"John Kirkpatrick, American music, and the printed page" - Information and Links:

John Kirkpatrick, American music, and the printed page - Info and Reading Options

"John Kirkpatrick, American music, and the printed page" was published by University of Rochester Press in 2013 - ilu, it has 205 pages and the language of the book is English.


“John Kirkpatrick, American music, and the printed page” Metadata:

  • Title: ➤  John Kirkpatrick, American music, and the printed page
  • Author:
  • Language: English
  • Number of Pages: 205
  • Publisher: University of Rochester Press
  • Publish Date:
  • Publish Location: ilu

“John Kirkpatrick, American music, and the printed page” Subjects and Themes:

Edition Specifications:

  • Pagination: ➤  xii, 205 pages, [20] pages of unnumbered plates

Edition Identifiers:

AI-generated Review of “John Kirkpatrick, American music, and the printed page”:


"John Kirkpatrick, American music, and the printed page" Table Of Contents:

  • 1- Introduction. Strange stopping places
  • 2- Beginnings
  • 3- Mentorship : music publishing
  • 4- Collaboration : Ruggles's Evocations
  • 5- Performance : Ives's Concord sonata
  • 6- Imagination : Ruggles's Mood
  • 7- Voice : the prose works
  • 8- Institution : the Charles Ives Society
  • 9- Conclusion. Kirkpatrick, compared

"John Kirkpatrick, American music, and the printed page" Description:

The Open Library:

For over sixty years, the scholar and pianist John Kirkpatrick tirelessly promoted and championed the music of American composers. In this book, Drew Massey explores how Kirkpatrick's career as an editor of music shaped the music and legacies of some of the great American modernists, including Aaron Copland, Ross Lee Finney, Roy Harris, Hunter Johnson, Charles Ives, Robert Palmer, and Carl Ruggles. Drawing on oral histories, interviews, and Kirkpatrick's own extensive archives, Massey carefully reconstructs Kirkpatrick's collaborations with such luminaries, displaying his editorial practice and inviting reconsideration of many of the most important debates in American modernism -- for example, the self-fashioning of young composers during the 1940s, the cherished myth of Ruggles as a composer in communion with the "timeless," and Ives's status as a pioneer of modernist techniques [Publisher description]

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