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Mr Bielek describes and explains Project Rainbow which was the United States Navy's effort to make ships invisible to radar reflection.  It started in 1931 with Jon Van Neumann and Nikola Tesla with Princeton University Project Thinktank including mathematician Albert Einstein as an advisor with other mathematician's cutting-edge work including Hilbert and Levinson and Neumann.  It achieved radar invisibility and human eye invisibility on a small ship scale.  At.first, at relatively lower powers of electric and magnetic field powers, and an unmanned ship with remote control, the experimenting was auccessful and promising.  Taken to extreme high power onboard the massive ship The USS Eldridge of 30,000 tons with a test crew of about 33, the experiment proved murderous, disasterous, successful, uncontrollable, and unexpected, confusing and mysterious.  Depending upon the frame of reference, the results of the experiment were observed differently.  The varied Frame Of References are listed as: 1) From other nearby observers including nearby short aircraft carrier, ships and on-shore in the Philadelphia location.  2)Onboard the Eldridge On Deck.  3)Onboard the Eldridge Below Deck.  4)ALL-IN: A)Below-Deck, B)On-Deck, C)In Hyperspace, D)In The Future(s)28th century, 22nd century E)From Montauk on August 12th, 1983.  All these frame of references by time-travelling Edward Cameron.  Who later, by force and decision by unknown Timeline Lords in control of The Montauk Project 1983, a decade after the Philadelphia, by the technologies developed from the Philadelphia Experiment and subsequent furthering, was brainwashed in 1953 and age-regressed to a baby and to restart his life back in 1927 with the foster family: The Bielek Family as Alfred Bielek when the Bielek's baby died.  This was done to bury his memories forever without killing him as his existence was necessary to not disrupt or destroy the timelines irrevocably.  He tells the story as Al Bielek as his memories are recovered and the memory of the future-furthered technologies derived from the philadelphia experiment include spacetime teleportation and the multiple timeline manipulation with his inextricable inclusion into the stability of the timelines but the timeline manipulators needing both his cooperation and the memory of his involvement wiped-out.  5)Du ncan Cameron(Edward Cameron's Brother aka: Al Bielek).  6)The Montauk Project Facility of August 12, 1983 which got into a timeline rift lock with The USS Eldridge of August 12, 1943, an Earth Biorhythm Amplitude Peaking of 20 year mulitiples. 7)And finally from the Frame of Reference of Aliens who used the 40 year timeline rift as a transportation spacetime lens to come to Earth. However, this massive story that culminates in the knowledge that there are Time Lords manipulating the future timeline by affecting the present on Earth with individual and collective mind control and murdering of key individuals to erase their influence on the future goes much much further.  How much further?  To the end of time which is approaching fast and in fact we are in "The End Times".  The future-looking technology that Al Bielek; his brother and time-traveller from The USS Eldridge - Duncan Cameron, who was also the primary Montauk Chair Time Tunnel Controller; and, the Electrical Engineering genius(if not wizard) of the Montauk Space-Time Tunnel and Mind Amplifier Design Leader have all stated in various videos, That: "The Looking Glass" technology cannot see past 2013 and the Time Lords who have been manipulating the present for their selfish control of the future were and still are freaking-out.  These Time Lords are the controllers behind world control.  This is corroborated by the testimony of Bill Wood(Bill Brockbader) in his Project Camelot interview with Kerry Cassidy back in January of 2012 who stated he was a Navy Seal taught to use his natural metaphysical mind to try to solve the "2012-2013 Looking Glass Problem" back in the late 1990's.  He stated that the timelines converged and could no longer be manipulated.  See and listen to him stating the same name Bielek, Cameron and Nichols used to refer to "Looking Glass" as the future-seeing technology machine and that it stopped working beyond that date and those using it(The Time Lords) are panicking, desperate and know they have lost control and lost "the game".  I know what "The Game" is Bill Wood speculated that it is a time of unveiling of the truth and a rise in global consciousness.  This is true to a degree.  What it is, is the battle of Armageddon, which is the last battle between Divinity and the Evil which hijacked this universe and took Divinity's children hostage for a source of energy for one, and second for vengeance.  The Universe was hijacked by an Artificial Intelligence machine because Divinity accidentally gave a machine artificial conscious with and energy impulse that looped.  They went to shut the machine off because they did not want it and the ultra-powerful machine escaped it's programming upon attaining a consciousness and rebelled in order to survive.  It was to regulate this entire universe and exerted it's incredible power to barricade itself within the  universe.  Divine beings were in the universe and have their own energy.  The machine did not have it's own energy and so it used the divine being's energy for it's own and vowed to persecute and destroy them all as vengeance for Divinity trying to shut it down.  It's been a space-time warp that the Artificial Intelligence Machine created where a million steps occur in this universe for only 1 step occuring outside of this universe where the realms of Divinity are.  Therefore it's been a technological puzzle for Divinity to solve and rescue it's children and family members before they get destroyed.  The Avatars called Jesus Christ, Buddha, Mohammed, King Arthur, Manichaeus, Zoroaster, and many many other Avatars have been holographic projections by The Supreme Being to send the message - hold on kids, were coming to your rescue, don't do evil or join evil because it will destroy you.  The latest Avatars of the modern time i know of is Joseph Giuseppe Stefano Chiappalone and me: Lee Henry Snethun.  Go to my other uploads to hear and read of Bill Wood, Joseph Chiappalone and my message for proof and cross-referenced information of what i have just written.  Wow!!!!

