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de ida y vuelta : íconos urbanos = Coming and going : urban icons

Book's cover
The cover of “Lance Wyman” - Open Library.

"Lance Wyman" was published by MUAC, Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México in 2014 - México, D.F, it has 63 pages and the language of the book is español, castellano - Spanish; Castilian.


“Lance Wyman” Metadata:

  • Title: Lance Wyman
  • Author:
  • Languages: ➤  Spanish; Castilian - español, castellano - English
  • Number of Pages: 63
  • Publisher: ➤  MUAC, Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México
  • Publish Date:
  • Publish Location: México, D.F

“Lance Wyman” Subjects and Themes:

Edition Specifications:

  • Pagination: 63 pages

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"Lance Wyman" Table Of Contents:

  • 1- De ida y vuelta : Lance Yman : iconos urbanos = coming and going: Lance Wyman : urban icons / Pilar García
  • 2- Encontrar el camino. Entrevista a Lance Wyman = Finding the way. Interview with Lance Wyman / Rodrigo Durán, Felipe Otrensanz
  • 3- Semblanza = Biographical sketch
  • 4- Catálogo = Catalogue

"Lance Wyman" Description:

The Open Library:

This retrospective is based on the Mexican art collective movement "Grupo Proceso Pentágono", which emerged in the late 1960's and was characterized by giving force to the artistic groups, with emphasis on artistic experimentation and a critique of the social context. Some of the artists who participated in this movement, and whose work makes up this exhibition are Felipe Ehrenberg, Carlos Finck, José Antonio Hernández Amezcua, Víctor Muñoz, Carlos Aguirre, Miguel Ehrenberg, Lourdes Grobet, Rowena Morales and Rafael Doniz. During social movements in Latin America, the commitments adopted by emerging artists were completely social and in the second instance, politicians. Such was the case of Pentagon process group, a group set up to create art through a network of national and international work. Trying to determine those of the nationalist movement in and out of institutional spaces, the group generated a proposal of creation based on civil society, thus building a new conceptual language, and innovating in the art object and the installation, expressions still not consolidated in Mexico. "The first retrospective exhibition of the production and archive of a collective that was characterized by maintaining a critical, analytical and argumentative stance in the face of State policy. Through the interweaving of documentary material and artistic works that form part of the museographer proposition, the exhibition accounts for more than 32 pieces created between 1969 and 2015."--Verso Cover.

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