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Muito antes do Chroma Key ou o CGI sequer existir, o mundo do cinema utilizava uma tecnica de animacão como efeitos especiais única, estamos falando do Stop Motion.E nesse episódio trouxemos alguns dos filmes mais conhecidos da área

OCIM: Do intra-saccadic motion streaks establish object correspondence across saccades?

DanceMania for an encoreDanceMania part 06 (83)Powerplay:Key Motion - Automatic Love - 1993The original P-Kris program broadcast weekly in Radio Rekord Świętokrzyskie 89.6FM.The program dedicated to music of the 90s and 80s.An evening full of guests and music in the style of Eurodance / Dance / Disco / Italo Disco.The DJ presents songs in the \"remix-mix-vinyl-maxi version\" versions.Many versions will surprise you :)DanceMania na bisDanceMania częśc 06 (83)Powerplay:Key Motion - Automatic Love - 1993Autorski program P-Kris'a nadawany co tydzień w Radio Rekord Świętokrzyskie 89.6FM.Audycja poświęcony muzyce lat 90 i 80.Wieczór pełen gości i muzyki w stylu Eurodance/Dance/Disco/Italo Disco.DJ przedstawia utwory w wersjach \"remix-mix-vinyl-maxi version\".Wiele wersji Was zaskoczy :)02.03.2019 - Radio Rekord Świętokrzyskie 89.6FM FMFacebook profile - profil Facebookfacebook.com/groups/291993168147299#DanceMania #EuroDance #PKris #Dance #Disco #ItaloDisco #Radio #Rekord #KeyMotion

We measure the relationship between random dot motion direction sensitivity (the four cardinal directions) and axial myopia with elements that stimulate either ON- or OFF-contrast sensitive mechanisms. The stimuli will be presented in the central visual field and in 7 degrees into the upper and lower visual fields. An external noise drawn from a Gaussian distribution will be added to each element in the random dot stimulus to compute each observer's calculation efficiency and equivalent noise. A wavefront analyzer will measure refractive error, and axial length will be measured with a lenstar biometer. This study will also evaluate the relationship between ON- and OFF- retinal ganglion cell conditions and changes in choroidal thickness. Choroid thickness will be measured from OCT line scans. Based on previous research using spatial vision stimuli, ON-contrast conditions promote choroid thickening whereas OFF-contrast thinning of the choroid. We expect to continue to see this relationship persist while evaluating temporal sensitivity with a random dot stimulus of ON and OFF contrast polarity.

This study aims at exploring the relationship between visual imagery and the perception of motion by comparing two aspects of motion perception, namely interocular transfer of motion aftereffect and biological motion detection, between people with different levels of vividness in their visual imagery.

Internalized knowledge about earth gravity helps guide our actions, especially when predictions are needed. Eye movements are partially guided by predictive information. We thus investigate whether our knowledge of Earth Gravity benefits visual pursuit.

When rapidly moving stimuli induce motion streaks, are these localized relative to a frame reference?

When rapidly moving stimuli induce motion streaks, are these localized relative to a frame reference?

The research goal is to investigate the importance of relative or absolute speed on the onset and offset location biases. When it comes to circular motion of a stimulus, perceived onset and offset location (estimated across a long range of different stimulus speeds) exhibit a typical, mirroring pattern similar to the predictions of the speed prior account (Merz, Soballa et al., 2022). The goal of the present experiment(s) is to investigate the relevance of the absolute (in pix / s) or relative (in circular rotations per second) speed, as well as the different speeds presented within one experimental context, on the localization of moving stimuli.

The research goal is to investigate the importance of relative or absolute speed on the onset and offset location biases. When it comes to circular motion of a stimulus, perceived onset and offset location (estimated across a long range of different stimulus speeds) exhibit a typical, mirroring pattern similar to the predictions of the speed prior account (Merz, Soballa et al., 2022). The goal of the present experiment(s) is to investigate the relevance of the absolute (in pix / s) or relative (in circular rotations per second) speed, as well as the different speeds presented within one experimental context, on the localization of moving stimuli.

This is the second replication of the perspectival motion verbs comprehension study.

Tracklist: 1. Fandango; Desafio; Farruca Del Contrabandista 2. Siguiriyas And Fiesta Flamenca 3. Los Novios De Montehermoso 4. Romance Andaluz 5. Zapateado 6. La Patenera And Caria De Los Cabales 7. Danza De Castilla 8. La Molinera Caprichosa

Toolkit

A study of motion - abstracting an object to the point where its context has changed and it is devoid of meaning.

Visualizating the breakdown of MIME type and Server Response code by country for the Archive-It collection 176 (Latin American Government Documents Archive - LAGDA). The data was extracted from the WAT files generated for the given collection over a period of 9 years as a part of the Archive-It Researcher Services project.

