Language and style of the Vedic R̥ṣis - Info and Reading Options
By T. I͡A Elizarenkova

"Language and style of the Vedic R̥ṣis" was published by State University of New York in 1995 - Albany, it has 331 pages and the language of the book is English.
“Language and style of the Vedic R̥ṣis” Metadata:
- Title: ➤ Language and style of the Vedic R̥ṣis
- Author: T. I͡A Elizarenkova
- Language: English
- Number of Pages: 331
- Publisher: State University of New York
- Publish Date: 1995
- Publish Location: Albany
“Language and style of the Vedic R̥ṣis” Subjects and Themes:
- Subjects: ➤ History - Language, style - Rishis - Style - Vedas - Vedic language - Vedas, rgveda - Rgveda - Semantics
- Places: India
Edition Specifications:
- Pagination: ix, 331 p. ;
Edition Identifiers:
- The Open Library ID: OL1735369M - OL2601242W
- Online Computer Library Center (OCLC) ID: 27149850
- Library of Congress Control Number (LCCN): 92040318
- ISBN-10: 0791416674 - 0791416682
- All ISBNs: 0791416674 - 0791416682
AI-generated Review of “Language and style of the Vedic R̥ṣis”:
"Language and style of the Vedic R̥ṣis" Description:
The Open Library:
"Elizarenkova, perhaps the greatest living scholar of the Rgveda and certainly its greatest linguist, explains here the relationships between a very complicated grammatical system and the peculiarities of style of the archaic religious poetry. The laudatory hymn is treated as an act of verbal communication between the poet Rsi and the deity, with the hymn itself transmitting certain information from man to god. From this viewpoint, the hymn is used as a means to maintain a circular exchange of gifts between the Rsis and their gods." "Many peculiarities of the functioning of the grammatical system of the Rgveda are interpreted in connection with the model of the universe of the Vedic Aryan. For example, the concept of time as a circular process bears closely on the use of the verbal grammatical categories of tense and mood; the personification of some abstract forces can explain some irregularities in the functioning of the nominal category of gender; and the idea of magical power attributed to the Sacred Speech in general, and to the name of a god in particular, underlies the magical grammar of this religious poetry."--BOOK JACKET.
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