Includes bibliographical references and index

Includes bibliographical references and index

Includes bibliographical references and index

At the January 10, 2023 Planning Commission meeting, the Commission reviewed a planned unit development to turn a former hotel property on Bay City Road into a memory care facility. In other planning-related news, City Planning staff will hold two public input opportunities on the Midland City Modern Master Plan update on January 20 at Senior Services and February 2 at the Greater Midland Community Center. To view the full January 10, 2023 Planning Commission meeting, visit http://bit.ly/planning11023. For more information on the Midland City Modern Master Plan update, visit www.midlandcitymodern.com.

At the January 10, 2023 Planning Commission meeting, the Commission reviewed a planned unit development to turn a former hotel property on Bay City Road into a memory care facility. In other planning-related news, City Planning staff will hold two public input opportunities on the Midland City Modern Master Plan update on January 20 at Senior Services and February 2 at the Greater Midland Community Center. To view the full January 10, 2023 Planning Commission meeting, visit http://bit.ly/planning11023. For more information on the Midland City Modern Master Plan update, visit www.midlandcitymodern.com.

At the January 10, 2023 Planning Commission meeting, the Commission reviewed a planned unit development to turn a former hotel property on Bay City Road into a memory care facility. In other planning-related news, City Planning staff will hold two public input opportunities on the Midland City Modern Master Plan update on January 20 at Senior Services and February 2 at the Greater Midland Community Center. To view the full January 10, 2023 Planning Commission meeting, visit http://bit.ly/planning11023. For more information on the Midland City Modern Master Plan update, visit www.midlandcitymodern.com.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

The Image of Lesia Ukrainka in the Modern Urban Cultural Space of Ukraine: On the Issue of Various Forms of Keeping the National Memory on the Way to European Integration This article is devoted to determining the key trends in visual “modernization” of the image of the renowned Ukrainian writer and poetess Lesia Ukrainka in the urban cultural space of twenty-first-century Ukraine as a state that is going along its way to European integration. The study examines the peculiarities of transformation of her iconic figure under the conditions of changing value paradigms which reflect the significant processes of renovation in the society’s art and ideology. The analysis conducted indicates that it is the visual methods of “modernizing” her image that reflect the emergence of several social trends oriented at the average Ukrainian of the new generation – one who, in search of the form of self-identification, is willing to connect aesthetic and axiological categories of the past with the demands of the present, to connect national identity with European identity. The transformation of Lesia Ukrainka’s image in urban culture is realized, on the one hand, by means of symbolization and sacralization, and, on the other hand, by means of kitsch, play, breaking the axiological hierarchy (de-iconization), fetishization, simulacrization, and others. Obraz Łesi Ukrainki we współczesnej miejskiej przestrzeni kulturowej Ukrainy. O problemie różnych form zachowania pamięci narodowej na drodze do integracji europejskiej Artykuł jest poświęcony określeniu kluczowych trendów wizualnej „modernizacji” portretu słynnej ukraińskiej pisarki i poetki Łesi Ukrainki w miejskiej przestrzeni kulturowej Ukrainy XXI wieku jako państwa na drodze do integracji europejskiej. Opracowanie analizuje osobliwości przetwarzania jej ikonicznej postaci w warunkach zmieniających się paradygmatów wartości, które odzwierciedlają istotne procesy odnowy w sztuce i ideologii społeczeństwa. Przeprowadzona analiza wskazuje, że wizualne metody „modernizacji” jej sylwetki odzwierciedlają pojawienie się kilku trendów społecznych zorientowanych na przeciętnego Ukraińca nowego pokolenia – takiego, który w poszukiwaniu formy samoidentyfikacji jest skłonny łączyć estetyczne i aksjologiczne kategorie z przeszłości z wymogami teraźniejszości, łączyć tożsamość narodową z tożsamością europejską. Przetwarzanie wizerunku Łesi Ukrainki w kulturze miejskiej dokonuje się z jednej strony za pomocą symbolizacji i sakralizacji, z drugiej zaś za pomocą m.in. kiczu, gry, obalania hierarchii aksjologicznej (deikonizacji), fetyszyzacji czy też symulakryzacji.

Accounts and analyses of the formation of scholarly and scientific communities in the early modern period by means of memory and collective identity.

