Image government - Info and Reading Options
monarchical metamorphoses in English literature and art, 1649-1702
By T. R. Langley

"Image government" was published by Duquesne University Press in 2001 - Pittsburgh, it has 256 pages and the language of the book is English.
“Image government” Metadata:
- Title: Image government
- Author: T. R. Langley
- Language: English
- Number of Pages: 256
- Publisher: Duquesne University Press
- Publish Date: 2001
- Publish Location: Pittsburgh
- Dewey Decimal Classification: 820.9/358
- Library of Congress Classification: PR438.P65 L36 2001
“Image government” Subjects and Themes:
- Subjects: ➤ English Art - English literature - History - History and criticism - Intellectual life - Kings and rulers in art - Kings and rulers in literature - Monarchy in art - Monarchy in literature - Politics and government - Politics and literature
- Places: Great Britain
- Time: 1649-1660 - 1660-1688 - 1689-1702 - 17th century - Early modern, 1500-1700
Edition Specifications:
- Pagination: 256 p. :
Edition Identifiers:
- The Open Library ID: OL3937250M - OL6207961W
- Online Computer Library Center (OCLC) ID: 45820951
- Library of Congress Control Number (LCCN): 2001000433
- ISBN-10: 0820703265
- All ISBNs: 0820703265
AI-generated Review of “Image government”:
"Image government" Description:
The Open Library:
"Image Government shows how the art of the spin-doctor was widely practised in the second half of the seventeenth century. The author uses the work of authors such as Edmund Waller and painters such as Antonio Verrio to illuminate the changing ideologies of the late Stuart era and the way in which ideas about sovereignty were expressed by artists.". "Image Government traces some of the cranks and windings, ebbings and flowings that lead from Charles I's downfall to Queen Anne's coronation as they are registered in printed literature and visual art. The poetry of Marvel and Dryden, multifarious political writings by greater and lesser figures, and the work of significant divines like the Whiggish Burnet, and Hickes, doyen of the nonjurers, are all used to show how the expression of ideas changed in the second half of the seventeenth century. While showing his awareness of the contributions of modern scholarship, the author displays a magisterial grasp of primary sources, often little exploited. The book explores aspects of sovereignty and the underlying principles of political cohesion for the benefit of students and scholars of later seventeenth-century literature, history and art."--BOOK JACKET.
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