Dreams of subversion in medieval Jewish art & literature
By Marc Michael Epstein
"Dreams of subversion in medieval Jewish art & literature" is published by Pennsylvania State University Press in 1997 - University Park, Pa, it has 180 pages and the language of the book is English.
“Dreams of subversion in medieval Jewish art & literature” Metadata:
- Title: ➤ Dreams of subversion in medieval Jewish art & literature
- Author: Marc Michael Epstein
- Language: English
- Number of Pages: 180
- Publisher: ➤ Pennsylvania State University Press
- Publish Date: 1997
- Publish Location: University Park, Pa
“Dreams of subversion in medieval Jewish art & literature” Subjects and Themes:
- Subjects: ➤ Animals, Mythical, in art - History - Illumination of books and manuscripts, Jewish - Illumination of books and manuscripts, Medieval - Jewish Illumination of books and manuscripts - Jewish art and symbolism - Judaism - Medieval Illumination of books and manuscripts - Miniaturen (handschriften) - Iconografie - Joden - Illustraties - Fabeldieren - Medieval and early modern period - Illumination of books and manuscripts - Judaism, history - Judaism--history - Judaism--history--medieval and early modern period, 425-1789 - Nd2935 .e67 1997 - 745.6/7/089924
- Places: Ashkenaz (Franco-Germany) - Sepharad (Spain)
- Time: ➤ Jews - Iconography - History of Art - Jewish Art - Jews, Judaism, Visual and Material Culture - Jewish-Christian relations: Medieval Period - Medieval and early modern period, 425-1789
Edition Specifications:
- Pagination: xix, 180 p. :
Edition Identifiers:
- The Open Library ID: OL975134M - OL3257423W
- Online Computer Library Center (OCLC) ID: 34477104
- Library of Congress Control Number (LCCN): 96012142
- ISBN-10: 0271016051
- All ISBNs: 0271016051
AI-generated Review of “Dreams of subversion in medieval Jewish art & literature”:
"Dreams of subversion in medieval Jewish art & literature" Description:
The Open Library:
Europe's Jewish minority culture was subjected to a barrage of public images proclaiming the dominance of the Christian majority. This book is the first to explore the Jewish response to this assault in the development of a visual culture through which Jews could affirmatively construct their identity as a people. It demonstrates how medieval Jews gave voice to messages of protest and dreams of subversion by actively appropriating and transforming the quintessential symbols of the dominant culture.
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