Downloads & Free Reading Options - Results

Includes bibliographical references (p. 347-356) and index

Performer: Marlon Raimey; COUNTRY ALL-STARS Country & Western Series. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: 8673-1118 Catalog number: 1118 Other IDs from the record include: 8673

Performer: 1 - Holly Lane; 2 - Dakota Hank; 3 - Wade Holmes Vocal by; Vocal by; Vocal by. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: 4-62-A-DRE-1 Catalog number: 3S-66-A Other IDs from the record include: (62-A)

Performer: Wade Holmes Digitized from a shellac record, at 78 revolutions per minute. Four stylii were used to transfer this record.They are 2.0 mil truncated conical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. These were recorded flat and then also equalized with Turnover: 375.0, Rolloff: -12.0. The preferred version suggested by an audio engineer at George Blood, L.P. is the equalized version recorded with the 2.0 mil truncated conical stylus, and has been copied to have the more friendly filename. Matrix number: 4*-3S-62-A-D Catalog number: 3S-62-A

a mix of very old with some unreleased material. also material i forgot existed. xx Source: https://soundcloud.com/quickboiii/live-so-fast-die-so-young-qb9 Uploader: QB9

Tracklist: 1. Red Hot 2. The Way I Walk 3. Sea Cruise 4. Black Slacks 5. Rock Billy Boogie 6. Fire 7. Something's Gonna Happen 8. It's Only Make Believe 9. Someday, Someway 10. Wasting My Time 11. Flyin' Saucers Rock & Roll 12. Too Fast To Live, Too Young To Die

Tracklist: 1. Red Hot 2. The Way I Walk 3. Sea Cruise 4. Black Slacks 5. Rock Billy Boogie 6. Fire 7. Something's Gonna Happen 8. It's Only Make Believe 9. Someday, Someway 10. Wasting My Time 11. Flyin' Saucers Rock & Roll 12. Too Fast To Live, Too Young To Die

From Fear To Freedom Album

The music of musicians who died young. 

Feminism has become part of the pop music discourse in recent years. Through M.I.A’s “Bad Girls” video, not only the image of empowered, independent, rebel women are portrayed, but also the celebration of culture and the relationship between women and men in an environment of equity is suggested. In order to propose an analysis and interpretation of “Bad Girls” video and song lyrics, a multimodal discourse analysis (Machin, 2010) is followed, as well as Halliday’s systematic functional linguistics framework. The findings from this analysis suggest a discourse of feminism and empowerment, but also inclusion and acceptance regardless of race, religion or gender.

Performer: Pat Patterson; The Texas Wranglers Western Series; 4 Hits On Each Record. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 2.0mil truncated conical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: R-257-A Catalog number: R 257

Tracklist: 1. Psuedo Personality 2. Wicked Heart 3. Negative Reaction 4. Pushed To The Limit 5. Live Fast Die Young 6. Travel In Packs 7. What Happened? 8. Transparent Creed 9. Gone Crazy 10. Her Love Is Innocence 11. Like Animals 12. Poogly 13. Untitled 14. Untitled

Tracklist: 1. Psuedo Personality 2. Wicked Heart 3. Negative Reaction 4. Pushed To The Limit 5. Live Fast Die Young 6. Travel In Packs 7. What Happened? 8. Transparent Creed 9. Gone Crazy 10. Her Love Is Innocence 11. Like Animals 12. Poogly 13. Untitled 14. Untitled

A commemoration of those artists who left this world way too soon. 

Filmed on February 3rd, 2020 at Shin-Kiba 1st RING in Tokyo, Japan. Released on February 4th, 2020 by FITE TV. - Takashi Sasaki & Toru Sugiura Vs Kikutaro & KTB (Tag Team Match) - Shlak Vs Matthew Justice - Alex Colon Vs Violento Jack (Death Match)* - Yuji Okabayashi Vs Chris Dickinson - Danny Havoc, Isami Kodaka & Matt Tremont Vs Drew Parker, Jimmy Lloyd & Toshiyuki Saduka (6 Man Tag Team Death Match)* - Orin Veidt Vs Masashi Takeda (Death Match)*

Leaving Babylon-Bad Brains, Telstar-The Tornados, Thut Sound Can  be Easily Espolines-Roberta Eklund, Pendulum Music-Steve Reich, Unknown Track-Unknown Artist, Mumble The Peg-The Milkshakes, You Must Fight to Live on The Planet of the Apes-The Mummies,I Can Feel Myself Slipping Away-Angela Jefferson, Live Fast Die Young-Circle Jerks, Curfew-Amebix, Better Than You-Gorilla Biscuits, Invarianten-Roland Kayn