Osteoarthritis (OA) is the second most common chronic condition in people attending general practice in Australia and affects approximately half (50%) of people aged 65 years and over. Current data indicates that people with knee OA are three times more likely to be referred by their general practitioner for orthopaedic opinion than to allied health professionals to support first-line care such as education, exercise-therapy and weight management where indicated. Most people with knee OA do not access appropriate first-line care, and the number of total knee replacements due to knee OA has significantly increased since 2003 by approximately 150%. It is estimated the annual cost to the Australian healthcare system will exceed $3.5B by 2030. Most people accessing orthopaedic opinion at Australian public hospitals wait more than 6-months for assessment. Understanding the course of symptoms, alongside healthcare utilisation and how to optimise this, of people with knee OA referred for orthopaedic opinion at public hospitals over time is necessary to develop optimal treatments and care pathways. This project will involve two related parts. Part A will involve a large cohort of people with knee OA referred to Victorian public hospitals. Part B will involve providing improved access to appropriate first-line care to a subset of participants in Part A. Improved access will involve provision of timely care in community settings, and additional funding to reduce ‘out of pocket costs’ acting as a barrier to accessing appropriate first-line care. Our aims are listed below: Part A primary aim: Evaluate the number of people with knee OA referred to Victorian public hospitals being waitlisted for, undergoing, or desiring TKR at 4- 8- 12- (primary time point) 24- and 60-months following referral for orthopaedic opinion. Part A secondary aims: i) Evaluate the health trajectory (knee pain and quality of life) of people with knee OA referred to Victorian public hospitals at five different timepoints (4- 8- 12- 24- and 60-months). ii) Explore factors that may explain health trajectories of people with knee OA referred to Victorian public hospitals. Part B primary aim: Evaluate the effect of improved access to appropriate first-line care in the community on the proportion of people with knee OA, being waitlisted for, undergoing, or desiring TKR, compared to usual tertiary hospital care pathways at 4-, 8-, 12- (primary time point), 24- and 60-months following referral to orthopaedic opinion. Part B secondary aims i) Evaluate the effect of improved access to appropriate first-line care in the community on knee pain and quality of life outcomes in people with knee OA compared to usual tertiary hospital care pathways. ii) Evaluate cost-utility and cost-effectiveness of improved access to appropriate first line care in the community compared to usual tertiary hospital care pathways in people with knee OA referred to Victorian public hospitals. iii) Complete a comprehensive mixed-methods process evaluation involving participants, health professionals delivering care, and health service administrators to understand factors influencing the reach, effectiveness, adoption, implementation, and maintenance of the community-based first-line care intervention implemented.

Marking Motion 1/7/2005 - 1/22/2005 Olivia Brown, Anastasia Faiella, Sheila Ghidini, Regina Gilligan, Jennifer Kent, Susan Maxwell, Marc Morozumi, Lezli Rubin–Kunda and Kristen Chappa Marking Motion is a cross–disciplinary group exhibition which fuses the world of movement with mark making. These artists range from formally trained dancers to those whose research for visual expression is based in a fascination with patterned or impulsive movement. Using this unique vocabulary, the body in motion serves as a catalyst for the work as well as a material itself, tracing wingspan and tracking motion. The marks these artists make are an investigation and visual record of time and action as described in the mediums of painting, performance, site–specific drawing, and collaborative installation. This graceful yet physical work studies the language of the body and personal movement as individual expression. These artists merge the three–dimensional space of dance and motion with the two–dimensional space of the captured image. Audience members will have the rare opportunity to see the process of live artmaking in this challenging and experimental intersection of performance and exhibition. More information Other media from this event: thelabsf_2005-01-07_Marking-Motion_1.jpg thelabsf_2005-01-07_Marking-Motion_4.jpg thelabsf_2005-01-07_Marking-Motion_5.jpg thelabsf_2005-01-07_Marking-Motion_6.jpg thelabsf_2005-01-07_Marking-Motion_7.jpg thelabsf_2005-01-07_Marking-Motion_8.jpg thelabsf_2005-01-07_Marking-Motion_11.jpg thelabsf_2005-01-07_Marking-Motion_14.jpg thelabsf_2005-01-07_Marking-Motion_15.jpg thelabsf_2005-01-07_Marking-Motion_16.jpg thelabsf_2005-01-07_Marking-Motion_18.jpg thelabsf_2005-01-07_Marking-Motion_20.jpg thelabsf_2005-01-07_Marking-Motion_21.jpg thelabsf_2005-01-07_Marking-Motion_22.jpg thelabsf_2005-01-07_Marking-Motion_23.jpg thelabsf_2005-01-07_Marking-Motion_27.jpg thelabsf_2005-01-07_Marking-Motion_28.jpg thelabsf_2005-01-07_Marking-Motion_29.jpg thelabsf_2005-01-07_Marking-Motion.mp4

This experiment named STRK investigates whether motion streaks induced by noise patches moving rapidly during saccades are perceived in retinal or world-centered coordinates.

