Downloads & Free Reading Options - Results

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

"Mi lugar en New Canaan es... el diario de un arquitecto excéntrico". Así comienza una mirada fascinante a la mente de uno de nuestros arquitectos más creativos e importantes. Philip Johnson siempre estuvo a la vanguardia del cambio estilístico, y su propiedad en New Canaan, Connecticut, es una especie de laboratorio donde Johnson era su mejor cliente. Fue allí donde construyó la famosa “Casa de Cristal” en la que residió durante tantos años. Este edificio no tiene paredes; (el paisaje se convirtió en un “papel pintado caro”), en cambio, la casa de huéspedes que la acompaña no tiene ventanas, aunque su interior es luminoso y sensual. Los visitamos, así como la galería que alberga la extensa colección de arte contemporáneo de Johnson en sus paredes giratorias. "Mi última locura", dice Johnson, "es construir edificios sin líneas rectas... Es la primera vez que tengo un edificio que no puedo dibujar y tengo que diseñar parcialmente a medida que se construye". Esta nueva estructura es el núcleo de la película, y podemos ver el progreso del edificio escultórico desde sus etapas iniciales hasta su finalización. Este documental muestra a Johnson en el trabajo y la importancia del acto arquitectónico, la construcción real y cómo los edificios interactúan con su entorno (en este caso, las hojas de otoño o la nieve de New Canaan).

"Mi lugar en New Canaan es... el diario de un arquitecto excéntrico". Así comienza una mirada fascinante a la mente de uno de nuestros arquitectos más creativos e importantes. Philip Johnson siempre estuvo a la vanguardia del cambio estilístico, y su propiedad en New Canaan, Connecticut, es una especie de laboratorio donde Johnson era su mejor cliente. Fue allí donde construyó la famosa “Casa de Cristal” en la que residió durante tantos años. Este edificio no tiene paredes; (el paisaje se convirtió en un “papel pintado caro”), en cambio, la casa de huéspedes que la acompaña no tiene ventanas, aunque su interior es luminoso y sensual. Los visitamos, así como la galería que alberga la extensa colección de arte contemporáneo de Johnson en sus paredes giratorias. "Mi última locura", dice Johnson, "es construir edificios sin líneas rectas... Es la primera vez que tengo un edificio que no puedo dibujar y tengo que diseñar parcialmente a medida que se construye". Esta nueva estructura es el núcleo de la película, y podemos ver el progreso del edificio escultórico desde sus etapas iniciales hasta su finalización. Este documental muestra a Johnson en el trabajo y la importancia del acto arquitectónico, la construcción real y cómo los edificios interactúan con su entorno (en este caso, las hojas de otoño o la nieve de New Canaan).

"Mi lugar en New Canaan es... el diario de un arquitecto excéntrico". Así comienza una mirada fascinante a la mente de uno de nuestros arquitectos más creativos e importantes. Philip Johnson siempre estuvo a la vanguardia del cambio estilístico, y su propiedad en New Canaan, Connecticut, es una especie de laboratorio donde Johnson era su mejor cliente. Fue allí donde construyó la famosa “Casa de Cristal” en la que residió durante tantos años. Este edificio no tiene paredes; (el paisaje se convirtió en un “papel pintado caro”), en cambio, la casa de huéspedes que la acompaña no tiene ventanas, aunque su interior es luminoso y sensual. Los visitamos, así como la galería que alberga la extensa colección de arte contemporáneo de Johnson en sus paredes giratorias. "Mi última locura", dice Johnson, "es construir edificios sin líneas rectas... Es la primera vez que tengo un edificio que no puedo dibujar y tengo que diseñar parcialmente a medida que se construye". Esta nueva estructura es el núcleo de la película, y podemos ver el progreso del edificio escultórico desde sus etapas iniciales hasta su finalización. Este documental muestra a Johnson en el trabajo y la importancia del acto arquitectónico, la construcción real y cómo los edificios interactúan con su entorno (en este caso, las hojas de otoño o la nieve de New Canaan).

"Mi lugar en New Canaan es... el diario de un arquitecto excéntrico". Así comienza una mirada fascinante a la mente de uno de nuestros arquitectos más creativos e importantes. Philip Johnson siempre estuvo a la vanguardia del cambio estilístico, y su propiedad en New Canaan, Connecticut, es una especie de laboratorio donde Johnson era su mejor cliente. Fue allí donde construyó la famosa “Casa de Cristal” en la que residió durante tantos años. Este edificio no tiene paredes; (el paisaje se convirtió en un “papel pintado caro”), en cambio, la casa de huéspedes que la acompaña no tiene ventanas, aunque su interior es luminoso y sensual. Los visitamos, así como la galería que alberga la extensa colección de arte contemporáneo de Johnson en sus paredes giratorias. "Mi última locura", dice Johnson, "es construir edificios sin líneas rectas... Es la primera vez que tengo un edificio que no puedo dibujar y tengo que diseñar parcialmente a medida que se construye". Esta nueva estructura es el núcleo de la película, y podemos ver el progreso del edificio escultórico desde sus etapas iniciales hasta su finalización. Este documental muestra a Johnson en el trabajo y la importancia del acto arquitectónico, la construcción real y cómo los edificios interactúan con su entorno (en este caso, las hojas de otoño o la nieve de New Canaan).

