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Episode #027: Matthew Ritchie discusses his upcoming exhibition The Morning Line (2008) in his New York studio, with animated architectural schematics of the installation. The Morning Line will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.Matthew Ritchie’s artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie’s encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.Learn more about Matthew Ritchie at: http://www.art21.org/artists/matthew-ritchieVIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Mary Ann Toman. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.

Episode #027: Matthew Ritchie discusses his upcoming exhibition The Morning Line (2008) in his New York studio, with animated architectural schematics of the installation. The Morning Line will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.Matthew Ritchie’s artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie’s encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.Learn more about Matthew Ritchie at: http://www.art21.org/artists/matthew-ritchieVIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Mary Ann Toman. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.

EXCLUSIVE: Matthew Ritchie discusses his upcoming exhibition The Morning Line (2008) in his New York studio, with animated architectural schematics of the installation. The Morning Line will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.Matthew Ritchieâs artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchieâs encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21âArt in the Twenty-First Century television series on PBS.

Episode #025: Matthew Ritchie discusses the apocalyptic themes in his videos The Iron City (2007) and Raphael (2007), featured in his upcoming exhibition The Morning Line (2008) for the 3rd Bienal Internacional de Arte Contemporáneo de Seville. The Morning Line will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain.Matthew Ritchie’s artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie’s encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.Learn more about Matthew Ritchie at: http://www.art21.org/artists/matthew-ritchieVIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Jenny Chiruco. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.

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This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

EXCLUSIVE: Matthew Ritchie discusses the apocalyptic themes in his videos The Iron City (2007) and Raphael (2007), featured in his upcoming exhibition The Morning Line (2008) for the 3rd Bienal Internacional de Arte Contemporáneo de Seville. The Morning Line will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain.Matthew Ritchieâs artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchieâs encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21âArt in the Twenty-First Century television series on PBS.

EXCLUSIVE: Architect Benjamin Aranda, of Aranda/Lasch, discusses his contribution to artist Matthew Ritchieâs anti-pavillion project The Morning Line (2008), produced in collaboration with engineer-architect Daniel Bosia & Arup AGU, and physicists Paul J. Steinhardt and Neil Turok.Comissioned by Thyssen-Bornemisza Art Contemporary for the 3rd Bienal Internacional de Arte Contemporáneo de Seville, The Morning Line opens today and will be on view through January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain.Matthew Ritchieâs artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchieâs encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judaeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2003) episode Structures of the Art:21âArt in the Twenty-First Century television series on PBS.

Episode #031: Architect Benjamin Aranda, of Aranda/Lasch, discusses his contribution to artist Matthew Ritchie’s anti-pavillion project The Morning Line (2008), produced in collaboration with engineer-architect Daniel Bosia & Arup AGU, and physicists Paul J. Steinhardt and Neil Turok.Comissioned by Thyssen-Bornemisza Art Contemporary for the 3rd Bienal Internacional de Arte Contemporáneo de Seville, The Morning Line opens today and will be on view through January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain.Matthew Ritchie’s artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie’s encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judaeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2003) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.Learn more about Matthew Ritchie at: http://www.art21.org/artists/matthew-ritchieVIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Jenny Chiruco. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.

Episode #031: Architect Benjamin Aranda, of Aranda/Lasch, discusses his contribution to artist Matthew Ritchie’s anti-pavillion project The Morning Line (2008), produced in collaboration with engineer-architect Daniel Bosia & Arup AGU, and physicists Paul J. Steinhardt and Neil Turok.Comissioned by Thyssen-Bornemisza Art Contemporary for the 3rd Bienal Internacional de Arte Contemporáneo de Seville, The Morning Line opens today and will be on view through January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain.Matthew Ritchie’s artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie’s encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judaeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2003) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.Learn more about Matthew Ritchie at: http://www.art21.org/artists/matthew-ritchieVIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Jenny Chiruco. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda.

EXCLUSIVE: Matthew Ritchie discusses his upcoming exhibition The Morning Line (2008) in his New York studio, with animated architectural schematics of the installation. The Morning Line will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.Matthew Ritchieâs artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchieâs encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21âArt in the Twenty-First Century television series on PBS.