Direct interactions between working memory and perception for color and motion

Multi-echo denoising is a processing technique that leverages the manner in which fMRI signal decays over time in order to separate blood oxygenation-level dependent (BOLD) signals from non-BOLD noise. While this method is quite useful for improving fMRI signal-to-noise with limited spatial and temporal resolution costs, there are forms of noise that exhibit the same signal decay characteristics as neuronal signal. A recent publication by Power et al. (2018) [1] found that multi-echo denoising is unable to identify BOLD-based, spatially-diffuse noise caused by respiration-related motion, and further proposed global signal regression as a useful method for removing this kind of noise. In this manuscript, we replicate and extend the findings of Power et al. (2018) across a range of open-access multi-echo fMRI datasets in order to reproduce the original paper’s results, as well as to determine if global signal regression is an appropriate technique for dealing with the forms of noise that multi-echo denoising cannot.

During states of perceptual bistability, the observer’s perception typically switches stochastically between two alternative perceptual interpretations despite the physical properties of the stimuli staying the same. Perception is said to be bistable in these situations because the stimulus is inherently consistent with two stable percepts, and each percept tends to remain for a few seconds at a time before a perceptual switch. Perceptual bistability has been extensively studied because perceptual switches are indicative of underlying neural mechanisms that are important for our understanding of visual perception in general. The noradrenergic arousal system associated with the locus coeruleus has been suggested to be one possible modulating mechanism because pupil dilations, typically considered an reaction to noradrenaline release, have been suggested to signify occurrences of perceptual switches (Einhäuser, Stout, Koch & Carter, 2008; Hupé, Lamirel & Lorenceau, 2009). In particular, one study has found, using a variety of bistable stimuli, that pupil dilations were closely related to timing of the switches such that pupil diameter increased immediately preceding reported perceptual switches (Einhäuser et al., 2008). However, observers reported perceptual switches either overtly by pressing keys on a keyboard, or covertly tracked and counted the number of switches they experienced. Thus due to possible influences of moth motor responses and effortful cognitive processing on pupil responses (Joshi & Gold, 2020; Mathôt, 2018), pupil responses in those situations may not be strictly tied to perceptual switches themselves. Because these and other similar task-related actions always occur at the same time as, or immediately following a genuine perceptual switch, this temporal correspondence complicates interpretation of dilations as they could be due to the actions of pressing keys or the mental arithmetic of counting switches. Therefore, pupil responses may have been caused by the task-relevant actions and their corresponding neural events, immediately following the perceptual switches, rather than the switch events themselves (Hupé et al., 2009; Brascamp, Hollander, Wertheimer, DePew & Knapen, 2021). In support of this notion, more recent work, in which task relevance was manipulated, found drastically different pupil responses depending on whether observers needed to overtly report switches. Using a dichoptic setup inducing binocular rivalry between separate planes of dots moving in opposite directions, observers’ perception alternates between the representation that originated from the left eye’s retinal image and one that arises from the right eye’s retinal image. In other words, they sometimes perceived left-moving dots and sometimes perceived right-moving dots. They found that, compared to the “report” conditions where observers were instructed to report switches by pressing a key on a keyboard, those in the “ignore” conditions where they were told to ignore switches showed significant constrictions following perceptual switches, in sharp contrast to the dilations in earlier findings (Brascamp et al., 2021). Importantly, in the ‘report’ conditions, dilation was also present and overlapped with the later portion of the perception-tied pupil constriction, suggesting that dilations found in earlier work could be accounted for by the task-relevant motor responses. Though pupils are found to react differently between these two studies, different stimuli were used in the process. Notably, among the stimuli used by Einhaüser et al. (2008) was a structure-from-motion rotating cylinder that, though also bistable for most observers, likely involves different mechanisms compared to binocular rivalry. Typically, percepts during observation of those stimuli are more susceptible to higher-level influences such as attention (Meng & Tong, 2004) or intention (Brouwer & van Ee, 2005); and perception of these stimuli based also tends to recruit higher-level brain areas such as the MT (Bradley, Chang & Anderson, 1998). On the other hand, perceptual alternation during binocular rivalry is generally considered more stimulus-driven (Blake & Logothetis, 2002), as it is less susceptible to higher-level influences such as attention (Meng & Tong, 2004). Further, neurophysiological evidence shows low-level suppression at as early as LGN during binocular rivalry (Wunderlich et al., 2005). Therefore it is possible that discrepancy in pupil responses between binocular rivalry and structure-from-motion could be attributed to different underlying mechanisms. In the current project, we aim to examine pupil responses during observation of a structure-from-motion stimulus again with the included design of an “ignore” condition allowing extraction of perceptual switches from observers’ eye movement without manual reporting. Similar to the paradigm used in Brascamp et al. (2021), we apply an algorithm based on optokinetic nystagmus (OKN) to infer moments of perceptual switches during observations of a transparent rotating sphere and observe pupillary responses corresponding to perceptual switches that are independent of manual reports.

