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Comprehension orale en français

Comprehension orale en français

Comprehension orale en français

Marcel Duchamp (Discografia) Marcel Duchamp - (2000] Experience Marcel Duchamp - (2002) Buscando luz de topos Marcel Duchamp - (2002) El Disket Marcel Duchamp - (2004) Avivando las llamas del descontento Marcel Duchamp - (2006) Contra nosotros mismos Marcel Duchamp - (2015) La vida de las personas Marcel Duchamp - (2017) Demo 2017 Marcel Duchamp - (2019) Sacrificio Marcel Duchamp + Accion Espontanea (200x) (Split) Marcel Duchamp + Colectivo No (2013) (Split) Marcel Duchamp + Disexion (2004) (Split) Marcel Duchamp + Martires de Chicago (2003) (Split) Marcel Duchamp + Redencion 911 (2001) (Split)

Marcel Duchamp (Discografia) Marcel Duchamp - (2000] Experience Marcel Duchamp - (2002) Buscando luz de topos Marcel Duchamp - (2002) El Disket Marcel Duchamp - (2004) Avivando las llamas del descontento Marcel Duchamp - (2006) Contra nosotros mismos Marcel Duchamp - (2015) La vida de las personas Marcel Duchamp - (2017) Demo 2017 Marcel Duchamp - (2019) Sacrificio Marcel Duchamp + Accion Espontanea (200x) (Split) Marcel Duchamp + Colectivo No (2013) (Split) Marcel Duchamp + Disexion (2004) (Split) Marcel Duchamp + Martires de Chicago (2003) (Split) Marcel Duchamp + Redencion 911 (2001) (Split)

Maya Deren 

"Marcel Duchamp: una obra que no es una obra "de arte"", de Gonzalo Aguilar, Thierry de Duve, Marcel Duchamp, Elena Filipovic, Rosalind E. Krauss, Hugo Petruschansky, Regina Teixeira de Barros.

Part 3 of 4.

93 pages : 18 cm

Brief excerpt on New York Dada, with a little on Marcel Duchamp.

www.antena.art.br Pablo Ribot is visual artist, musician, poet, producer and composer. Currently living in Buenos Aires, he focuses his work on video support and experimental electronic music on live-performances. His sound explores the mixture of free style, noise with glitch influences, and the avantgarde style. He also maintains a parallel project, "Mutant Sessions", where he combines house and jazz sounds. He wrote four poetry books, all of which were edited independently. He plays guitar in free jazz concerts together with musicians from the local scenes. His works were shown in Chile, Spain, Switzerland, France, Brazil, United States, Peru, Colombia and Argentina. He has 24 edited albums, by different labels: Plustimbre, Manyfeetunder, Ozkyesound, Nostressnetlabel, Surrism Phonoethics, Section 27, Modisti, Amp-Recs; and now by Antena.art.br. That album consists of 8 pieces in homage to the known french artist Marcel Duchamp (1887-1968), icon of the Dada movement of the 20th century, referent and symbolic influence of contemporary art. The compositions are structured in short durations, combining chamber music, electronic (glitch) and recordings of objects and environments inserted in a random order, giving rise to different variable forms that define the musical scheme. Composed and performed by Pablo Ribot.

www.antena.art.br Pablo Ribot is visual artist, musician, poet, producer and composer. Currently living in Buenos Aires, he focuses his work on video support and experimental electronic music on live-performances. His sound explores the mixture of free style, noise with glitch influences, and the avantgarde style. He also maintains a parallel project, "Mutant Sessions", where he combines house and jazz sounds. He wrote four poetry books, all of which were edited independently. He plays guitar in free jazz concerts together with musicians from the local scenes. His works were shown in Chile, Spain, Switzerland, France, Brazil, United States, Peru, Colombia and Argentina. He has 24 edited albums, by different labels: Plustimbre, Manyfeetunder, Ozkyesound, Nostressnetlabel, Surrism Phonoethics, Section 27, Modisti, Amp-Recs; and now by Antena.art.br. That album consists of 8 pieces in homage to the known french artist Marcel Duchamp (1887-1968), icon of the Dada movement of the 20th century, referent and symbolic influence of contemporary art. The compositions are structured in short durations, combining chamber music, electronic (glitch) and recordings of objects and environments inserted in a random order, giving rise to different variable forms that define the musical scheme. Composed and performed by Pablo Ribot.

