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The waning of the Middle Ages

a study of the forms of life, thought, and art in France and the Netherlands in the XIVth and XVth centuries

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The cover of “The waning of the Middle Ages” - Open Library.

"The waning of the Middle Ages" is published by St. Martin's Press in 1985 - New York, it has 328 pages and the language of the book is English.


“The waning of the Middle Ages” Metadata:

  • Title: The waning of the Middle Ages
  • Author:
  • Languages: English - dut
  • Number of Pages: 328
  • Publisher: St. Martin's Press
  • Publish Date:
  • Publish Location: New York

“The waning of the Middle Ages” Subjects and Themes:

Edition Specifications:

  • Format: hardcover
  • Dimensions: 8 3/4 x 5 3/4 x 1 1/4 inches
  • Pagination: ➤  viii, 328 p., [14] p. of plates :

Edition Identifiers:

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"The waning of the Middle Ages" Table Of Contents:

  • 1- The Violent Tenor of Life
  • 2- Pessimism and the Ideal of the Sublime Life
  • 3- The Hierarchic Conception of Society
  • 4- The Idea of Chivalry
  • 5- The Dream of Heroism and of Love
  • 6- Orders of Chivalry and Vows
  • 7- The Political and Military Value of Chivalrous Ideas
  • 8- Love formalized
  • 9- The Conventions of Love
  • 10- The Idyllic Vision of Life
  • 11- The Vision of Death
  • 12- Religious Thought crystallizing into Images
  • 13- Types of Religious Life
  • 14- Religious Sensibility and Religious Imagination
  • 15- Symbolism in its Decline
  • 16- The Effects of Realism
  • 17- Religious Thought beyond the Limits of Imagination
  • 18- The Forms of Thought and Practical Life
  • 19- Art and Life
  • 20- The Æsthetic Sentiment
  • 21- Verbal and Plastic Expression Compared. I
  • 22- Verbal and Plastic Expression Compared. II
  • 23- The Advent of the New Form
  • 24- Bibliography
  • 25- Index

"The waning of the Middle Ages" Description:

The Open Library:

From the Preface of the English translation... The present work deals with the history of the fourteenth and fifteenth centuries regarded as a period of termination, as the close of the Middle Ages. Such a view of them presented itself to the author of this volume, whilst endeavouring to arrive at a genuine understanding of the art of the brothers Van Eyck and their contemporaries, that is to say, to grasp its meaning by seeing it in connection with the entire life of their times. Now the common feature of the various manifestations of civilization of that epoch proved to be inherent rather in that which links them to the past than in the germs which they contain of the future. The significance, not of the artists alone, but also of theologians, poets, chroniclers, princes and statesmen, could be best appreciated by considering them, not as the harbingers of a coming culture, but as perfecting and concluding the old. This English edition is not a simple translation of the original Dutch (second edition 1921, first 1919), but the result of a work of adaptation, reduction and consolidation under the author's directions. The references, here left out, may be found in full in the original.

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