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The Structure Of Music by Percy Goetschius

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1The Structure Of Music : A Listener's Guide; A Study Of Music In Terms Of Melody And Counterpoint

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2The Rhythmic Structure Of Music

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3The Structure Of Animal Life : Six Lectures Delivered At The Brooklyn Academy Of Music In January And February, 1862

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4The Structure Of Music An Outline For Students

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Book Source: Digital Library of India Item 2015.155773 dc.contributor.author: R. O. Morris dc.date.accessioned: 2015-07-06T19:58:39Z dc.date.available: 2015-07-06T19:58:39Z dc.date.digitalpublicationdate: 2004-03-20 dc.date.citation: 1935 dc.identifier: RMSC, IIIT-H dc.identifier.barcode: 2999990022052 dc.identifier.origpath: /data/upload/0022/057 dc.identifier.copyno: 1 dc.identifier.uri: http://www.new.dli.ernet.in/handle/2015/155773 dc.description.numberedpages: 123 dc.description.numberedpages: 23 dc.description.scanningcentre: RMSC, IIIT-H dc.description.main: 1 dc.description.tagged: 0 dc.description.totalpages: 146 dc.format.mimetype: application/pdf dc.language.iso: English dc.publisher.digitalrepublisher: Universal Digital Library dc.publisher: Oxford University Press dc.rights: Copyright Protected dc.title: The Structure Of Music An Outline For Students

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5A First Book In Vocal Music: Wherein The Study Of Musical Structure Is ...

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Book digitized by Google from the library of University of California and uploaded to the Internet Archive by user tpb.

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6The Harmonic Structure Of Indian Music

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"The Harmonic Structure of Indian Music" is an article from American Anthropologist, Volume 1 . View more articles from American Anthropologist . View this article on JSTOR . View this article's JSTOR metadata . You may also retrieve all of this items metadata in JSON at the following URL: https://archive.org/metadata/jstor-658399

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7The Musical Possibilities Of Chomsky's Deep Structure : A Search For Parallel Structure In Music Analysis

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"The Harmonic Structure of Indian Music" is an article from American Anthropologist, Volume 1 . View more articles from American Anthropologist . View this article on JSTOR . View this article's JSTOR metadata . You may also retrieve all of this items metadata in JSON at the following URL: https://archive.org/metadata/jstor-658399

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8Dynamic Emotional Fluctuations Induced By Music Shape The Structure Of Episodic Memory

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Everyday life unfolds continuously, but somehow our memories are more discrete and episodic, broken down into individual memories or events. Increasing research suggests that continuity and change in an unfolding context (e.g., spatial location) promotes the transformation of ongoing experiences into distinct and memorable events (Clewett et al., 2019). To date, much of the research on this idea has focused on how stability and change in the external environment (e.g., remaining within a room and then crossing into a new one) affects the organization of episodic memory. But everyday life is also heavily colored by dynamic fluctuations in emotional experiences and moods. Somewhat surprisingly, even though it is well established that emotional stimuli have an especially strong influence on cognitive processing, little work has taken a holistic approach to understanding how emotion simultaneously impacts the multi-faceted elements of memory (e.g., space, time, perceptual features, subjective feelings; see Clewett and Murty, 2019; Palombo and Cocquyt, 2020). The goal of this study is to examine how music induces discrete and lingering effects on emotional states, and how these mood fluctuations in turn affect different aspects of memory for temporally-extended sequences. Recent evidence shows that fluctuations in arousal states, as indexed by pupil size and dilation, predict the temporal integration of sequential information in memory (Clewett et al., 2020). This suggests that dynamic musical pieces and the moods they induce can influence how information is integrated together. Another possibility is that emotional stimuli function as especially strong context shifts during dynamic experiences, because they elicit much more robust increases in arousal than neutral information (Clewett et al., 2020). Motivated by these findings, we plan to investigate how emotional states that unfold during neutral item sequences elicit discrete and sustained effects on encoding temporal, perceptual, and event information. Specifically, we will examine how emotional contexts, elicited through controlled-musical stimuli, influence different aspects of episodic memory representations, including memory for temporal order, temporal distance, individual items representations, and temporal source context.

