Fascist visions - Info and Reading Options
art and ideology in France and Italy
By Mark Antliff

"Fascist visions" was published by Princeton University Press in 1997 - Princeton, N.J, it has 283 pages and the language of the book is English.
“Fascist visions” Metadata:
- Title: Fascist visions
- Author: Mark Antliff
- Language: English
- Number of Pages: 283
- Publisher: Princeton University Press
- Publish Date: 1997
- Publish Location: Princeton, N.J
“Fascist visions” Subjects and Themes:
- Subjects: Fascism and art - Art and state - Fascism, italy
- Places: Italy - France
Edition Specifications:
- Pagination: ix, 283 p. :
Edition Identifiers:
- The Open Library ID: OL662950M - OL18248516W
- Online Computer Library Center (OCLC) ID: 36671932
- Library of Congress Control Number (LCCN): 97008461
- ISBN-10: 0691027382 - 0691027374
- All ISBNs: 0691027382 - 0691027374
AI-generated Review of “Fascist visions”:
"Fascist visions" Description:
The Open Library:
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art expressed fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany.
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