Tracklist: 1. Going Steady 2. Live Fast, Love Hard, Die Young 3. I Miss You Already 4. Sweet Dreams 5. Alone With You 6. Country Girl 7. Face To The Wall 8. The Comeback 9. Hellow Walls 10. The Yellow Bandanna 11. Walk Tall 12. Wine Me Up 13. It's Four In The Morning 14. The Other Woman 15. I'll Trade All My Tomorrows 16. Your Cheatin' Heart 17. A Satisfied Mind 18. There Goes My Everything 19. The Race Is On 20. Swinging Doors 21. Crying Time 22. King of The Road 23. Busted 24. Back Street Affair 25. High Noon 26. Hey, Mr Bluebird 27. Apartment #9 28. Sweet Thing 29. Mexican Joe

Despite the Criminal Justice and Public Law Act (1994), which attempted to put an end to the spate of new, unregulated raves that were popping up around the M25 and Manchester a quarter of a century ago, rave culture is very much alive and kicking. Throughout lockdown, ‘free parties’ and underground raves have been taking place across the UK and mainland Europe (Mahmood, 2021). In a world of increasing physical distance (first through social media, then via COVID-19 related restrictions), rave culture appears to be growing. Humankind has a deep-seated need to engage in bonding group rituals (Durkheim, 1912; Atran & Heinrich, 2010). The 2020’s rave generation is being drawn in to not just a subculture, but to perhaps the only space left available in which to partake in those rituals we so crave. This year, the combination of covid-related restrictions and the repercussions of years of austerity has activated our evolved need to turn to others in the face of adversity (Dezecache, 2015; Dezecache et al., 2020). During the pandemic, and following years of austerity, unemployment and mental health issues have soared among young people. Rave is a reflection of this – temporarily remedying their imposed isolation. At its heart, the rave phenomenon - young people gathering to dance all night - is millennia old (Winkelman, 2010). Hedonistic revel and revolt are not the primary goal for ravers; feeling a connection with other people, being part of something bigger than oneself is the motivation (Gauthier, 2004). In other cultural worlds, this kind of deep and meaningful connection might be met by religion, by one’s career, or maybe by one’s own family (Turner & Oakes, 1985). Combinations of all of these social connections and more are also possible. However, with the ongoing ambiguities of national identity perpetuated by Brexit, and the stifling of community life due to the pandemic, rave is filling this gap in social meaning for many young people. Young people may not be going to church on a Sunday (even if they were allowed to), but they’re making up for it on Saturday night by receiving the sacred communion of religious ecstasy on the dancefloor until the sun comes up. However, now, more than ever, rave is costly. While hosts may charge their guests £5 to £30+, the social cost is arguably far higher. The risk of COVID-19 transmission is a big concern, especially in potentially unventilated venues that operate for 12+ hours. As with other illegal events, raves pose risks that health and safety inspectors would weep over (for an extreme example, consider the ‘rave cave’ that took place in an Oslo bunker, giving its ravers carbon monoxide poisoning). Relatedly, drug dealing and associated drug casualties at raves are also a concern, though numbers are relatively low, especially when compared to alcohol-related injuries and deaths. These stories generate sensationalised media headlines, much as rule breaking among religious groups and indeed the general population has (Drury and Reicher, 2021). Rule breaking actually appears to occur in the minority of the population, around 10% (Fancourt et al., 2020; Duffy & Aldington, 2020). We predict that rule breaking concerning communal rituals (raves and large religious rituals) will be no greater for ravers and religious people than general rule breaking is in the wider population. Even though it may be a minority who break the rules, it is still imperative that we understand their motives. One possible explanation for these risky behaviours comes from evolutionary Life History Theory. All mammals have evolved, species-specific slower or faster life history strategies in relation to what is optimal given their environment. All animals have to allocate finite resources between survival, growth, reproduction, or parenting (Stearns 2004, Chisholm 1993). For instance, a mouse adopts a fast life history strategy having several large litters, with relatively low investment in each, whereas an elephant tends to produce one infant per pregnancy and provides high levels of (maternal) investment, which is considered a slow strategy. In humans, species-specific life history strategies are slow but there is individual, intraspecies variation between the timing of life history events that develops from environmental unpredictability, whereby we can classify individuals as being slower or faster compared to others (Figueredo et al. 2005). Faster life history strategies in humans may involve earlier sexual debut, having children at younger age, risk taking, and drug use (e.g., Ellis et al. 2012). These strategies are often associated with high stress, unpredictable environments (such as a ghetto or war-torn region) where the risk of drying before reproducing is increased, but have also been found in more benign environments where relative perception of environmental risk is high (Johns 2011). Slower strategies would include having fewer children later in life, but high levels of parental investment (e.g. spending a lot of time on their educational activities) and favoring parental effort over mating effort - these strategies are associated with safe, secure environments with more chance of reaching old age. Life history strategies have not previously been linked to rave culture or shared ritual attendance more broadly (but see Shaver and Sosis 2014). However, religiosity and spirituality have been associated, in general, to longer-term decision making (Slyke and Wasemiller 2017, Holder et al. 2000). Opportunities to meet with peers at mass events are important for mating opportunities, enhancement of social capital, as well as feelings of belonging and well-being – benefits that are likely of particular import to those in unpredictable environments. Additionally, participation in mass rituals signals commitment to the group, and well as pro-sociality; and being an enthusiastic participant is hard to fake (Henrich 2009). Where long-term survival is less likely and the future uncertain, it makes sense to engage in high-risk, high reward activities, especially if they enhance the potential for mating success (e.g. Mishra et al 2017) and sustained group ties (Atkinson & Whitehouse, 2014; Whitehouse et al., 2017). Similarly, those sustained group ties, i.e. identity fusion, may be a driving force for continued participation in group rituals (Swann et al., 2009, 2012). Here we test the possibility that raves constitute a mass, ritual gathering for young people - one that may be particularly important to young people with faster life history trajectories. We also control for this by investigating a legal, control group of religious people who regularly participate in religious activities which share some of the same characteristics and benefits as rave (St John, 2004). Ordinarily the major world religions are linked to slower LHS (Baumard & Chevallier, 2015; Moon et al., 2015; Wu et al., 2020). Within the pandemic environment, however, some religious rituals are now more suited to faster LHS, i.e. religious activities that have continued to attract large crowds such as within London’s Hasidic Jewish community that currently has the highest rate of COVID-19 in the world (Farley & Symonds, 2021). Often, the ‘need’ for these large religious rituals is expressed as a need for the communal, much as rave is.