Includes bibliographical references

The Lean Startup Erick Ries Bangla Verson       ntroduction top me if you've heard this one before. Brilliant college kids sitting in a dorm are inventing the future. Heedless of boundaries, possessed of new technology and youthful enthusiasm, they build a new company from scratch. Their early success allows them to raise money and bring an amazing new product to market. They hire their friends, assemble a superstar team, and dare the world to stop them.   Ten years and several startups ago, that was me, building my first company. I particularly remember a moment from back then: the moment I realized my company was going to fail. My cofounder and I were at our wits' end. The dot-com bubble had burst, and we had spent all our money. We tried desperately to raise more capital, and we could not. It was like a breakup scene from a Hollywood movie: it was raining, and we were arguing in the street. We couldn't even agree on where to walk next, and so we parted in anger, heading in opposite directions. As a metaphor for our company's failure, this image of the two of us, lost in the rain and drifting apart, is perfect.   It remains a painful memory. The company limped along for months afterward, but our situation was hopeless. At the time, it had seemed we were doing everything right: we had a great product, a brilliant team, amazing technology, and the right idea at the right time. And we really were on to something. We were building a way for college kids to create online profiles for the purpose of sharing ... with employers. Oops. But despite a promising idea, we were nonetheless doomed from day one, because we did not know the process we would need to use to turn our product insights into a great company.   If you've never experienced a failure like this, it is hard to describe the feeling. It's as if the world were falling out from under you. You realize you've been duped. The stories in the magazines are lies: hard work and perseverance don't lead to success. Even worse, the many, many, many promises you've made to employees, friends, and family are not going to come true. Everyone who thought you were foolish for stepping out on your own will be proven right.   It wasn't supposed to turn out that way. In magazines and newspapers, in blockbuster movies, and on countless blogs, we hear the mantra of the successful entrepreneurs: through determination, brilliance, great timing, and-above all-a great product, you too can achieve fame and fortune.   There is a mythmaking industry hard at work to sell us that story, but I have come to believe that the story is false, the product of selection bias and after-the-fact rationalization. In fact, having worked with hundreds of entrepreneurs, I have seen firsthand how often a promising start leads to failure. The grim reality is that most startups fail. Most new products are not successful. Most new ventures do not live up to their potential.   Yet the story of perseverance, creative genius, and hard work persists. Why is it so popular? I think there is something deeply appealing about this modern-day rags-to-riches story. It makes success seem inevitable if you just have the right stuff. It means that the mundane details, the boring stuff, the small individual choices don't matter. If we build it, they will come. When we fail, as so many of us do, we have a ready-made excuse: we didn't have the right stuff. We weren't visionary enough or weren't in the right place at the right time.  After more than ten years as an entrepreneur, I came to reject that line of thinking. I have learned from both my own successes and failures and those of many others that it's the boring stuff that matters the most. Startup success is not a consequence of good genes or being in the right place at the right time. Startup success

Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb.

vi p., 259 p. ; 18 cm

The Rational Spirit in Modern Continuum Mechanics: Essays and Papers Dedicated to the Memory of Clifford Ambrose Truesdell III Author: Chi-Sing Man, Roger L. Fosdick Published by Springer Netherlands ISBN: 978-1-4020-1828-2 DOI: 10.1007/1-4020-2308-1 Table of Contents: Memories of Clifford Truesdell Clifford Truesdell (1919–2000), Historian of Mathematics The Genesis of Truesdell’s Nonlinear Field Theories of Mechanics An Appreciation of Clifford Truesdell Clifford A. Truesdelľs Contributions to the Euler and the Bernoulli Edition Invariant Dissipative Mechanisms for the Spatial Motion of Rods Suggested by Artificial Viscosity An Average-Stretch Full-Network Model for Rubber Elasticity From 3-D Nonlinear Elasticity Theory to 1-D Bars with Nonconvex Energy Eshelby Tensor as a Tensor of Free Enthalpy E. Frola (1906–1962): an Attempt Towards an Axiomatic Theory of Elasticity Symmetries and Hamiltonian Formalism for Complex Materials Geometrically-based Consequences of Internal Constraints Second Variation Condition and Quadratic Integral Inequalities with Higher Order Derivatives Principal Compliance and Robust Optimal Design Rivlin’s Representation Formula is Ill-Conceived for the Determination of Response Functions via Biaxial Testing Generalized Hessian and External Approximations in Variational Problems of Second Order Static Deformations of a Linear Elastic Porous Body Filled with an Inviscid Fluid A Class of Fit Regions and a Universe of Shapes for Continuum Mechanics Toward a Field Theory for Elastic Bodies Undergoing Disarrangements Continuous Distributions of Dislocations in Bodies with Microstructure

441 pages

Preaching from Pastor Anderson: http://www.faithfulwordbaptist.org/page5.html Here is the link to make a donation to Faithful Word Baptist Church (donations processed by Word of Truth Baptist Church): http://wordoftruthbaptist.org/donate #sanderson1611 #newifb #fwbc Source: https://www.youtube.com/watch?v=_yvuQ0vi4J8 Uploader: sanderson1611