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African-American sacred vocal harmony quartets in Memphis

"Happy in the service of the Lord" was published by University of Tennessee Press in 1995 - Knoxville, it has 250 pages and the language of the book is English.


“Happy in the service of the Lord” Metadata:

  • Title: ➤  Happy in the service of the Lord
  • Author:
  • Language: English
  • Number of Pages: 250
  • Publisher: University of Tennessee Press
  • Publish Date:
  • Publish Location: Knoxville

“Happy in the service of the Lord” Subjects and Themes:

Edition Specifications:

  • Pagination: xx, 250 p. :

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"Happy in the service of the Lord" Table Of Contents:

  • 1- Prelude: an American in Paris
  • 2- One hundred years of singing in harmony
  • 3- We are the spirit of Memphis
  • 4- I've got on my traveling shoes
  • 5- A family of singers
  • 6- The forces that shape spiritual quartet singing
  • 7- On records and over the airwaves
  • 8- Finale: blessed are the dead.

"Happy in the service of the Lord" Description:

The Open Library:

"Happy in the Service of the Lord" provides an in-depth look at the development of the African-American gospel quartet. Focusing argely on Memphis - long famous for its blues, jazz, and soul music - Kip Lornell reveals the special contributions that quartet members have made to the cultural and musical identity of the city. The author traces the evolution of such groups as the I. C. Glee Club Quartet, the Spirit of Memphis, the Sunset Travelers, and the Southern Wonders from the early 1920s to the late 1980s. Drawing on extensive interviews and field research, Lornell describes a unique world of radio personalities, quartet unions, fans, promoters, and singing teachers. What emerges is a fascinating picture of the complex, multilayered relationships within these communities, enhanced by a probing analysis of the gospel quartets' place within the larger contexts of popular culture and African-American history. "Happy in the Service of the Lord" was first published in 1988. For this second edition, Lornell has added a new chapter on the role of gospel composers and the importance of spirituality in quartet performances. The first chapter, a survey of the history of quartet singing across the United States from Reconstruction to the present, has been completely rewritten to reflect the most recent scholarship. Lornell has also updated and expanded the book's audiography and bibliography.

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