Embodied performances - Info and Reading Options
sexuality, gender, bodies
By Beatrice Allegranti
"Embodied performances" was published by Palgrave Macmillan in 2011 - New York, NY, it has 234 pages and the language of the book is English.
“Embodied performances” Metadata:
- Title: Embodied performances
- Author: Beatrice Allegranti
- Language: English
- Number of Pages: 234
- Publisher: Palgrave Macmillan
- Publish Date: 2011
- Publish Location: New York, NY
“Embodied performances” Subjects and Themes:
- Subjects: ➤ Body image - Mind and body - Social aspects - Movement therapy - Sex role - Dance therapy - Human body - Gender identity - Human body, social aspects - Dance & other performing arts - Dance - Classical style - Other performing arts - Performing Arts - POLITICAL SCIENCE - Public Policy - Cultural Policy - SOCIAL SCIENCE - Anthropology - Cultural - Popular Culture - Theatre studies - Menselijk lichaam - Sekseverschillen - Uitvoerende kunsten
Edition Specifications:
- Pagination: p. cm.
Edition Identifiers:
- The Open Library ID: OL24823163M - OL15916764W
- Online Computer Library Center (OCLC) ID: 704907706
- Library of Congress Control Number (LCCN): 2011006604
- ISBN-13: 9780230245938
- All ISBNs: 9780230245938
AI-generated Review of “Embodied performances”:
"Embodied performances" Table Of Contents:
- 1- Introduction
- 2- Bodies as knowledge
- 3- Embodying ethics
- 4- The autobiographical body
- 5- The relational body
- 6- The political body
- 7- Conclusions.
"Embodied performances" Description:
The Open Library:
Drawing from the author's unique interdisciplinary experience, Embodied Performances responds to the feminist call for advances in conversations across disciplines. Through a pioneering integration of performance, psychotherapy and feminist philosophy it offers an understanding and critique of embodiment and proposes expansive ways of deconstructing (undoing) and re-constituting (re-doing) sexuality and gender, and thus more embodied and ethical ways of 'doing' life. Embodied Performances presents innovative ways of 'knowing' and 're-visioning' which evolves the contemporary zeitgeist by allying digital media with established forms and considering the socially constructed and biological body at the forefront of theory and practice in both the arts and humanities. In addition, it provides practice-based evidence in the form of thirty-six short online, password-protected€film episodes and stills, forming an integral part of the unfolding discussion in each chapter.
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