www.antena.art.br Pablo Ribot is visual artist, musician, poet, producer and composer. Currently living in Buenos Aires, he focuses his work on video support and experimental electronic music on live-performances. His sound explores the mixture of free style, noise with glitch influences, and the avantgarde style. He also maintains a parallel project, "Mutant Sessions", where he combines house and jazz sounds. He wrote four poetry books, all of which were edited independently. He plays guitar in free jazz concerts together with musicians from the local scenes. His works were shown in Chile, Spain, Switzerland, France, Brazil, United States, Peru, Colombia and Argentina. He has 24 edited albums, by different labels: Plustimbre, Manyfeetunder, Ozkyesound, Nostressnetlabel, Surrism Phonoethics, Section 27, Modisti, Amp-Recs; and now by Antena.art.br. That album consists of 8 pieces in homage to the known french artist Marcel Duchamp (1887-1968), icon of the Dada movement of the 20th century, referent and symbolic influence of contemporary art. The compositions are structured in short durations, combining chamber music, electronic (glitch) and recordings of objects and environments inserted in a random order, giving rise to different variable forms that define the musical scheme. Composed and performed by Pablo Ribot.

www.antena.art.br Pablo Ribot is visual artist, musician, poet, producer and composer. Currently living in Buenos Aires, he focuses his work on video support and experimental electronic music on live-performances. His sound explores the mixture of free style, noise with glitch influences, and the avantgarde style. He also maintains a parallel project, "Mutant Sessions", where he combines house and jazz sounds. He wrote four poetry books, all of which were edited independently. He plays guitar in free jazz concerts together with musicians from the local scenes. His works were shown in Chile, Spain, Switzerland, France, Brazil, United States, Peru, Colombia and Argentina. He has 24 edited albums, by different labels: Plustimbre, Manyfeetunder, Ozkyesound, Nostressnetlabel, Surrism Phonoethics, Section 27, Modisti, Amp-Recs; and now by Antena.art.br. That album consists of 8 pieces in homage to the known french artist Marcel Duchamp (1887-1968), icon of the Dada movement of the 20th century, referent and symbolic influence of contemporary art. The compositions are structured in short durations, combining chamber music, electronic (glitch) and recordings of objects and environments inserted in a random order, giving rise to different variable forms that define the musical scheme. Composed and performed by Pablo Ribot.

Perma.cc archive of https://www.michaelrosenfeldart.com/artists/marcel-duchamp-1887-1968 created on 2022-01-31 00:39:33.599535+00:00.

This is a New Zealand classification of Screen Test - Marcel Duchamp (1966) . Title Screen Test - Marcel Duchamp (1966) Other known titles Andy Warhol: Screen Test - Marcel Duchamp (1966) Publication number 1300479.002 Medium DVD Current decision Unrestricted G Unrestricted: Suitable for general audiences. Associated documents 126775_35_4_92466.pdf (Register Page) Registration date 2013-05-29 Country United States Related publications 1300479.000 Classification body Office of Film and Literature Classification (1994–) Submission channel Section 12(1) - Labelling Body Running time At submission: 4:26 At classification: 4:26

This is a New Zealand classification of Screen Test - Marcel Duchamp (1966) . Title Screen Test - Marcel Duchamp (1966) Other known titles Andy Warhol: Screen Test - Marcel Duchamp (1966) Publication number 1300479.002 Medium DVD Current decision Unrestricted G Unrestricted: Suitable for general audiences. Associated documents 126775_35_4_92466.pdf (Register Page) Registration date 2013-05-29 Country United States Related publications 1300479.000 Classification body Office of Film and Literature Classification (1994–) Submission channel Section 12(1) - Labelling Body Running time At submission: 4:26 At classification: 4:26

