Mapping Impressionist Painting in Transnational Contexts - Info and Reading Options
By Emily C. Burns and Alice M. Rudy Price
"Mapping Impressionist Painting in Transnational Contexts" was published by Taylor & Francis Group in 2021, it has 240 pages and the language of the book is English.
“Mapping Impressionist Painting in Transnational Contexts” Metadata:
- Title: ➤ Mapping Impressionist Painting in Transnational Contexts
- Authors: Emily C. BurnsAlice M. Rudy Price
- Language: English
- Number of Pages: 240
- Publisher: Taylor & Francis Group
- Publish Date: 2021
“Mapping Impressionist Painting in Transnational Contexts” Subjects and Themes:
- Subjects: ➤ Painting - Impressionism (Art) - Arts and transnationalism - Impressionnisme (Art) - ART - History - General
Edition Specifications:
- Pagination: 288
Edition Identifiers:
- The Open Library ID: OL34696680M - OL25768658W
- Online Computer Library Center (OCLC) ID: 1202731205 - 1201656075
- Library of Congress Control Number (LCCN): 2020048074 - 2020048073
- ISBN-13: 9780367490522
- All ISBNs: 9780367490522
AI-generated Review of “Mapping Impressionist Painting in Transnational Contexts”:
"Mapping Impressionist Painting in Transnational Contexts" Description:
The Open Library:
"This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies' concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism"--
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