Ethics, theory, and the novel - Info and Reading Options
By Parker, David
"Ethics, theory, and the novel" was published by Cambridge University Press in 1994 - Cambridge, it has 218 pages and the language of the book is English.
“Ethics, theory, and the novel” Metadata:
- Title: Ethics, theory, and the novel
- Author: Parker, David
- Language: English
- Number of Pages: 218
- Publisher: Cambridge University Press
- Publish Date: 1994
- Publish Location: Cambridge
“Ethics, theory, and the novel” Subjects and Themes:
- Subjects: ➤ Criticism - Fiction - History and criticism - Literary ethics - Moral and ethical aspects - Moral and ethical aspects of Criticism - Fiction, history and criticism - Fiction, history and criticism, 20th century
- Time: 19th century - 20th century
Edition Specifications:
- Pagination: x, 218 p. ;
Edition Identifiers:
- The Open Library ID: OL1432401M - OL3955651W
- Online Computer Library Center (OCLC) ID: 29637772
- Library of Congress Control Number (LCCN): 93043929
- ISBN-10: 052145283X
- All ISBNs: 052145283X
AI-generated Review of “Ethics, theory, and the novel”:
"Ethics, theory, and the novel" Description:
The Open Library:
The virtual suppression of explicit ethical and evaluative discourse by current literary theory can be seen as the momentary triumph of a sceptical post-Enlightenment reflective tradition over others vital to a full account of human and literary worth. In Ethics, theory and the novel, David Parker brings together recent developments in moral philosophy and literary theory. He questions many currently influential movements in literary criticism, showing that their silences about ethics are as damaging as the political silences of Leavisism and New Criticism in the 1950s and 1960s. He goes on to examine Middlemarch, Anna Karenina, and three novels by D.H. Lawrence, and explores the consequences for major literary works of the suppression of either the Judeo-Christian or the Romantic-expressivist ethical traditions. Where any one tradition becomes a master-narrative, he argues, imaginative literature ceases to have the deepest interest and relevance for us. Overall, this book is an essay in a new evaluative discourse, the implications of which go far beyond the particular works it analyses.
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