This is a New Zealand classification of Screen Test - Marcel Duchamp (1966) . Title Screen Test - Marcel Duchamp (1966) Other known titles Andy Warhol: Screen Test - Marcel Duchamp (1966) Publication number 1300479.002 Medium DVD Current decision Unrestricted G Unrestricted: Suitable for general audiences. Associated documents 126775_35_4_92466.pdf (Register Page) Registration date 2013-05-29 Country United States Related publications 1300479.000 Classification body Office of Film and Literature Classification (1994–) Submission channel Section 12(1) - Labelling Body Running time At submission: 4:26 At classification: 4:26

189 p. : 34 cm

189 p. : 34 cm

189 p. : 34 cm

Marcel Duchamp und die Frage: Was ist Kunst? Sternstunde Kunst • SRF arte 2018

This is the second of four short films made for Channel 4 / Tate modern about modern and conceptual art. We took the art and put it in a different space or context and asked people to comment. In this episode we took Marcel Duchamp's 'FOUNTAIN' and placed it in a public toilet. The mandatory, 'is it art' discussion followed! Source: https://vimeo.com/44601540 Uploader: arlen figgis Upload date: 20120624

Part 4 of 4

Part 4 of 4

Includes bibliographical references (p. [231]-265)

Programa d'Antena 3 on el periodista  José Luis Villanueva  parla de l'exposició de la Fundació Joan Miró de l'artista Marcel Duchamp i conversa amb la comissaria d'aquella exposició Gloria Moure .

Programa d'Antena 3 on el periodista  José Luis Villanueva  parla de l'exposició de la Fundació Joan Miró de l'artista Marcel Duchamp i conversa amb la comissaria d'aquella exposició Gloria Moure .

May 6, 2010 Andreas Glauser > Soundperformance « Sonitus Errans» Symposium MARCEL DUCHAMP ET LA CHUTE D’EAU DU FORESTAY Salle Davel, the association Kunsthalle Marcel Duchamp, Cully, Swizerland Soundperformance « Sonitus Errans»   after the random composition «Musical Erratum» by Marcel Duchamp . Manipulated Mixing Desk, electronic tools   and organ Symposium MARCEL DUCHAMP ET LA CHUTE D’EAU DU FORESTAY Exhibitions: 7.5 - 13.6.2010, Galerie Davel 14, Kunsthalle Marcel Duchamp, Cully with : John Zorn – Tadanori Yokoo – Stephan Wittmer – Rolf Winnewisser – Martin Widmer –Wang Xingwei – Aldo Walker – Harald Szeemann – Denis Savary – Jukka Rusanen – Sam Rosenthal – Jason Rhoades – Jean-Michel Rabaté – Céline Peruzzo – MimosaPale – Mark Nelson & Sarah Hudson Bayliss – Olivier Mosset –Gudrun Meier – Line Marquis – Le Forestay – Konrad Klapheck – Frederick Kiesler – Pierre Keller – Jing Wei – Richard Jackson – Fabrice Hyber – Erwin Hofstetter – Herzog/deMeuron – Goldfrapp – Marcel Duchamp – Anke Doberauer – Jacques Derrida – Rosemary Cel – Monica Bonvicini – Georg Baselitz – Fritz Balthaus – Francis Bacon –Caroline Bachmann & Stefan Banz –  Ai Weiwei u.a. Organized and curated by Stefan Banz and Caroline Bachmann In collaboration with the Philadelphia Museum of Art and ECAL/University of Art and Design Lausanne About Andreas Glauser : Sound performance with manipulated mixing desk , electronic tools, organ and synthesizers Andreas Glauser uses self-developed manipulated generators in his sound performances, which he supplements with changing combinations of analog devices: manipulated mixing consoles and effects devices, organs, color-coated records, tape machines. Andreas Glauser, whose breeding ground remains the boundary-breaking, multimedia-working independent culture of punk, loves direct access, the unpolished, the raw, the emotional. He is interested in researching sound before it becomes music in the traditional sense. “The tinkerer in front of his sound devices. The way he lurks, leans in, waits, intervenes. As if he were firing a rocket that would hit somewhere minutes later. Andreas Glauser is in his element. An experience. Frequencies oscillate, a hum arises, an underlying thunder, noise particles collide, a stream of noise grows in the room, becomes monumental.” “Glauser's sound world is as idiosyncratic as it is fascinating. Subtle to violent background noises rotate and change. Sound surfaces penetrate to the surface, expand in space and combine with other sounds.” Pirmin Bossart Video of the sound performance "Sonitus Errans". Video editing Julia Kälin, film material Swiss Television SRF: https://www.brainhall.net/videos/brainhall_AndreasGlauser_Soundperformance_2010_small.mov https://akmd.ch/exhibitions/symposium-marcel-duchamp-and-the-waterfall-le-forestay-2010/ www.brainhall.net