This project is supported in part by the California Arts Council, a state agency, and the City of San Diego Commission for Arts and Culture. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council. Visit us online at www.digitalgym.org and www.mediaartscenter.org

Panel: ? Aimee Knight ? AJ O’Neal ? Charles Max Wood Special Guest: PJ Evans In this episode, the panel talks with PJ Evans who is a course developer and an instructor through Manning’s course titled, “Node.js in Motion.” This course is great to learn the fundamentals of Node, which you can check out here! The panel and PJ talk about this course, his background, and current projects that PJ is working on. Check out today’s episode to hear more! Show Topics: 0:00 – Advertisement: KENDO UI 0:36 – Chuck: Welcome and our panel consists of Aimee, AJ, myself, and our special guest is PJ Evans. Tell us about yourself and your video course! NODE JS in Motion is the title of the course. Can you tell us more? 1:29 – PJ: It’s a fantastic course. 2:25 – Chuck: You built this course and there is a lot to talk about. 2:36 – Aimee: Let’s talk about Node and the current state.  2:50 – Chuck: Here’s the latest features, but let’s talk about where do you start with this course? How do you get going with Node? What do people need to know with Node? 3:20 – Aimee. 3:24 – PJ talks about Node and his course! 4:02 – PJ: The biggest headache with Node is the... 4:13 – Chuck. 4:19 – PJ: I am sure a lot of the listeners are familiar with callback hell. 4:50 – Aimee: Let’s talk about the complexities of module support in Node! 5:10 – PJ: It’s a horrible mess. 5:17 – Aimee: Maybe not the tech details but let’s talk about WHAT the problem is? 5:31 – PJ: You are talking about Proper Native ES6 right? They are arguing about how to implement it.  6:11 – PJ: My advice is (if you are a professional) is to stick with the LT6 program. No matter how tensing those new features are! 6:46 – Aimee: It could be outdated but they had to come back and say that there were tons of complexities and we have to figure out how to get there. 7:06 – PJ: They haven’t found an elegant way to do it. 7:15 – Panel: If it’s a standard why talk about it? Seriously – if this is a standard why not implement THE standard? 7:38 – PJ. 8:11 – Panel. 8:17 – Aimee: I would love to talk about this, though! 8:24 – Chuck: I want to talk about the course, please. 8:30 – PJ. 8:54 – Chuck: We will keep an eye on it. 9:05 – PJ. 9:16 – PJ: How is it on the browser-side? 9:33 – Aimee: I don’t want to misspeak. 9:41 – Chuck: I don’t know how complete the forms are. 9:49 – Aimee: I don’t want to misspeak. 9:56 – PJ: I just found the page that I wanted and they are calling it the .MJS or aka the Michael Jackson Script. You can do an import from... Some people think it’s FINE and others think that it’s a TERRIBLE idea. 10:42 – Chuck: “It sounds like it’s a real THRILLER!” 10:52 – Panel. 11:25 – Panel: When you start calling things the Michael Jackson Solution you know things aren’t well. 11:44 – Aimee: Just to clarify for users... 11:57 – Chuck: I want to point us towards the course: NODE.JS. Chuck asks two questions. 12:34 – PJ: The concepts aren’t changing, but the information is changing incredibly fast. The fundamentals are fairly settled. 13:22 – Chuck: What are those things? 13:28 – PJ talks about how he structured the course and he talks about the specifics. 15:33 – Chuck: Most of my backend stuff is done in Ruby. Aimee and AJ do more Java then I do. 15:55 – Panel: I think there is something to understanding how different Node is. I think that Node is a very fast moving train. Node has a safe place and that it’s good for people to know about this space. 16:34 – Aimee: Not everyone learns this way, but for me I like to understand WHY I would want to use Node and not another tool. For me, this talk in the show notes really helped me a lot. That’s the core and the nature of NODE. 17:21 – PJ: Yes, absolutely. Understanding the event loop and that’s aimed more towards people from other back ends. Right from the beginning we go over that detail: Here is how it works, we give them examples, and more. 18:08 – Aimee: You can do more than just create APIs. Aimee mentions Vanilla Node. 18:50 – PJ: To get into frameworks we do a 3-line server. We cover express, and also Sequelize ORM. 19:45 – Advertisement – Sentry.io 20:43 – Chuck: I never used Pug. 20:45 – PJ: PUG used to be called JADE. 20:56 – Aimee. 