Depositions and Trial Testimony (DATTA); deposition; the witness, former ceo and president of rjr nabisco (rjr), was deposed by the plaintiffs. he denied that rjrs advertisements were untruthful or misleading. he admitted that cigarettes are addictive and defined addictive as "getting attached." he claimed that people smoke because cigarettes are attractive and pleasurable, not for nicotine and that he had no knowledge that nicotine was a potent drug with physiological effects. he acknowledged that there is an association between smoking and heart disease. the witness disagreed with claude teague's opinion that marketing advantages could be gained by producing dosage forms of nicotine. although the witness had received memos from rjr researchers indicating that low-tar cigarette smokers did not receive less tar, he failed to inform the public. he stated that he had no knowledge concerning the cigarette advertising code. he discussed manipulation, compensation and the impact of advertisement on youth and industry sponsored youth prevention programs.

Tv Show 

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

In the late 1970s and early 1980s the Experimental Intermedia Foundation held a series of exciting concerts of avant-garde and electro-acoustic music at Phill Niblock’s loft in the SoHo district of New York City. These concerts were then packaged into a series of hour-long radio programs entitled “Concerts by Composers” and distributed to interested radio stations around the United States. This twelfth program in the series features music by Philip Corner and Petr Kotík, with additional commentary by music critic Tom Johnson. The program begins with Philip Corner discussing his interest in gamelan music before we listen to his work “Gamelan Vox”, which while not scored for gamelan proper, does take its sense of time and pitch from the music of Indonesia. This performance of Corner’s work was recorded in December 1980 during a concert at the Experimental Intermedia Foundation. This is followed by an excerpt from another Foundation concert in which two aleatoric compositions by Czech composer Petr Kotík are performed simultaneously by the S.E.M. Ensemble. The program then concludes with composer and music critic for the Village Voice, Tom Johnson, discussing minimal music and its relationship to such things as Eastern Philosophy and the influence of John Cage on new music, while also performing Philip Corner’s dramatically minimalistic piece “Elementals” on the psaltery. The production and distribution of this program was originally funded by grants from the National Endowment for the Arts, New York State Council on the Arts, & the Beards Fund.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents an oral argument audio file as scraped from a U.S. Government website by Free Law Project.

The celebrated letter from Samuel Johnson, LL.D. to Philip Dormer Stanhope, Earl of Chesterfield; now first published, with notes, by James Boswell, Esq. 1790.. Digitized from IA40313601-44 . Previous issue: bim_eighteenth-century_the-state-of-the-nation-_granville-john-carteret_1748 . Next issue: bim_eighteenth-century_a-conversation-between-h_boswell-james_1790 .

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

Program from a concert at the Faculty of Music, University of Toronto. Event tracks : Sonatas, cello, piano, no. 4, op. 102, no. 1, C major. Andante-Allegro ; Adagio-Allegro / Ludwig van Beethoven ; Scherzetto, cello, piano / Frank Bridge ; Sonatas, cello, piano, op. 65, C major. Dialogo ; Scherzo-pizzicato ; Elegia ; Marcia ; Moto perpetuo / Benjamin Britten ; Sonatas, cello, piano, op. 19. Lento ; Allegro moderato ; Allegro scherzando ; Andante ; Allegro mosso / Sergei Rachmaninoff.

Tv show

One invoice from B.G. Johnson to Philip H. Ward from the year 1943. Digitization represents the text portion of each document, and in most cases, the back side is not represented.

One invoice from B.G. Johnson to Philip H. Ward from the year 1943. Digitization represents the text portion of each document, and in most cases, the back side is not represented.

One invoice from B.G. Johnson to Philip H. Ward from the year 1943. Digitization represents the text portion of each document, and in most cases, the back side is not represented.

Anecdotes of Philip, late Earl of Chesterfield, and Dr. Johnson; a comparative view of their lives, characters, and merit, ... By a student at Cambridge. 1800.. Digitized from IA40316208-70 . Previous issue: bim_eighteenth-century_letters-concerning-the-p_lind-john_1773 . Next issue: bim_eighteenth-century_the-merciful-assizes-or_dunton-john_1701 .

This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

custom selling for $548+ nicely detailed Figures complete with suit belts shoes body heads in resin hand-painted by a brazilian artist. all in scale 1/6 type hot toys stand base not included two figures Don Johnson Sonny Crockett and Philip Michael Thomas Detective Ricardo Tubbs 1/6 scale figure Miami Vice Don Johnson and Philip Michael | eBay (archive.ph)

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

2005 Symposium: "Black Archipelago."

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

Oct 9 –Philip Johnson – Railroads in the Valley The Connecticut River Railroad opened to passenger service between Springfield and Northampton in late 1845; trains reached Deerfield in August 1846, Greenfield in December 1847, and the junction with the Central Vermont Railway in January 1849. When the Vermont and Massachusetts Railroad reached Brattleboro in 1850, the Connecticut River Railroad began running through service from Springfield to Brattleboro. The first railroad train arrived in Amherst in 1853, from Palmer, over the Amherst and Belchertown Railroad. Then in 1871, the Athol & Enfield Railroad (also known as the Rabbit Line, Bunny Road, and the Soapstone Limited) began operations through the Swift River Valley, eventually connecting Athol to Palmer and Springfield. And then there was the Hamden Railroad – “the Greatest Railroad that never ran.” Author/Speaker: Philip Johnson grew up in Springfield, but has roots in Amherst area. His mother’s family comes from Leverett and they went to high school in Amherst. He has been a lifelong railfan and has researched many lines in Western Mass. He is a railroad photographer, model railroader, and author of The Hampden Railroad, The Greatest Railroad that never ran. Philip is also a member of several railroad groups, including a 47-year member of Amherst Railway Society. Now, retired, Philip spent his work career with several Western Mass companies mostly in Quality Engineering or Computer Management roles.

This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

xx, 279, [1] p. 18 cm

Interview of  Philip Johnson by Barbaralee Diamonstein-Spielvogel

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.