May 6, 2010 Andreas Glauser > Soundperformance « Sonitus Errans» Symposium MARCEL DUCHAMP ET LA CHUTE D’EAU DU FORESTAY Salle Davel, the association Kunsthalle Marcel Duchamp, Cully, Swizerland Soundperformance « Sonitus Errans»   after the random composition «Musical Erratum» by Marcel Duchamp . Manipulated Mixing Desk, electronic tools   and organ Symposium MARCEL DUCHAMP ET LA CHUTE D’EAU DU FORESTAY Exhibitions: 7.5 - 13.6.2010, Galerie Davel 14, Kunsthalle Marcel Duchamp, Cully with : John Zorn – Tadanori Yokoo – Stephan Wittmer – Rolf Winnewisser – Martin Widmer –Wang Xingwei – Aldo Walker – Harald Szeemann – Denis Savary – Jukka Rusanen – Sam Rosenthal – Jason Rhoades – Jean-Michel Rabaté – Céline Peruzzo – MimosaPale – Mark Nelson & Sarah Hudson Bayliss – Olivier Mosset –Gudrun Meier – Line Marquis – Le Forestay – Konrad Klapheck – Frederick Kiesler – Pierre Keller – Jing Wei – Richard Jackson – Fabrice Hyber – Erwin Hofstetter – Herzog/deMeuron – Goldfrapp – Marcel Duchamp – Anke Doberauer – Jacques Derrida – Rosemary Cel – Monica Bonvicini – Georg Baselitz – Fritz Balthaus – Francis Bacon –Caroline Bachmann & Stefan Banz –  Ai Weiwei u.a. Organized and curated by Stefan Banz and Caroline Bachmann In collaboration with the Philadelphia Museum of Art and ECAL/University of Art and Design Lausanne About Andreas Glauser : Sound performance with manipulated mixing desk , electronic tools, organ and synthesizers Andreas Glauser uses self-developed manipulated generators in his sound performances, which he supplements with changing combinations of analog devices: manipulated mixing consoles and effects devices, organs, color-coated records, tape machines. Andreas Glauser, whose breeding ground remains the boundary-breaking, multimedia-working independent culture of punk, loves direct access, the unpolished, the raw, the emotional. He is interested in researching sound before it becomes music in the traditional sense. “The tinkerer in front of his sound devices. The way he lurks, leans in, waits, intervenes. As if he were firing a rocket that would hit somewhere minutes later. Andreas Glauser is in his element. An experience. Frequencies oscillate, a hum arises, an underlying thunder, noise particles collide, a stream of noise grows in the room, becomes monumental.” “Glauser's sound world is as idiosyncratic as it is fascinating. Subtle to violent background noises rotate and change. Sound surfaces penetrate to the surface, expand in space and combine with other sounds.” Pirmin Bossart Video of the sound performance "Sonitus Errans". Video editing Julia Kälin, film material Swiss Television SRF: https://www.brainhall.net/videos/brainhall_AndreasGlauser_Soundperformance_2010_small.mov https://akmd.ch/exhibitions/symposium-marcel-duchamp-and-the-waterfall-le-forestay-2010/ www.brainhall.net

