Flip the script - Info and Reading Options
European hip hop and the politics of postcoloniality
By J. Griffith Rollefson

"Flip the script" was published by University of Chicago Press in 2017 - ilu, it has 295 pages and the language of the book is English.
“Flip the script” Metadata:
- Title: Flip the script
- Author: J. Griffith Rollefson
- Language: English
- Number of Pages: 295
- Publisher: University of Chicago Press
- Publish Date: 2017
- Publish Location: ilu
“Flip the script” Subjects and Themes:
- Subjects: ➤ Postcolonialism and music - Music - African American influences - Hip-hop - Music, european - Postcolonialisme et musique - Ethnomusicology - General - Genres & Styles - Rap & Hip Hop - Social Science - Anthropology - Cultural - Black Studies (Global) - Musikwissenschaft - Musikleben - Musik - Politischer Protest - Authentizität - Rassismus
- Places: Western Europe
Edition Specifications:
- Pagination: x, 295 pages
Edition Identifiers:
- The Open Library ID: OL26939965M - OL19726859W
- Online Computer Library Center (OCLC) ID: 975398406 - 1006507867
- Library of Congress Control Number (LCCN): 2017009030
- ISBN-13: 9780226496214
- ISBN-10: 022649621X
- All ISBNs: 022649621X - 9780226496214
AI-generated Review of “Flip the script”:
"Flip the script" Table Of Contents:
- 1- Introduction: hip hop as postcolonial art and practice
- 2- "J'accuse": hip hop's postcolonial politics in Paris
- 3- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans
- 4- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin
- 5- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic
- 6- M.I.A.'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London
- 7- Marché noir: the hip hop hustle in the City of Light
- 8- "Wherever we go": UKhip hop and the deformation of mastery
- 9- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique
- 10- Conclusion: hip hop studies and/as postcolonial studies.
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