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9Music Of The Twentieth Century : Style And Structure

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Everyday life unfolds continuously, but somehow our memories are more discrete and episodic, broken down into individual memories or events. Increasing research suggests that continuity and change in an unfolding context (e.g., spatial location) promotes the transformation of ongoing experiences into distinct and memorable events (Clewett et al., 2019). To date, much of the research on this idea has focused on how stability and change in the external environment (e.g., remaining within a room and then crossing into a new one) affects the organization of episodic memory. But everyday life is also heavily colored by dynamic fluctuations in emotional experiences and moods. Somewhat surprisingly, even though it is well established that emotional stimuli have an especially strong influence on cognitive processing, little work has taken a holistic approach to understanding how emotion simultaneously impacts the multi-faceted elements of memory (e.g., space, time, perceptual features, subjective feelings; see Clewett and Murty, 2019; Palombo and Cocquyt, 2020). The goal of this study is to examine how music induces discrete and lingering effects on emotional states, and how these mood fluctuations in turn affect different aspects of memory for temporally-extended sequences. Recent evidence shows that fluctuations in arousal states, as indexed by pupil size and dilation, predict the temporal integration of sequential information in memory (Clewett et al., 2020). This suggests that dynamic musical pieces and the moods they induce can influence how information is integrated together. Another possibility is that emotional stimuli function as especially strong context shifts during dynamic experiences, because they elicit much more robust increases in arousal than neutral information (Clewett et al., 2020). Motivated by these findings, we plan to investigate how emotional states that unfold during neutral item sequences elicit discrete and sustained effects on encoding temporal, perceptual, and event information. Specifically, we will examine how emotional contexts, elicited through controlled-musical stimuli, influence different aspects of episodic memory representations, including memory for temporal order, temporal distance, individual items representations, and temporal source context.

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10The Rāgs Of North Indian Music: Their Structure And Evolution

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Bibliography: p. 211-212

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11The Structure Of Animal Life : Six Lectures Delivered At The Brooklyn Academy Of Music In January And February, 1862

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Bibliography: p. 211-212

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12The Rags Of North Indian Music: Their Structure And Evolution

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Bibliography:p.211-212;includes index.

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13The Rāgs Of North Indian Music: Their Structure And Evolution

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Bibliography:p.211-212;includes index.

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14A Third Book In Vocal Music: Wherein The Study Of Musical Structure Is ...

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15The Origin Of Energy, The Structure Of Existence, And The Role Of Music In The Molecular Reconstruction Of Water.

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This paper presents a theoretical exploration of the origin of energy, the fundamental structure of existence, and the role of music in the molecular reconstruction of water. By examining the interconnection between energy vibrations, the structure of matter, and the potential healing properties of music, the research proposes that specific vibrational frequencies can alter the molecular structure of water, leading to potential benefits in health and environmental restoration.

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16Creative Harmony And Musicianship : An Introduction To The Structure Of Music

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This paper presents a theoretical exploration of the origin of energy, the fundamental structure of existence, and the role of music in the molecular reconstruction of water. By examining the interconnection between energy vibrations, the structure of matter, and the potential healing properties of music, the research proposes that specific vibrational frequencies can alter the molecular structure of water, leading to potential benefits in health and environmental restoration.

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17The Origin Of Energy, The Structure Of Existence, And The Role Of Music In The Molecular Reconstruction Of Water

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This paper presents a theoretical exploration of the origin of energy, the fundamental structure of existence, and the role of music in the molecular reconstruction of water. By examining the interconnection between energy vibrations, the structure of matter, and the potential healing properties of music, the research proposes that specific vibrational frequencies can alter the molecular structure of water, leading to potential benefits in health and environmental restoration.

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18Music Of The Twentieth Century : Style And Structure

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This paper presents a theoretical exploration of the origin of energy, the fundamental structure of existence, and the role of music in the molecular reconstruction of water. By examining the interconnection between energy vibrations, the structure of matter, and the potential healing properties of music, the research proposes that specific vibrational frequencies can alter the molecular structure of water, leading to potential benefits in health and environmental restoration.

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19Music Of The Twentieth Century: Style And Structure

