Jerry Bywaters - Info and Reading Options
a life in art
By Francine Carraro

"Jerry Bywaters" was published by University of Texas Press in 1994 - Austin, it has 282 pages and the language of the book is English.
“Jerry Bywaters” Metadata:
- Title: Jerry Bywaters
- Author: Francine Carraro
- Language: English
- Number of Pages: 282
- Publisher: University of Texas Press
- Publish Date: 1994
- Publish Location: Austin
“Jerry Bywaters” Subjects and Themes:
- Subjects: ➤ Painters - Regionalism in art - Art teachers - Biography - Painters, united states - Texas, biography
- People: Jerry Bywaters
- Places: Texas
Edition Specifications:
- Pagination: xx, 282 p. :
Edition Identifiers:
- The Open Library ID: OL1427915M - OL3950020W
- Online Computer Library Center (OCLC) ID: 502470232
- Library of Congress Control Number (LCCN): 93039098
- ISBN-10: 0292711573
- All ISBNs: 0292711573
AI-generated Review of “Jerry Bywaters”:
"Jerry Bywaters" Description:
The Open Library:
As an artist, art critic, museum director, and art educator, Jerry Bywaters reshaped the Texas art world and attracted national recognition for Texas artists. This first full-scale biography explores his life and work in the context of twentieth-century American art, revealing Bywaters' important role in the development of regionalist painting. Francine Carraro delves into all aspects of Bywaters' career. As an artist, Bywaters became a central figure and spokesman for a group of young, energetic painters known as the Dallas Nine (Alexandre Hogue, Everett Spruce, Otis Dozier, William Lester, and others) who broke out of the limitations of provincialism and attained national recognition beginning in the 1930s. As director of the Dallas Museum of Fine Arts, art critic for the Dallas Morning News, and professor of art and art history at Southern Methodist University, Bywaters became a champion of the arts in Texas. Carraro traces his strong supporting role in professionalizing art institutions in Texas and defending the right to display art considered "subversive" in the McCarthy era. From these discussions emerges a finely drawn portrait of an artist who used a vocabulary of regional images to explore universal themes. It will be of interest to all students of American studies, national and regional art history, and twentieth-century biography.
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