House of Fragile Things - Info and Reading Options
A History of Jewish Art Collectors in France, 1870 - 1945
By James McAuley
"House of Fragile Things" was published by Yale University Press in 2021, it has 288 pages and the language of the book is English.
“House of Fragile Things” Metadata:
- Title: House of Fragile Things
- Author: James McAuley
- Language: English
- Number of Pages: 288
- Publisher: Yale University Press
- Publish Date: 2021
“House of Fragile Things” Subjects and Themes:
- Subjects: ➤ Art - Jews - Social conditions - Jewish families - Biography - Art donors - Private collections - History - Antisemitism - Jewish art - Art and society - Protection - World War, 1939-1945 - Confiscations and contributions - Collectors and collecting - Juifs - Conditions sociales - Familles juives - Biographies - Collections privées - Histoire - Antisémitisme - Art juif - Art et société - Guerre mondiale, 1939-1945 - Confiscations et contributions - Collectionneurs et collections - ART / General - Confiscations - Social life and customs - Jewish property - Holocaust, Jewish (1939-1945) - Material culture - Congresses - Identity
Edition Identifiers:
- The Open Library ID: OL29467211M - OL21666000W
- Online Computer Library Center (OCLC) ID: 1233317912
- Library of Congress Control Number (LCCN): 2021930169
- ISBN-13: 9780300233377
- All ISBNs: 9780300233377
AI-generated Review of “House of Fragile Things”:
"House of Fragile Things" Description:
The Open Library:
In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews-pillars of an embattled community-invested their fortunes in France's cultural artifacts, sacrificed their sons to the country's army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siecle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt-the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers-McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of "invading" France's cultural patrimony. The collections these families left behind-many ultimately donated to the French state-were their response, tragic attempts to celebrate a nation that later betrayed them.
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