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Tracklist: Disc 1: 1. Saraband no. 1 - Erik Satie 2. Saraband from "Pour le piano" - Claude Debussy 3. Jeux d'eau - Maurice Ravel 4. Fourteen Bagatelles for Piano, op. 6: no. 1 - Bela Bartok 5. Fourteen Bagatelles for Piano, op. 6: no. 4 - Bela Bartok 6. Fourteen Bagatelles for Piano, op. 6: no. 8 - Bela Bartok 7. Fourteen Bagatelles for Piano, op. 6: no. 14 - Bela Bartok 8. Botafogo - Darius Milhaud 9. Five Piano Pieces, op. 23: no. 4 - Arnold Schoenberg 10. The Banshee - Henry Cowell 11. Seven Piano Sonata (III - Finale) - Sergei Prokofiev 12. Sonatas and Interludes: Sonata no. 5 - John Cage 13. Music of Changes (IV, section 1) - John Cage 14. Dans la foret de septembre (op. 85, no. 1) - Gabriel Faure 15. Warm die Lufte - Alban Berg 16. Charlie Rutlage (from 114 Songs) - Charles Ives 17. excerpt from "Paracelsus" (from 114 Songs) - Charles Ives 18. Vom Tode Maria I from "Das Marienleben" - Paul Hindemith 19. Dirge from "Serenade for Tenor, Horn and Strings (op. 31)" - Benjamin Britten 20. "L'artisanat furieux" from Le marteau sans maitre - Pierre Boulez 21. "Black Is the Color of My True Love's Hair" from Folk Songs - Luciano Berio 22. "Country Dance (Scotch Bonnet)" from Eight Songs for a Mad King - Peter Maxwell Davies Disc 2: 1. Salome (final scene) - Richard Strauss 2. Petrushka (second scene) - Igor Stravinsky 3. Lulu: "Lied der Lulu" - Alban Berg 4. Lady Macbeth of the Mtsensk (orchestral interlude between scenes 4 and 5) - Dmitri Shostakovich 5. Second Canta, op 31: fifth movement ("Freundselig ist das Wort") - Anton Webern 6. Mass: Credo - Igor Stravinsky 7. Octandre: first movement - Edgard Varese 8. Fourth String Quartet, op. 37: first movement (Allegro molto; Energico) - Arnold Schoenberg 9. Kreuzpsiel - Karlheinz Stockhausen 10. Black Angels (section 6 and 7) - George Crumb 11. Black Angels (section 6 and 7) - George Crumb 12. Clapping Music / The Sixteen; Harry Christophers - Steve Reich 13. Sixth String Quartet: third movement - George Rochberg

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The book is available for download in "audio" format, the size of the file-s is: 855.10 Mbs, the file-s for this book were downloaded 51 times, the file-s went public at Thu Sep 14 2023.

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20Creative Harmony And Musicianship: An Introduction To The Structure Of Music

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Tracklist: Disc 1: 1. Saraband no. 1 - Erik Satie 2. Saraband from "Pour le piano" - Claude Debussy 3. Jeux d'eau - Maurice Ravel 4. Fourteen Bagatelles for Piano, op. 6: no. 1 - Bela Bartok 5. Fourteen Bagatelles for Piano, op. 6: no. 4 - Bela Bartok 6. Fourteen Bagatelles for Piano, op. 6: no. 8 - Bela Bartok 7. Fourteen Bagatelles for Piano, op. 6: no. 14 - Bela Bartok 8. Botafogo - Darius Milhaud 9. Five Piano Pieces, op. 23: no. 4 - Arnold Schoenberg 10. The Banshee - Henry Cowell 11. Seven Piano Sonata (III - Finale) - Sergei Prokofiev 12. Sonatas and Interludes: Sonata no. 5 - John Cage 13. Music of Changes (IV, section 1) - John Cage 14. Dans la foret de septembre (op. 85, no. 1) - Gabriel Faure 15. Warm die Lufte - Alban Berg 16. Charlie Rutlage (from 114 Songs) - Charles Ives 17. excerpt from "Paracelsus" (from 114 Songs) - Charles Ives 18. Vom Tode Maria I from "Das Marienleben" - Paul Hindemith 19. Dirge from "Serenade for Tenor, Horn and Strings (op. 31)" - Benjamin Britten 20. "L'artisanat furieux" from Le marteau sans maitre - Pierre Boulez 21. "Black Is the Color of My True Love's Hair" from Folk Songs - Luciano Berio 22. "Country Dance (Scotch Bonnet)" from Eight Songs for a Mad King - Peter Maxwell Davies Disc 2: 1. Salome (final scene) - Richard Strauss 2. Petrushka (second scene) - Igor Stravinsky 3. Lulu: "Lied der Lulu" - Alban Berg 4. Lady Macbeth of the Mtsensk (orchestral interlude between scenes 4 and 5) - Dmitri Shostakovich 5. Second Canta, op 31: fifth movement ("Freundselig ist das Wort") - Anton Webern 6. Mass: Credo - Igor Stravinsky 7. Octandre: first movement - Edgard Varese 8. Fourth String Quartet, op. 37: first movement (Allegro molto; Energico) - Arnold Schoenberg 9. Kreuzpsiel - Karlheinz Stockhausen 10. Black Angels (section 6 and 7) - George Crumb 11. Black Angels (section 6 and 7) - George Crumb 12. Clapping Music / The Sixteen; Harry Christophers - Steve Reich 13. Sixth String Quartet: third movement - George Rochberg

