Foundations of diatonic theory - Info and Reading Options
a mathematically based approach to music fundamentals
By Timothy A. Johnson

"Foundations of diatonic theory" was published by Scarecrow in 2008 - Lanham, it has 1 pages and the language of the book is English.
“Foundations of diatonic theory” Metadata:
- Title: Foundations of diatonic theory
- Author: Timothy A. Johnson
- Language: English
- Number of Pages: 1
- Publisher: Scarecrow
- Publish Date: 2008
- Publish Location: Lanham
“Foundations of diatonic theory” Subjects and Themes:
- Subjects: ➤ Music theory - Textbooks - Mathematics - MUSIC - Reference - Classical - Genres & Styles - Music theory, mathematics
Edition Specifications:
- Format: [electronic resource] :
- Pagination: 1 online resource (1 v.)
Edition Identifiers:
- The Open Library ID: OL25541626M - OL8481463W
- Online Computer Library Center (OCLC) ID: 251440644
- ISBN-13: 9780810862333 - 9780810862135
- ISBN-10: 0810862336 - 0810862131
- All ISBNs: 0810862336 - 0810862131 - 9780810862333 - 9780810862135
AI-generated Review of “Foundations of diatonic theory”:
"Foundations of diatonic theory" Table Of Contents:
- 1- Preface; The Vision of Mathematics Across the Curriculum; Introduction; Chapter 01. Spatial Relations and Musical Structures; Chapter 02. Internal Patterns and Musical Structures; Chapter 03. Triads and Seventh Chords and TheirStructures; Conclusion; For Further Study; Notes; Sources Cited; Index; About the Author.
"Foundations of diatonic theory" Description:
The Open Library:
Foundations of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals is an introductory, undergraduate-level textbook that provides an easy entry point into the challenging field of diatonic set theory, a division of music theory that applies the techniques of discrete mathematics to the properties of diatonic scales. After introducing mathematical concepts that relate directly to music theory, the text concentrates on these mathematical relationships, firmly establishing a link between introductory pedagogy and recent scholarship in music theory. It then relates concepts in d.
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