I sing for I cannot be silent - Info and Reading Options
the feminization of American hymnody, 1870-1920
By June Hadden Hobbs
"I sing for I cannot be silent" was published by University of Pittsburgh Press in 1997 - Pittsburgh, Pa, it has 220 pages and the language of the book is English.
“I sing for I cannot be silent” Metadata:
- Title: I sing for I cannot be silent
- Author: June Hadden Hobbs
- Language: English
- Number of Pages: 220
- Publisher: University of Pittsburgh Press
- Publish Date: 1997
- Publish Location: Pittsburgh, Pa
“I sing for I cannot be silent” Subjects and Themes:
- Subjects: ➤ Church history - English Hymns - History - History and criticism - Hymns, English - Women hymn writers - Kirchenlied - Frau - Hymns, history and criticism - Women composers - United states, church history - United states, church history, 20th century
- Places: United States
- Time: 19th century - 20th century
Edition Specifications:
- Pagination: x, 220 p. :
Edition Identifiers:
- The Open Library ID: OL659494M - OL2631682W
- Online Computer Library Center (OCLC) ID: 36728444
- Library of Congress Control Number (LCCN): 97004809
- ISBN-10: 0822939908 - 0822956381
- All ISBNs: 0822939908 - 0822956381
AI-generated Review of “I sing for I cannot be silent”:
"I sing for I cannot be silent" Table Of Contents:
- 1- Acknowledgments
- 2- Words and women in the evangelical community
- 3- Hymns as the cultural property of nineteenth-century women
- 4- His religion and hers
- 5- Women's hymns as narrative models
- 6- The patriarchal backlash.
"I sing for I cannot be silent" Description:
The Open Library:
Evangelical hymns constituted a cherished part of communal Christian life and served as an important and effective way to teach doctrine. These hymns - the focus of "I Sing for I Cannot Be Silent" - served an additional social purpose in the late nineteenth and early twentieth centuries: they gave evangelical women a voice in their churches. Drawing upon her own experience as a Baptist, June Hadden Hobbs shows how women utilized the only oral communication allowed to them in public worship. In this engaging study, Hobbs employs an interdisciplinary mix of feminist literary analysis, social history, rhetoric and composition theory, hymnology, autobiography, and theology to examine hymns central to worship in most evangelical churches today.
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- Preview Status: restricted
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