21:14 – PJ: Express does that for you and I agree with you. I advocate a non-scripted approach, I like when frameworks have a light touch. 22:05 – Aimee: That’s what I liked about it. No offense, Chuck, but for me I didn’t like NOT knowing a lot of what was not happening under the hood. I didn’t want to reinvent the wheel, but I wanted to build at a lower level. 22:40 – PJ: I had the same experience. I wanted to figure out why something wasn’t working. 23:24 – Panel: I had a friend who used Rails...he was cautious to make a switch. This past year he was blown away with how much simpler it was and how fast things were. 24:05 – Aimee: I feel like if you want to learn JavaScript then Node might be easier on the frontend. 24:21 – Chuck: No pun intended. No, but I agree. I like about Rails is that you had well-understood patterns. But the flipside is that you have abstractions... To a certain degree: what did I do wrong? And you didn’t follow the pattern properly. 25:57 – Panel: With Node you get a little bit of both. To me it’s a more simple approach, but the downside is that you have 100’s of 1,000’s of modules that almost identical things. When you start reaching out to NPM that... 26:29 – PJ: Yes the module system of NPM is the best/worst thing about NODE. I don’t have an answer, honestly. There is a great article written that made me turn white. Here is the article! 28:12 – Panel: The same thing happened with the ESLint . That was the very problem that he was describing in the article. 28:50 – PJ: Yep, I put that in the chat there – go ahead and read it! It’s not a problem that’s specific to Node, there are others. It’s the way we do things now. 29:23 – Chuck: We have the NODE Security project. A lot of stuff go into NPM everyday. 29:43 – PJ: We cover those things in the course. 29:53 – Chuck: It’s the reality. Is there a place that people get stuck? 30:00 – PJ answers the question. 30:23 – Aimee. 30:55 – PJ: I am coding very similar to my PHP days. 31:20 – Aimee. 32:02 – PJ: To finish off my point, I hope people don’t loose sight. 32:18 – Aimee. 32:20 – PJ: I am working on a project that has thousands of requests for... 32:53 – Chuck: Anything you WANTED to put into the course, but didn’t have time to? 33:05 – PJ: You can get pretty technical. It’s not an advanced course, and it won’t turn you into a rock star. This is all about confidence building. It’s to understand the fundamentals. It’s a runtime of 6 hours and 40 minutes – you aren’t just watching a video. You have a transcript, too, running off on the side. You can sit there and type it out w/o leaving – so it’s a very interactive course. 34:26 – Chuck: You get people over the hump. What do you think people need to know to be successful with Node? 34:38 – PJ answers the question. PJ: I think it’s a lot of practice and the student to go off and be curious on their own terms. 35:13 – Chuck: You talked about callbacks – I am thinking that one is there to manage the other? 35:31 – PJ answers the question. PJ: You do what works for you – pick your style – do it as long as people can follow you. Take the analogy of building a bridge. 36:53 – Chuck: What are you working on now? 37:00 – PJ: Educational tool called SCHOOL PLANNER launched in Ireland, so teachers can do their lesson planning for the year and being built with Express. Google Classroom and Google Calendar. 39:01 – PJ talks about Pi and 4wd. See links below. 40:09 – Node can be used all over the place! 40:16  - Chuck: Yes, the same can be said for other languages. Yes, Node is in the same space. 40:31 – PJ: Yep! 40:33 – Chuck: If people want to find you online where can they find you? 40:45 – PJ: Twitter! Blog! 41:04 – Picks! 41:05 – Advertisement – eBook: Get a coder job! Links: ? JavaScript ? jQuery ? React ? Elixir ? Elm ? Vue ? ESLint ? Node.js ? Node Security Project ? Node Security Project - Medium ? Manning Publications: Course by PJ Evans ? PUG ? JSConf EU – talk with Philip Roberts ? Medium Article by David Gilbertson ? Hackster.io – Pi Car ? Pi Moroni ? Holding a Program in One’s Head ? PJ Evans’ Twitter Sponsors: ? Kendo UI ? Sentry ? Cache Fly ? Get a Coder Job Picks: Aimee ? Paul Graham - Blog AJ ? Rust Charles ? Tweet Mash-up ? The Diabetes Code PJ ? Music - Max Richter

