In/visible War - Info and Reading Options
The Culture of War in Twenty-first-Century America
By Jon Simons, John Louis Lucaites and Nina Berman

"In/visible War" is published by Rutgers University Press in Jun 14, 2017, it has 286 pages and the language of the book is English.
“In/visible War” Metadata:
- Title: In/visible War
- Authors: Jon SimonsJohn Louis LucaitesNina Berman
- Language: English
- Number of Pages: 286
- Publisher: Rutgers University Press
- Publish Date: Jun 14, 2017
“In/visible War” Subjects and Themes:
- Subjects: War and society - War in mass media - Mass media and war - History
Edition Specifications:
- Format: hardcover
Edition Identifiers:
- The Open Library ID: OL27398896M - OL20210446W
- Online Computer Library Center (OCLC) ID: 959260227
- Library of Congress Control Number (LCCN): 2016038032
- ISBN-13: 9780813585383
- ISBN-10: 0813585384
- All ISBNs: 0813585384 - 9780813585383
AI-generated Review of “In/visible War”:
"In/visible War" Description:
The Open Library:
"In/Visible War addresses a paradox of twenty-first-century American warfare. The contemporary visual American experience of war is ubiquitous and utterly present in public, popular culture, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of 21st century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network. This book asks: What is the significance of this simultaneous in/visibility of war? How do militaristic spectacles serve to hide war's costs while simultaneously representing war? How does the in/visibility of war articulate with other structures, processes and practices of social power? Does critical dissent from war depend on other ways of seeing war and rendering it visible?"--Provided by publisher.
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