Lil' D is an upcoming Austrian rapper born May 12, 1990. He is one of the best english - rapper coming from Austria. With 12 years he made his first experiences with Hip Hop and recorded his first songs. With 15 years he continued and recorded 3 mixtapes and an enormous amount of tracks until late 2007. In the summer of 2007 he met GeritW, rapper and owner of Stahlstadt Entertainment. Late in 2007 he singed his record deal with Stahlstadt Entertainment. "Live Fast. Die Young." is Lil' Ds first official mixtape where he shows his unique style that he greated over the last couple of years. He is definitely a part of Hip Hop. In the future you will often hear his name. Lil' D ist ein aufstrebender oesterreichischer Rapper, geboren am 12. Mai 1990. Er ist einer der besten Englisch - Rapper aus Oesterreich. Mit 12 Jahren machte er seine ersten Erfahrungen mit Hip Hop und nahm seine ersten Songs auf. Mit 15 Jahren machte er weiter und nahm bis Ende 2007, 3 Mixtapes und eine Unsumme an Tracks auf. Im Sommer 2007 lernte er GeritW, Rapper und Besitzer von Stahlstadt Entertainment, kennen. Ende 2007 unterschrieb er den Plattenvertrag mit Stahlstadt Entertainment. "Live Fast. Die Young." ist Lil' Ds erstes offizielles Mixtape, auf dem er seinen einzigartigen Style, den er ueber die letzten Jahre entwickelte, praesentiert. Er ist definitiv ein Teil von Hip Hop. In der Zukunft wird man noch oefters seinen Namen hoeren.

Soundtrack to 'Jo Siffert - Live Fast Die Young' (2005) a film by Men Lareida. Mixed By Fabian Brunner at Slinger and Stone Studios. Artwork [For 16 Tons]  –  Buzz Maeschi Bass [Upright]  –  Andreas Zitz Bongos, Congas, Percussion  –  Markus Maggiori Dulcimer  –  Benno Bernet Flute  –  Victor Wanderley Guitar, Bass, Organ, Keyboards, Written-By  –  Netz Maeschi Guitar, Percussion  –  Karen Simpson Mastered By  –  Dan Suter Mixed By  –  Fabian Brunner Performer  –  Stereophonic Space Sound Unlimited Photography By  –  Adélaïde Siffert ,  Fred Meyer (4) ,  Horst H. Baumann

