Misère - Info and Reading Options
the visual representation of misery in the 19th century
By Linda Nochlin
"Misère" was published by Thames & Hudson in 2018 - nyu, it has 176 pages and the language of the book is English.
“Misère” Metadata:
- Title: Misère
- Author: Linda Nochlin
- Language: English
- Number of Pages: 176
- Publisher: Thames & Hudson
- Publish Date: 2018
- Publish Location: nyu
“Misère” Subjects and Themes:
- Subjects: ➤ Poverty in art - Industrial revolution in art - European Art - Poverty in literature - Suffering in art - Modern Art - Suffering in literature - History - New York Times reviewed - Gericault, theodore, 1791-1824 - Courbet, gustave, 1819-1877 - Art, french - Art, modern, 19th century
- Time: 19th century
Edition Specifications:
- Pagination: 176 pages
Edition Identifiers:
- The Open Library ID: OL26961721M - OL19748668W
- Online Computer Library Center (OCLC) ID: 1019645749
- Library of Congress Control Number (LCCN): 2017945553
- ISBN-13: 9780500239698
- ISBN-10: 050023969X
- All ISBNs: 050023969X - 9780500239698
AI-generated Review of “Misère”:
"Misère" Table Of Contents:
- 1- Misère: the Irish paradigm
- 2- The gender of misery
- 3- Géricault, Goya and the representation of misery
- 4- Representing misery: Courbet's Beggar woman
- 5- Fernand Pelez: master of miserable old men
- 6- Conclusion.
"Misère" Description:
The Open Library:
In 'Misère', famed art historian Linda Nochlin reveals how, in the new form of civilization produced by the Industrial Revolution, in which the phenomenal growth of wealth occurred alongside an expansion of squalor, writers and artists of the nineteenth century used their craft to come to terms with what were often new and unprecedented social, material, and psychological circumstances. Nochlin charts the phenomenon of misery as it was represented in the popular and fine arts of the nineteenth century. Examining work by some of the great intellects of the era--including Dickens, Carlyle, Engels, Hugo, Buret, Disraeli, and de Tocqueville--as well as relative unknowns who were searching for ways to depict new realities, Nochlin draws from a range of sources that include paintings, prints, newspaper illustrations, photography, and a variety of texts: from the account of a day in the life of an eight-year-old mine worker girl to the foundational texts of the field such as Friedrich Engels's The condition of the working class in England.
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