We discuss the battle of Lepanto, AZ updates, and AMP Fest Our guests are: Wayne Allyn Root, Sam Faddis, Raymond Ibrahim, Boris Epshteyn, Matthew Tyrmand Stay ahead of the censors - Join us warroom.org/join Aired On: 10/07/2021 Watch:On the Web: http://www.warroom.org On Podcast: http://warroom.ctcin.bio On TV: PlutoTV Channel 240, Dish Channel 219, Roku, Apple TV, FireTV or on https://AmericasVoice.news . #news #politics #realnews

Donald Trump's team has just filed its motion for mistrial in the New York civil fraud case and it's based on another unethical attack on Judge Engoron's law clerk by name and photo in blatant violation of the gag order. Michael Popok of Legal AF explains why the motion will not only be denied, but will lead to further sanctions against the defense and its attorneys.Head to https://geolog.ie/LEGALAF70 or scan the QR code on the screen and use code LEGALAF70 and they will give you an exclusive 70% off of their award-winning skincare trial set. On top of that you can SAVE BIG on the add-ons products of your choice when you add it to your trial. Thank you Geologie for sponsoring this video!Visit https://meidastouch.com for more!Remember to subscribe to ALL the MeidasTouch Network Podcasts:MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcastLegal AF: https://www.meidastouch.com/tag/legal-afThe PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcastThe Influence Continuum: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassanMea Culpa with Michael Cohen: https://www.meidastouch.com/tag/mea-culpa-with-michael-cohenThe Weekend Show: https://www.meidastouch.com/tag/the-weekend-showBurn the Boats: https://www.meidastouch.com/tag/burn-the-boatsMajority 54: https://www.meidastouch.com/tag/majority-54Political Beatdown: https://www.meidastouch.com/tag/political-beatdownLights On with Jessica Denson: https://www.meidastouch.com/tag/lights-on-with-jessica-densonOn Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellmanUncovered: https://www.meidastouch.com/tag/maga-uncoveredLearn more about your ad choices. Visit megaphone.fm/adchoices

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This preregistration is for an in-person behavioural study. This is the second experiment of a broader project investigating the influence of perceptual priors on subsequent perception of a bistable structure from motion stimulus.

Motion sickness is the worst and hits about 25 to 40 percent of humans when they ride in cars, boats, or simply watch the wrong 3-D movie. Join us as we break down the science behind this nausea-inducing affliction. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

R. F. I. D. Is In Motion! Prophecies Rolling!( Future Kings)

This project considers nestedness patterns in a large-scale database of movies and movie ratings. All details are in the uploaded rtf file, which will be regularly updated.

This project considers nestedness patterns in a large-scale database of movies and movie ratings. All details are in the uploaded rtf file, which will be regularly updated.

The guys from The Inflatable Band came onto the show to talk about their beginnings and their intense desire to constantly create wacky, fun and loud music. All pre-recorded music has been removed from this episode. The set list originally featured in this episode: The Inflatable Band \"Comely Falls The Straw\", \"$25\", and \"Mojo Workin\" from Discount Everything. For more local music, check out the the Winnipeg Music Project website. Thank you to UMFM 101.5 FM. Music by Will and Art from Collector Studio.

