Intersecting film, music, and queerness
By Jack Curtis Dubowsky
"Intersecting film, music, and queerness" is published by Palgrave Macmillan in 2016 - enk, it has 266 pages and the language of the book is English.
“Intersecting film, music, and queerness” Metadata:
- Title: ➤ Intersecting film, music, and queerness
- Author: Jack Curtis Dubowsky
- Language: English
- Number of Pages: 266
- Publisher: Palgrave Macmillan
- Publish Date: 2016
- Publish Location: enk
“Intersecting film, music, and queerness” Subjects and Themes:
- Subjects: ➤ Motion picture music - Homosexuality in motion pictures - Homosexuality and motion pictures - History and criticism - SOCIAL SCIENCE / Gay Studies - MUSIC / Genres & Styles / Musicals - ART / Film & Video - Motion picture music, history and criticism - ART - Film & Video - MUSIC - Genres & Styles - Musicals - SOCIAL SCIENCE - Gay Studies
Edition Specifications:
- Pagination: viii, 266 pages
Edition Identifiers:
- The Open Library ID: OL27206790M - OL20026742W
- Online Computer Library Center (OCLC) ID: 922155538
- Library of Congress Control Number (LCCN): 2015038165
- ISBN-13: 9781137454201
- ISBN-10: 1137454202
- All ISBNs: 1137454202 - 9781137454201
AI-generated Review of “Intersecting film, music, and queerness”:
"Intersecting film, music, and queerness" Table Of Contents:
- 1- PART I: Mad About The Boy: Male Homosexuality and Music in Film
- 2- 1. Louisiana Story, Homoeroticism, and Americana
- 3- 2. Musical Cachet in The Living End and the New Queer Cinema
- 4- 3. Brokeback Mountain Music
- 5- PART II: Fighting the Patriarchy: Dykes, Misogyny, and Gender Fear
- 6- 4. A Tale of Two Walters: Genre and Gender Outsiders
- 7- 5. Mainstreaming and Rebelling
- 8- PART III: Queering of Genre
- 9- 6. Queer Monster Good: Frankenstein and Edward Scissorhands
- 10- 7. Blazing Saddles: Music and Meaning in 'The French Mistake'.
"Intersecting film, music, and queerness" Description:
The Open Library:
"Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship"--
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