Found Voice
Writers' Beginnings
By Denis Sampson

"Found Voice" is published by Oxford University Press in 2016, it has 224 pages and the language of the book is English.
“Found Voice” Metadata:
- Title: Found Voice
- Author: Denis Sampson
- Language: English
- Number of Pages: 224
- Publisher: Oxford University Press
- Publish Date: 2016
“Found Voice” Subjects and Themes:
- Subjects: ➤ Coetzee, j. m., 1940- - Criticism and interpretation - English fiction - Commonwealth fiction (English) - History and criticism - Voice in literature
Edition Identifiers:
- The Open Library ID: OL28587657M - OL21119363W
- Online Computer Library Center (OCLC) ID: 933274118
- Library of Congress Control Number (LCCN): 2015951895
- ISBN-13: 9780198752998
- All ISBNs: 9780198752998
AI-generated Review of “Found Voice”:
"Found Voice" Description:
The Open Library:
"'The Found Voice: Writers' Beginnings' uses the means of literary biography and criticism to do something rarely attempted--to understand how a key creative period establishes the authoritative voice of a unique artist. The essays that explore this hidden process of the writer writing focus on some of the major writers of recent times: V.S. Naipaul, J.M. Coetzee, Alice Munro, William Trevor, and Mavis Gallant. The focus of investigation is a single work by each author, and many of them identify the book in which this turning point was reached. The writers have a somewhat different sense of what the voice is, "a true voice," "the voice in the mind," "the writing voice," etc., yet all of them accept the phrase "finding a voice" as a decisive and necessary process towards a unique style and vision, their raison d'etre as artists. These essays allow each one to define his or her sense of the process of writing, and their style is exploratory. Nevertheless, certain patterns emerge, of migration and cultural displacement, of linguistic self-consciousness, of memory and a reimagining of the first home, of absorbing and rejecting mentors and models. Crucially, the essays rely not just on what led up to the moment of creation but on a sense of the career that emerged from it. Most of the writers have written retrospectively in memoirs, interviews or essays about the pivotal work and its foundational significance. They are the best witnesses to the process, although their silence or their commentary is understood in terms of the many strands of the narrative that each essay presents" --
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