Electronic and Computer Music
By Manning, Peter


"Electronic and Computer Music" is published by Clarendon Press in 1993 - Oxford, the book is classified in Music genre, it has 399 pages and the language of the book is English.
“Electronic and Computer Music” Metadata:
- Title: Electronic and Computer Music
- Author: Manning, Peter
- Language: English
- Number of Pages: 399
- Is Family Friendly: Yes - No Mature Content
- Publisher: Clarendon Press
- Publish Date: 1993
- Publish Location: Oxford
- Genres: Music
“Electronic and Computer Music” Subjects and Themes:
- Subjects: ➤ History and criticism - Electronic music - Computer music - Music - Nonfiction - Computermusik - Histoire et critique - Elektronische muziek - Elektronische Musik - Musique par ordinateur - Musique electronique - Musique électronique
Edition Specifications:
- Pagination: 399 p., [8] p. of plates :
Edition Identifiers:
- Google Books ID: 4IjuAAAAMAAJ
- The Open Library ID: OL14686426M - OL3458393W
- Online Computer Library Center (OCLC) ID: 28149555
- Library of Congress Control Number (LCCN): 92046512
- ISBN-13: 9780198163282
- ISBN-10: 0198163282
- All ISBNs: 0198163282 - 9780198163282
AI-generated Review of “Electronic and Computer Music”:
Snippets and Summary:
In this new edition of the classic text on the evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day.
"Electronic and Computer Music" Description:
The Open Library:
This is a revised and expanded edition of Peter Manning's classic introduction to electronic and computer music, dealing with the development of electronic and computer music from its birth to the present day. After an introductory chapter concerned with the antecedents of electronic music from the turn of the century to the Second World War, the book continues with the birth and development of the early 'classical' studios of the 1950s, examined both in terms of their design philosophy and also their compositional output. A chapter devoted to the characteristics of voltage control technology leads to a study of the subsequent upsurge of creative activity, considered under three headings: tape works, live electronic music, and the early use of electronics in rock and pop music. Attention is then turned to the sphere of computer music and its evolution from the early experiments with large commercial computers to the advanced music workstations of today. This section has been significantly expanded from the first edition to take account of the rapid development of this technology since the early 1980s, in particular the introduction of MIDI and the increasing use of the personal computer as a musical tool. A bibliography and an extensive discography are included. The primary objective throughout is to provide the reader with a critical perspective of the medium both in terms of its musical output and the philosophical and technical features which have shaped its growth.
Google Books:
In this new edition of the classic text on the evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day. The scope of the many developments that have taken place since the late 1990s are considered in a series of new and updated chapters, including topics such as the development of the digital audio workstation, laptop music, the Internet, and the emergence of new performance interfaces. Emphasizing the functional characteristics of emerging technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors to provide readers with the most comprehensive resource available on the evolution of this ever-expanding area of creativity.
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