"Faking it" - Information and Links:

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manipulated photography before Photoshop

"Faking it" was published by Metropolitan Museum of Art in 2012 - New York, it has 280 pages and the language of the book is English.


“Faking it” Metadata:

  • Title: Faking it
  • Author:
  • Language: English
  • Number of Pages: 280
  • Publisher: Metropolitan Museum of Art
  • Publish Date:
  • Publish Location: New York

“Faking it” Subjects and Themes:

Edition Specifications:

  • Pagination: xvi, 280 p.

Edition Identifiers:

AI-generated Review of “Faking it”:


"Faking it" Table Of Contents:

  • 1- Picture perfect
  • 2- Artifice in the name of art
  • 3- Politics and persuasion
  • 4- Novelties and amusements
  • 5- Pictures in print
  • 6- Mind's eye
  • 7- Protoshop.

"Faking it" Description:

The Open Library:

"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.

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