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21The Structure Of Animal Life. Six Lectures Delivered At The Brooklyn Academy Of Music In January And February, 1862

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Running title: Religion and natural history

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22IMPORTANCE, STRUCTURE AND OUTCOMES OF THE MUSIC PROGRAM IN THE PRIMARY SCHOOL THE EXPERIENCE OF CROATIA, MONTENEGRO, AND SERBIA

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In an effort to look into the importance and structure of the program through a simultaneous analysis of the achievement outcomes for the Music course in three countries – Croatia, Montenegro, and Serbia, the authors have performed a detailed analysis of a number of documents covering the topic in these countries. A comparative analysis of the contents of these documents has provided us with the opportunity to assess the speed at which the educational systems in the three countries are being reformed, the differences in the approach to individual areas, but also the need to provide joint theoretical efforts whose goal would be to foster what is the common denominator for us all – a promoted process of teaching music which would provide a simultaneous development of students’ artistic identity. 

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23Creative Harmony And Musicianship : An Introduction To The Structure Of Music

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In an effort to look into the importance and structure of the program through a simultaneous analysis of the achievement outcomes for the Music course in three countries – Croatia, Montenegro, and Serbia, the authors have performed a detailed analysis of a number of documents covering the topic in these countries. A comparative analysis of the contents of these documents has provided us with the opportunity to assess the speed at which the educational systems in the three countries are being reformed, the differences in the approach to individual areas, but also the need to provide joint theoretical efforts whose goal would be to foster what is the common denominator for us all – a promoted process of teaching music which would provide a simultaneous development of students’ artistic identity. 

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24Creative Harmony And Musicianship: An Introduction To The Structure Of Music

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In an effort to look into the importance and structure of the program through a simultaneous analysis of the achievement outcomes for the Music course in three countries – Croatia, Montenegro, and Serbia, the authors have performed a detailed analysis of a number of documents covering the topic in these countries. A comparative analysis of the contents of these documents has provided us with the opportunity to assess the speed at which the educational systems in the three countries are being reformed, the differences in the approach to individual areas, but also the need to provide joint theoretical efforts whose goal would be to foster what is the common denominator for us all – a promoted process of teaching music which would provide a simultaneous development of students’ artistic identity. 

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25Yuarn Music Dramas - Studies In Prosody And Structure And A Complete Catalogue Of Northern Arias In The Dramatic Style

Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii] Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]

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26The Rhythmic Structure Of Music

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Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii] Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]

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27Extensions And Refinements Of The Methods And Concepts In The Structure Of Atonal Music

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Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii] Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]

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28LEEW, TON. Music Of The Twentieth Century A Study Of Its Elements And Structure

about music of the twentieth century

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29Language, Form, And Structure In The Music Of Michael Tippett

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about music of the twentieth century

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30The Way Of The Pipa : Structure And Imagery In Chinese Lute Music

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about music of the twentieth century

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31Music Of The Twentieth Century - A Study Of Its Elements And Structure

Ton de Leeuw (1926-96) is probably one of the most influential composers at the crossroads between Eastern philosophy and Western technique. A one-time pupil of Olivier Messiaen's in Paris, throughout the latter years of his musical career he concentrated on the marriage of Western emphasis on action and tension, and the ethical function of music in Eastern traditions. The musical world of the twentieth century is a divided one. Numerous histories of it have been written, but few of the exceptional quality of de Leeuw's, who brought into his writing a lifetime of experience as a composer and scholar of music. His work is a lucid and impassioned discussion of the elements, structures, compositional principles and terminologies in modern music that can be regarded as most innovatory. This book is an excellent guide for anyone wishing to gain knowledge of the compositional technique and mentality, particularly university and conservatory students.

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32Music And The Middle Class : The Social Structure Of Concert Life In London, Paris And Vienna

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Ton de Leeuw (1926-96) is probably one of the most influential composers at the crossroads between Eastern philosophy and Western technique. A one-time pupil of Olivier Messiaen's in Paris, throughout the latter years of his musical career he concentrated on the marriage of Western emphasis on action and tension, and the ethical function of music in Eastern traditions. The musical world of the twentieth century is a divided one. Numerous histories of it have been written, but few of the exceptional quality of de Leeuw's, who brought into his writing a lifetime of experience as a composer and scholar of music. His work is a lucid and impassioned discussion of the elements, structures, compositional principles and terminologies in modern music that can be regarded as most innovatory. This book is an excellent guide for anyone wishing to gain knowledge of the compositional technique and mentality, particularly university and conservatory students.