Marcel Duchamp Digitized from SFAI Archives [Audio Tape 855] General Note: This recording is part of the San Francisco Art Institute Legacy Foundation + Archive collection of lecture and public program recordings.  Throughout its history, the San Francisco Art Institute hosted lectures, performances, and other public programs by a wide range of visiting artists and scholars, including visual artists across many disciplines, sound artists, musicians, art historians, theorists, writers, poets, cultural critics, and more.  Copyright Statement: Copyright for this recording is retained by the speaker(s), and its use is limited to education and research purposes. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. The San Francisco Art Institute Legacy Foundation + Archive has attempted to find rights owners to obtain permission to make recordings in this collection public, and is eager to hear from any copyright holders we were unable to reach. Upon request to [email protected] , digitized works can be removed from public view if there are rights issues that need to be resolved.

Marcel Duchamp Digitized from SFAI Archives [Audio Tape 855] General Note: This recording is part of the San Francisco Art Institute Legacy Foundation + Archive collection of lecture and public program recordings.  Throughout its history, the San Francisco Art Institute hosted lectures, performances, and other public programs by a wide range of visiting artists and scholars, including visual artists across many disciplines, sound artists, musicians, art historians, theorists, writers, poets, cultural critics, and more.  Copyright Statement: Copyright for this recording is retained by the speaker(s), and its use is limited to education and research purposes. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. The San Francisco Art Institute Legacy Foundation + Archive has attempted to find rights owners to obtain permission to make recordings in this collection public, and is eager to hear from any copyright holders we were unable to reach. Upon request to [email protected] , digitized works can be removed from public view if there are rights issues that need to be resolved.

Marcel Duchamp 'In His Own Words.' Part 2 of 3.

Marcel Duchamp 'In His Own Words.' Part 2 of 3.

Marcel Duchamp 'In His Own Words.' Part 2 of 3.

Perma.cc archive of https://www.metmuseum.org/toah/hd/duch/hd_duch.htm. created on 2022-09-15 14:53:23.652442+00:00.

Marcel Duchamp

https://www.discogs.com/Marcel-Duchamp-Memorial-Players-MDMP/release/13006112

https://www.discogs.com/Marcel-Duchamp-Memorial-Players-MDMP/release/13006112

Marcel Duchamp

Marcel Duchamp 'In His Own Words.' Part 1 of 3.