The Legends Of S.H.I.E.L.D. Agents Stargate Pioneer, Agent Haley, Agent Lauren and Consultant Michael Ruddy break down the Astonishing X-Men motion comic. Consultant Michael Ruddy talks to us about 3-D printing in geek fandoms. Adam provides us with another great Mission S.H.I.E.L.D. comic book report segment. The hosts end the podcast running down the weekly Marvel news, respond to listener feedback and interact with live chat comments. THIS TIME ON LEGENDS OF S.H.I.E.L.D.: [01:54] Ant-man Marvel Crate Give-away!Astonishing X-Men3-D Printing, Cos-play and Prop makingWeekly Comic Book News: Shield reportThe weekly Marvel NewsYOUR feedback!!!! WELCOME MICHAEL RUDDY TO THE PODCAST [02:21] Michael Ruddy is a long time geek and accomplished 3-D geek item printer. ASTONISHING X-MEN MOTION COMIC (2012) [03:14] - What is a motion comic?- Joss Whedon wrote the comics- Art was amazing- Character Voices were not film-quality, but great- Origins Of Agent Brandt- Kitty Pryde was awesome in this series- Great cross-over display!- Haley has a ton of great quotes to cap the discussion off! 3-D PRINTING AND COSPLAY AND PROP MAKING [25:31] Michael Ruddy enlightens us about his great 3-D fun with geek related products! COMIC BOOK SEGMENT [32:54] Consultant Black Adam's S.H.I.E.L.D. Mission Report NEWS [35:34] HIGHLIGHT STORY OF THE WEEK New dubsmash vid - now with DC!https://www.crowdrise.com/dubsmashwars AGENTS OF S.H.I.L.D. S2 Gag reelhttps://youtu.be/lXz9KkhpLV8 CIVIL WAR & BEYOND Spider-Man https://uk.movies.yahoo.com/post/129577686776/spider-man-director-jon-watts-talks-origins-and Sebastian Stan throws shade at Zack Snyder http://movieweb.com/captain-america-civil-war-sebastian-stan-zack-snyder/ MARVEL Ta-Nehisi Coates to write Black Panther comichttps://twitter.com/tanehisicoates/status/646375815396085761 http://www.nytimes.com/2015/09/23/books/ta-nehisi-coates-to-write-black-panther-comic-for-marvel.html?_r=0 FEEDBACK [46:17] - TWITTER TWITTERDr. Gnome to you ?@MrParacletes  Sep 17View translation@sithwitch@LegendsofSHIELD Jessica Jones photos! http://epicstream.com/news/Here-Are-The-First-Official-Photos-From-Marvels-Jessica-Jones ... Adam Nelson ?@Starsaber_222  Sep 19@LegendsofSHIELD Ultimate Spider Man is a kids cartoon, but @clarkgregg is great as \"Principal\" Coulson. Richard ?@KodiakGWC  Sep 21@LegendsofSHIELD Guys, Ant-Man has made more money, domestically than Capt America:1st Avenger, moved to #10 in the MCU, @boxofficemojo Op ?@The_Operator01  7h7 hours agoOp retweeted Entertainment WeeklyNow THAT'S a crossover @AgentsofSHIELD#teamshield@LegendsofSHIELDOp added, Entertainment Weekly @EW.@AgentsofSHIELD cast enlists #Supergirl's @MelissaBenoist for #DubsmashWars: http://ow.ly/SzDgE  #TeamSHIELD - ITUNES Fun Marvel universe podcastin iTunes by i_maggie from USA on September 19, 2015 A fun blend of fan, news and interesting personalities. I really enjoy the podcast and I'm looking forward to season three. :)  OUTRO [50:53] Haley, Lauren and Stargate Pioneer love to hear back from you about your top 5 Marvel character lists, your science of Marvel questions, who would you pick in an all-female Avenger team, or who's Marvel abs you would like to see. Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871. Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the Astonishing X-Men. You can listen in live when we record Wednesday nights at 8:00 PM Central time at Geeks.live (Also streamed live at www.geeks.live). Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871 Don't forget to go check out our spin-off podcast, Legends Of S.H.I.E.L.D..: Longbox Edition for your weekly Marvel comic book release run-down with segments by Black Adam on S.H.I.E.L.D. comics, Lauren on Mutant Comics and Neil with his pull list run-down. Legends Of S.H.I.E.L.D.: Longbox Edition is also available on the GonnaGeek.com podcast network. Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com). This podcast was recorded on Wednesday September 23rd, 2015. Standby for your S.H.I.E.L.D. debriefing ---

At their December 11 meeting, the School Board recognized students from the all-state music festivals, girls soccer and cross country teams. At the same meeting, advocates from 350 New Hampshire and a State Representative discussed a House resolution which would request robust climate education in the state. Watch more local news, meeting coverage, and varsity sports on the Merrimack TV app for iPhone, Android, and your TV's streaming device. Produced by the Town of Merrimack's Media Division "Merrimack TV" Download the Merrimack TV app on iPhone, Android, iPad, Roku, Apple TV, and Amazon Fire devices! Follow us on social media www.merrimacktv.com

Resubido 

Video about an air and car show soliciting sponsorships.

The attention bias for threatening stimuli plays a central role in the etiology and maintenance of specific phobias like spider phobia (Fox et al., 2000; Öhman et al., 2001; Shibasaki & Kawai, 2009). Even though, spider-phobics describe spider motion as the most aversive and disgusting feature, previous experimental research has so far mostly employed static images of spiders (Lindner et al., 2019; McNally & Steketee, 1985). Past studies found speeded detection of spiders by spider-phobics followed by subsequent avoidance (Öhman et al., 2001; Rinck et al., 2005). Other studies support increased distraction by spiders in spider-phobics (Burra et al., 2019; Miltner et al., 2004; Rinck et al., 2005). Here, we want to investigate the effect of motion on attentional capture in spider-phobics using naturalistic videos and point-light videos. Point-light videos consist of moving dots, each representing a joint (Johansson, 1973). When moving these dots simulate biological motion, e.g. a walking human or cat (Chang & Troje, 2008). Naturalistic and point-light videos of different animals will be used. Reaction times within a category search task will be recorded. After the presentation of a fixation cross an array with 8 stimuli will be presented. Arrays will consist of pictures and/or videos of naturalistic and point-light animals. We will recruit spider fearful (experimental group) and non-fearful individuals (control group). Subjects will be instructed to search for a certain type of animal and to indicate its presence or absence by key press. Spiders are assumed to represent a phobic stimulus to spider-fearful participants. Snakes are presumed to be threatening but not phobic for these participants. To the non-anxious control participants both, spiders and snakes, are supposed to be threatening but not phobic. Cats and doves presumably represent neutral stimuli for participants of both groups.