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33The Jazz Of Physics : The Secret Link Between Music And The Structure Of The Universe

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Ton de Leeuw (1926-96) is probably one of the most influential composers at the crossroads between Eastern philosophy and Western technique. A one-time pupil of Olivier Messiaen's in Paris, throughout the latter years of his musical career he concentrated on the marriage of Western emphasis on action and tension, and the ethical function of music in Eastern traditions. The musical world of the twentieth century is a divided one. Numerous histories of it have been written, but few of the exceptional quality of de Leeuw's, who brought into his writing a lifetime of experience as a composer and scholar of music. His work is a lucid and impassioned discussion of the elements, structures, compositional principles and terminologies in modern music that can be regarded as most innovatory. This book is an excellent guide for anyone wishing to gain knowledge of the compositional technique and mentality, particularly university and conservatory students.

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34Music Of The Middle Ages : Style And Structure

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Ton de Leeuw (1926-96) is probably one of the most influential composers at the crossroads between Eastern philosophy and Western technique. A one-time pupil of Olivier Messiaen's in Paris, throughout the latter years of his musical career he concentrated on the marriage of Western emphasis on action and tension, and the ethical function of music in Eastern traditions. The musical world of the twentieth century is a divided one. Numerous histories of it have been written, but few of the exceptional quality of de Leeuw's, who brought into his writing a lifetime of experience as a composer and scholar of music. His work is a lucid and impassioned discussion of the elements, structures, compositional principles and terminologies in modern music that can be regarded as most innovatory. This book is an excellent guide for anyone wishing to gain knowledge of the compositional technique and mentality, particularly university and conservatory students.

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35A Third Book In Vocal Music Wherein The Study Of Musical Structure Is Pursued Through The Consideration Of Complete Melodic Forms And Practice Based On Exercises Related To Them.

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256 p. ; 22 x 17 cm

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36The Structure Of Music : An Elementary Text-book On Notation And Harmony, With Full Illustrations And Abundant Exercises ; For Use In The Class-room, And For Self-instruction

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7

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37The Structure Of Music : A Listener's Guide : A Study Of Music In Terms Of Melody And Counterpoint

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7

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38The Structure Of Music; A Series Of Articles Demonstrating In An Accurate, Though Popular, Manner The Origin And Employment Of The Fundamental Factors Of Music Structure And Composition, For The Student And General Music Lover

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39The Structure Of The Popular Music Industry; The Filtering Process By Which Records Are Preselected For Public Consumption

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40Music Of The Twentieth Century : Style And Structure

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41The Structure Of Animal Life. Six Lectures Delivered At The Brooklyn Academy Of Music In January And February, 1862

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42The Structure Of Animal Life. Six Lectures Delivered At The Brooklyn Academy Of Music In January And February, 1862

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43The Structure Of Music

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44The Structure Of Animal Life : Six Lectures Delivered At The Brooklyn Academy Of Music In January And February, 1862

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45The Structure Of Atonal Music

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46The Structure Of Music; An Outline For Students

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47Structure And Perception Of Electroacoustic Sound And Music : Proceedings Of The Marcus Wallenberg Symposium Held In Lund, Sweden, On 21-28 August 1988

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Running title: Religion and natural history

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Source: The Open Library

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1The structure of music

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“The structure of music” Metadata:

  • Title: The structure of music
  • Author:
  • Language: English
  • Number of Pages: Median: 170
  • Publisher: ➤  Greenwood Press Reprint - Theodore Presser co. - Greenwood Press - greenwood press
  • Publish Date:
  • Publish Location: Westport, Conn - Philadelphia

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  • First Year Published: 1934
  • Is Full Text Available: Yes
  • Is The Book Public: No
  • Access Status: Borrowable

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2Lessons in Music Form: A Manual of Analysis of All the Structural Factors ..

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  • First Year Published: 1904
  • Is Full Text Available: Yes
  • Is The Book Public: Yes
  • Access Status: Public

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    3The homophonic forms of musical composition; For the use of general and special students of musical structure

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    “The homophonic forms of musical composition; For the use of general and special students of musical structure” Metadata:

    • Title: ➤  The homophonic forms of musical composition; For the use of general and special students of musical structure
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    • Language: English
    • Number of Pages: Median: 262
    • Publisher: G. SCHIRMER, INC., NEW YORK
    • Publish Date:

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    Access and General Info:

    • First Year Published: 1898
    • Is Full Text Available: Yes
    • Is The Book Public: Yes
    • Access Status: Public

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