hatoum (1952-)
- Time: 21st century
Edition Specifications:
- Pagination: 191 pages
Edition Identifiers:
- The Open Library ID: OL26954281M - OL19741207W
- Online Computer Library Center (OCLC) ID: 1024103124 - 1002129213
- Library of Congress Control Number (LCCN): 2017958053
- ISBN-13: 9780300233148
- ISBN-10: 0300233140
- All ISBNs: 0300233140 - 9780300233148
AI-generated Review of “Mona Hatoum”:
"Mona Hatoum" Table Of Contents:
- 1- All that is solid : an introduction to the work of Mona Hatoum -- Michelle White
- 2- The devices of Mona Hatoum -- Anna C. Chave
- 3- Works --
- 4- Crossing over -- Rebecca Solnit
- 5- Six key movements to unlock a possible history of materials -- Adania Shibli.
"Mona Hatoum" Description:
The Open Library:
The work of London-based artist Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, Hatoum conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. Her works are never simple and often elicit conflicting emotions, such as fascination and fear, desire and revulsion. This copiously illustrated presentation of Hatoum's oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli, which contextualize the artist's work and its relationship to surrealism, minimalism, feminism, and politics.
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