When you think of the F-16, the U.S. Navy probably isn't what pops into your head, but the truth is that the Air Force's mainstay fighter has a very colorful past serving with the seagoing service in the hands of highly-trained Topgun instructors and fleet adversary pilots. It all started with a purpose-built, stripped-down, hotrod of a Fighting Falcon, the F-16N. This is its fascinating story. Check out one Naval Aviator's experience flying the F-16N here: https://www.twz.com/3383/what-it-was-like-flying-and-fighting-the-f-16n-viper-topguns-legendary-hotrod Digital Combat Simulator footage from HeatBlur. https://store.heatblur.com/ The War Zone — also known by the shorthand TWZ — has become an essential resource for the national security community, the defense industry, and the interested public at large since it was launched in 2016. From its early beginnings to the present day, TWZ’s purpose remains the same. We stand at the nexus of military technology, strategy, and foreign policy. As a full-spectrum defense news and analysis site, TWZ covers the air, sea, land, space, and cyber domains of warfare, with an infusion of geopolitical context and technological analysis that provides viewers with deeper insights and a richer understanding of the subjects we cover than what they will find elsewhere. We have a true passion for the topics we cover and it’s an honor to be able to share that passion with our YouTube audience. Follow TWZ on socials: https://twitter.com/thewarzonewire https://www.instagram.com/thewarzonewire/ https://www.facebook.com/thewarzonewire Email [email protected] for inquiries. Chapters: 0:00 Intro 1:05 The F-16N's Origins 3:16 The F-16N's Design Specs 6:56 F-16N Training Ops 12:12 The Navy Says Goodbye To F-16Ns 13:58 Navy Vipers Rise Again

Performer: 1 - THE TOPPERS; 2 - FRED GIBSON; 2 - Bill Allen Orchestra; 3 - PAT PATTERSON & THE TEXAS WRANGLERS 6 Hits On Each Record; VOCAL & ORCH. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: RX-109-A Catalog number: RX109 Other IDs from the record include: RX109; (A)

Performer: Popular Artists Writer: Joe Allison; R. Hays; J. Rhodes Vocals; 4 Hits. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 2.0 mil truncated conical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: R-257-A Catalog number: EPW-69 A

Tracklist: 1. Red Hot 2. The Way I Walk 3. Sea Cruise 4. Black Slacks 5. Rock Billy Boogie 6. Fire 7. Something's Gonna Happen 8. It's Only Make Believe 9. Someday, Someway 10. Wasting My Time 11. Flyin' Saucers Rock & Roll 12. Too Fast To Live, Too Young To Die

Tracklist: 1. Red Hot 2. The Way I Walk 3. Sea Cruise 4. Black Slacks 5. Rock Billy Boogie 6. Fire 7. Something's Gonna Happen 8. It's Only Make Believe 9. Someday, Someway 10. Wasting My Time 11. Flyin' Saucers Rock & Roll 12. Too Fast To Live, Too Young To Die

Title 01 Lil Peep - Intro 02 Lil Peep - The Way I See Things 03 Lil Peep - Beamerboy 04 Lil Peep - U Said 05 Lil Peep - Crybaby 06 Lil Peep - Gym Class 07 Lil Peep - About U 08 Lil Peep - Better Off (Dying) 09 Lil Peep - Benz Truck 10 Lil Peep - The Brightside 11 Lil Peep - White Wine 12 Lil Peep - Save That Shit 13 Lil Peep - Five Degrees 14 Lil Peep - Let Me Bleed 15 Lil Peep - Girls 16 Lil Peep - Hellboy 17 Lil Peep - Nose Ring 18 Lil Peep - Live Forever 19 Lil Peep - Witchblades 20 Lil Peep - Praying To The Sky 21 Lil Peep - Awful Things 22 Lil Peep - Star Shopping 23 Lil Peep - Problems 24 Lil Peep - White Tee 25 Lil Peep - Lil' Kennedy 26 Lil Peep - Nineteen 27 Lil Peep - M.O.S. (Battery Full) 28 Lil Peep - Spotlight 29 Lil Peep - Teen Romance 30 Lil Peep - Haunt U 31 Lil Peep - Wake Me Up

A confusing broadcast history makes this episode weirdly spoilery? Did the show skip a bunch of plot or did we just goof? 

xii, 254 pages : 22 cm

Ocropoid - Live Fast Die Young Digital Download 2015 Asti Crossover Rap Hardcore @https://www.facebook.com/ocropoid14/ 01 - Intro 02 - Fossi Morto 03 - Odia Il Tuo Prossimo 04 - Live Fast Die Young 05 - Cammina Dentro Me 06 - Sangue E Miseria 07 - Porci Arrabbiati Source: https://www.youtube.com/watch?v=bPowfA_PENU Uploader: Italian Extreme Underground

Ocropoid - Live Fast Die Young Digital Download 2015 Asti Crossover Rap Hardcore @https://www.facebook.com/ocropoid14/ 01 - Intro 02 - Fossi Morto 03 - Odia Il Tuo Prossimo 04 - Live Fast Die Young 05 - Cammina Dentro Me 06 - Sangue E Miseria 07 - Porci Arrabbiati Source: https://www.youtube.com/watch?v=bPowfA_PENU Uploader: Italian Extreme Underground

This video is about Željko Ražnatović, better known as Arkan. A Serbian regular-criminal-turned-war-criminal who just didn't give a fuck about what anyone thought. ICTY Indictment: https://www.icty.org/en/case/zeljko_raznatovic Previous Video: https://youtu.be/H00y9cd0oBw

Hard Rock