James Ensor
Chronicle of His Life, 1860-1949
By James Ensor, Joachim Heusinger von Waldegg, Rudolf Schmitz and Xavier Tricot
"James Ensor" was published by Mercatorfonds N. V. in 2020 - Brussels, it has 224 pages and the language of the book is English.
“James Ensor” Metadata:
- Title: James Ensor
- Authors: James EnsorJoachim Heusinger von WaldeggRudolf SchmitzXavier Tricot
- Language: English
- Number of Pages: 224
- Publisher: Mercatorfonds N. V.
- Publish Date: 2020
- Publish Location: Brussels
“James Ensor” Subjects and Themes:
- Subjects: ➤ Catalogs - Exhibitions - Kredietbank (Bruges, Belgium) - Criticism and interpretation - Galleria Henze - Artists - Art - Koninklijk Museum voor Schone Kunsten (Belgium) - History of art & design styles: c 1800 to c 1900 - Individual artists - Painting & paintings - History Of Fine Arts - Individual Painters - 19th Century - Art & Art Instruction - History - Modern (Late 19th Century to 1945) - Individual Artist - Art / Individual Artist - Fine Arts - Ensor, james, 1860-1949 - Painting, exhibitions - Painting - Influence - European Art - Catalogues raisonnés - Art collections - Radierung - Katalog - Lithografie - Saarland-Museum Saarbrücken - Ensor, James - Painters - Belgium - Biography - Biographies
- People: James Ensor (1860-1949) - James Ensor (1860-1942)
- Places: Belgium
Edition Identifiers:
- The Open Library ID: OL33942309M - OL1001130W
- ISBN-13: 9789462302525 - 9780300253979
- All ISBNs: 9789462302525 - 9780300253979
AI-generated Review of “James Ensor”:
"James Ensor" Description:
Open Data:
A Belgian of British origin, James Ensor (1860-1949) is without doubt one of the most complex artists of the second half of the nineteenth century. Without masters or disciples, the completely independent artist broke free from the era's artistic currents as he shifted cultural markers and tested the boundaries of visual arts. When he painted his first pieces, Impressionism reigned over Europe. In the same way as Van Gogh, Gauguin and Munch, James Ensor offers a radically novel vision without equivalent in the modern art of the late nineteenth century. Although James Ensor draws his inspiration from the Bible and historical writings, scholarly reference books and popular magazines, his own fantasies constantly feed his visual language. Unquestionably, carnival masks and skeletons have become his emblems. The concurrently enigmatic and prolific artist drew, engraved and painted still lives, portraits, landscapes, caricatures, as well as fantasy and religious scenes. A true anarchist at heart, he broached satirical, political, religious and historical themes with equal ease. Articulated like a biography, this book based on excerpts from unpublished letters offers an insight into the unusual life of an artist and his greatest masterpieces
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