Hagia Sophia - Info and Reading Options
Sound, Space, and Spirit in Byzantium
By Bissera V. Pentcheva

"Hagia Sophia" is published by Penn State University Press in Aug 22, 2017, it has 304 pages and the language of the book is English.
“Hagia Sophia” Metadata:
- Title: Hagia Sophia
- Author: Bissera V. Pentcheva
- Language: English
- Number of Pages: 304
- Publisher: Penn State University Press
- Publish Date: Aug 22, 2017
“Hagia Sophia” Subjects and Themes:
- Subjects: ➤ Church buildings, turkey - Interior architecture - Byzantine chants - Sacred space - Turkey, religion - History - Church buildings - Acoustics - History and criticism - Ayasofya Müzesi - Historyayasofya müzesi - Ayasofya müzesi - Church buildings--acoustics--history - Church buildings--acoustics--turkey--istanbul--history - Interior architecture--history - Interior architecture--turkey--istanbul--history - Byzantine chants--history and criticism - Sacred space--history - Sacred space--turkey--istanbul--history - Church buildings--acoustics - Na5870.a9 p46 2017 - 726.6094961/8
Edition Specifications:
- Format: hardcover
Edition Identifiers:
- The Open Library ID: OL27731520M - OL20190336W
- Online Computer Library Center (OCLC) ID: 967133931
- Library of Congress Control Number (LCCN): 2016055895
- ISBN-13: 9780271077253
- ISBN-10: 0271077255
- All ISBNs: 0271077255 - 9780271077253
AI-generated Review of “Hagia Sophia”:
"Hagia Sophia" Description:
The Open Library:
"Experiencing the resonant acoustics of the church of Hagia Sophia allowed the Byzantine participants in its liturgical rituals to be filled with the Spirit of God, and even to become his image on earth. BIssera Pentcheva’s vibrant analysis examines how these sung rites combined with the church’s architectural space to make Hagia Sophia a performative place of worship representative of Byzantine religious culture in all its sensory richness. Coupling digital acoustic models and video with a close examination of liturgical texts and melodic structures, Pentcheva applies art-historical, philosophical, archeoacoustical, and anthropological methodologies to provide insight into the complementary ways liturgy and location worked to animate worshippers in Byzantium. Rather than focus on the architectural form of the building, the technology of its construction, or the political ideology of its decoration, Pentcheva delves into the performativity of Hagia Sophia and explains how the “icons of sound” created by the sung liturgy and architectural reverberation formed an aural experience that led to mystical transcendence for worshippers, opening access to the imagined celestial sound of the angelic choirs. Immersive, deeply researched, and beautifully illustrated, this exploration of Hagia Sophia sheds new light on sacred space, iconicity, and religious devotion in Byzantium. Scholars of art and architectural history, religious studies, music and acoustics, and the medieval period will especially appreciate Pentcheva’s field-advancing work."--
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