Ten versions of the song 'Marcel Duchamp', recorded over the course of 18 years, documenting the development of a single song through numerous live and studio processes. Marcel Duchamp is a song about love, healing, and soul-peace. THE LAYING-ON OF HANDS HANDS WITHOUT ARMS JUST HANDS A PILE FOUR FEET WIDE TWO MILES HIGH SWAYING... WHOSE HAND WILL CROWN THIS MOUND? WHOSE HANDS ARE THESE? SLAP SLAP SLAP SLAP SLAP SLAP SLAP... HERE COMES ANOTHER ONE FALLING FROM THE SKY BUT, THAT'S NOT A HAND IT'S A HEART RIGHT ON TOP RIGHT ON TOP OF THE HANDS WHOSE HAND WILL CROWN THIS MOUND? WHOSE HANDS ARE THESE? SLAP SLAP SLAP SLAP SLAP SLAP SLAP... 1. Marcel was written on my birthday (8/14) in 1991, as my 8-year first marriage was disintegrating. In spite of all that, I felt (and feel) that LOVE ALWAYS WINS. This home-studio version was recorded on an old Fostex cassette 4-track in about an hour...a studio sprint. 2. 4.5 years later, I introduced the song to the band ELIZABETH'S LOAVES, who decided it was a keeper. With a big gig to prepare for, this is turtle-slow and tentative. Four days prior, I had been kicked in the head, had the worst concussion my neurologist had ever encountered, and could not tune by ear. 3. My 2nd home-demo on a better 4-track deck - done as a refining discipline. This combines a drum machine with 'The Garage Sale', a mess of drums and percussion I had in my warehouse artspace and studio. The slide guitar part begins to make sense and the D-F-G bridge enters. 4. LIVE performance at the 1996 Pelvic Carnival, an event organized by legendary t-shirt artist Joey Mars (Google him). The band, THE CHEAGLES, back me. The D-F-G bridge has gained definition and the rhythm section has begun to get dangerous. 5. LIVE on the WCUW program Hullabaloo, hosted by Mark Paolini. This is the lean and naked solo version I was doing in coffeehouses. 6. LIVE at The Above Club backed by THE CHEAGLES again. Unexpected groovy things are happening in real-time owing to the band's familiarity and comfort level with the now-fixed arrangement. Our Worcester, MA 'following' knows the song by now. FUN! 7. LIVE performance at the 1997 Pelvic Carnival with JAWS OF GLEE backing me, and the vibe is SUPER! I start things off way too fast, but we hang on by the skin of our teeth and ride it out without crashing. 8. A 16-track analog recording done at Toad Hall Studio and recorded by my friend Steve Blake, who also plays bass on it. Fleshed out by friends Peter Zolli: drums, Greg Sullivan: slide guitar, and me doing the rest. This one appears on my 'No More Bandages!' record. 9. This acoustic ensemble version was recorded by Doug Rorrer at his Flyin' Cloud studio here in Eden, NC with my wife Tina playing rhythm guitar, and Scotty Irving percussing. 10. This home-studio version was done on my then new digital 8-track unit...another studio sprint to wrap up the project.

Wittgenstein Plays Chess With Marcel Duchamp, Or, How Not To Do Philosophy is a 2020 17-minute animated short film by Indian filmmaker Amit Dutta, adapting an essay by Steven B. Gerrard.  The film is an experimental work that explores aesthetics and perception through a unique visual style, incorporating ideas from philosophy, art, and chess to deconstruct hidden meanings and challenge surface perception.  The animation, created by Ayswarya S. Dutta, features an eclectic mix of cutouts, scribbles, and diagrams to bring the complex ideas to life.  

Wittgenstein Plays Chess With Marcel Duchamp, Or, How Not To Do Philosophy is a 2020 17-minute animated short film by Indian filmmaker Amit Dutta, adapting an essay by Steven B. Gerrard.  The film is an experimental work that explores aesthetics and perception through a unique visual style, incorporating ideas from philosophy, art, and chess to deconstruct hidden meanings and challenge surface perception.  The animation, created by Ayswarya S. Dutta, features an eclectic mix of cutouts, scribbles, and diagrams to bring the complex ideas to life.  

L'art est une pulsation, le rôle de l'artiste, de sa signature Extrait d'une table ronde tiré du site www.baglis.tv intitulée "Fête un rêve avec Chomo " réunissant Fabrice Azzolin, Patrick Lepetit et Anicée Dautref. Filmée dans le Village d’Art Préludien conçu par Chomo. Pour accéder à l'intégralité de l'échange: https://www.baglis.tv/corps/art-sacre/3491-fete-un-reve-avec-chomo.html Plus de renseignements sur l’association « les amis de Chomo » : https://www.amisdechomo.com/ Restez gratuitement informé(e) de nos nouveautés: http://www.baglis.tv/newsletter-baglis-tv.html

Includes bibliographical references and index

Comprehension orale en français

LIVE REHEARSAL RECORDED DIRECTLY TO MIC. NO OVERDUBS. JUST DIRECT NOISE. JUAREZ MX MARCH 2011

LIVE REHEARSAL RECORDED DIRECTLY TO MIC. NO OVERDUBS. JUST DIRECT NOISE. JUAREZ MX MARCH 2011

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