English Authorship and the Early Modern Sublime - Info and Reading Options
Fictions of Transport in Spenser, Marlowe, Jonson and Shakespeare
By Patrick Cheney

"English Authorship and the Early Modern Sublime" was published by University of Cambridge ESOL Examinations in 2018, it has 328 pages and the language of the book is English.
“English Authorship and the Early Modern Sublime” Metadata:
- Title: ➤ English Authorship and the Early Modern Sublime
- Author: Patrick Cheney
- Language: English
- Number of Pages: 328
- Publisher: ➤ University of Cambridge ESOL Examinations
- Publish Date: 2018
“English Authorship and the Early Modern Sublime” Subjects and Themes:
- Subjects: ➤ English literature, history and criticism, early modern, 1500-1700 - English drama, history and criticism, early modern and elizabethan, 1500-1600 - English drama, history and criticism, 17th century - English literature - History and criticism - Sublime, The, in literature - English drama - LITERARY CRITICISM / Semiotics & Theory - Early modern and Elizabethan - Early modern - Autorschaft - 18.05 English literature
Edition Identifiers:
- The Open Library ID: OL29362918M - OL21616710W
- Online Computer Library Center (OCLC) ID: 1002295985
- Library of Congress Control Number (LCCN): 2017042367
- ISBN-13: 9781107049628
- All ISBNs: 9781107049628
AI-generated Review of “English Authorship and the Early Modern Sublime”:
"English Authorship and the Early Modern Sublime" Description:
The Open Library:
"Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon"--
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