Suchow and Alvarez (2011a) demonstrated that a stimulus undergoing a feature change in either size, hue, shape or brightness would appear to change more slowly once the display started to rotate. The stimulus, often an annulus made up out of small circles that would exhibit the feature change, would even appear to stop changing at high rotation speeds (Suchow & Alvarez, 2011a). Though previous studies have investigated to what extent grouping (Peirce, 2013), crowding, global motion (Turi & Burr, 2013), velocity, spacing and eccentricity (Choi et al., 2014, 2016) contribute to this visual illusion, no consensus has been reached on what exactly drives this effect called ‘motion silencing’. This study is a follow-up study to The Motion Silencing Effect (MSE) in Static and Dynamic Orientation Change Detection: Experiment 1 (https://doi.org/10.17605/OSF.IO/TZ79W), where we investigated the MSE in a change detection task for dynamic and static Gabor patch displays. We found that local orientation change detection was less accurate with increasing global motion of the display, in line with the MSE and that there was no qualitative difference between the static and dynamic condition that involved global rotation. In this study, we will investigate the role of attention in the MSE, as this has not been researched yet (Suchow & Alvarez, 2017) and qualitative feedback from participants of our first study suggested that covert orienting of attention towards an individual Gabor patch helped successful detection of change. Consequently, we will use the Posner Cueing Paradigm (Posner, 1980; Posner et al., 1978) to direct spatial attention covertly in a direction discrimination task. Using valid, invalid and neutral cueing conditions and the psi-marginal adaptive method (Prins, 2013; Prins & Kingdon, 2009) to estimate threshold parameters, participants will be required to give a binary judgment after each stimulus display, to indicate which way individual Gabor patches rotated throughout the display.

Islamic Society of Michiana (ISM) 'Records of Lawsuit Against Amir Basic by The Board Of Directors And Trustees of the Islamic Society Of Michiana'; Initiated in December of 2015, filed TRO 21 December 2015. This Motion to Produce Records was filed with the Court on 18 October 2017. The litigation concerned the improper procedures used to adopt the current bylaws of the ISM and other financial and operational irregularities under the management of the present Board of Directors and Trustees. This work was Digitized by Gerard Arthus and is in the Public Domain under the Creative Commons License. This work is intended to be part of a collection of information regarding the Commercialization, Professionalization, and Corruption which has almost thoroughly permeated the Non-Profit sector today. While Non-profit organizations have proliferated in number, too many just exist for the enrichment and self-aggrandizement of the few wealthy and/or well-placed individuals who control them. They have perpetuated this moral and ethical degradation by creating such organizations in a way which has almost eliminated any transparency what-so-ever regarding their management. This must not be allowed to continue, groups like the INFOPORTAL and others will attempt to expose their activities as much as is possible. http://OpenEducation.org Go to the above site to find out more about the digitization of this item and the on-going attempt to help make 'Knowledge' and 'Information' available to everyone, anywhere, at any time, for no cost. There are many forces at work which are attempting to turn 'Public Domain' information into a commodity which some can milk for a profit. This parasitic use of information which should be freely available for all to access is an Intellectual Crime and should not be tolerated. Hi-resolution images included for information on item please contact [email protected] .

Gav and Dan cobble together an interesting (and wobbly) camera rig to film the most British thing they can think of... Inside a cup of tea. Follow us on Instagram! https://www.instagram.com/gavinfree/ https://www.instagram.com/danielgruchy/ Filmed at 1000fps with a Phantom Flex 4K Filming Inside a Slow Motion Vortex - The Slow Mo Guys

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Tracklist: 1. I Heard It Through The Grapevine - Marvin Gaye 2. My Girl - The Temptations 3. Good Lovin' - The Rascals 4. The Tracks Of My Tears - Smokey Robinson; The Miracles 5. Joy To The World - Three Dog Night 6. Ain't Too Proud To Beg - The Temptations 7. (You Make Me Feel Like A) Natural Woman - Aretha Franklin 8. I Second That Emotion - Smokey Robinson; The Miracles 9. A Whiter Shade Of Pale - Procol Harum 10. Tell Him - The Exciters

Tracklist: 1. Gone With The Wind 2. Spellbound 3. Duel In The Sun 4. Undercurrent 5. Traumerei 6. Lost Weekend 7. Fantasia Mexicana

Tracklist: 1. Gone With The Wind 2. Spellbound 3. Duel In The Sun 4. Undercurrent 5. Traumerei 6. Lost Weekend 7. Fantasia Mexicana

Tracklist: 1. Gone With The Wind 2. Spellbound 3. Duel In The Sun 4. Undercurrent 5. Traumerei 6. Lost Weekend 7. Fantasia Mexicana

I was inspired by Portal 2 in some way. I modified the multitracks, used some great effects (especially at the end). Be advised, the end is pretty rough but i really liked doing it. Use stereo headphones for better experience.

In Motion Remix

mellow, in motion remix - Jon Balmer enjoy bpm is aprox.