Download: James Ensor by James Ensor

1James Ensor

By Verhaeren, Emile, 1855-1916

“James Ensor” Metadata:

Title: James Ensor
Author: Verhaeren, Emile, 1855-1916
Language: fre

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Internet Archive ID: jamesensor00verh

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2James Ensor - Belgian Artist - Preface By Jean Cassou

By Paul Haesaerts

“James Ensor - Belgian Artist - Preface By Jean Cassou” Metadata:

Title: ➤ James Ensor - Belgian Artist - Preface By Jean Cassou
Author: Paul Haesaerts
Language: English

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Internet Archive ID: jamesensorbelgia0000paul

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3Ensor James 1950-1969

By Silvio Branzi

Consistenza: 1 fascicolo (5 fotografie; 10 fotoriproduzioni) Fotografie di opere di Ensor e suo ritratto fotografico davanti all’opera “L’entrata di Cristo a Bruxelles”, prima di essere trasportata per l’allestimento alla 25 Biennale di Venezia (1950) . Sul retro note mss., la data, ritagli stampa incollati e timbri dell' Archivio Fotografico de 'Il Gazzettino' (Venezia), di Foto Giacomelli (Venezia) e di Photo Antony D'Ypres (Ostende). Mart, Archivio del '900, fondo Silvio Branzi, Bra.I.1.1692

“Ensor James 1950-1969” Metadata:

Title: Ensor James 1950-1969
Author: Silvio Branzi
Language: ita

“Ensor James 1950-1969” Subjects and Themes:

Subjects: Archivio Silvio Branzi - A.S.B. Mart - A.S.B. nomi di persona - Mart archivi storici

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Internet Archive ID: ensor-james-1950-1969

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4RHOB EP 51 James Ensor Met F

By Manu Van den Eynde

Episode 51 of the Random history of Belgium explains the life, work of the eccentric symbolist painter James Ensor. Get your masks ready.

“RHOB EP 51 James Ensor Met F” Metadata:

Title: RHOB EP 51 James Ensor Met F
Author: Manu Van den Eynde
Language: English

“RHOB EP 51 James Ensor Met F” Subjects and Themes:

Subjects: Belgium - History - RHOB - James Ensor

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Internet Archive ID: rhob-ep-51-james-ensor-met-f

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5James Ensor

By Libby Tannenbaum

Episode 51 of the Random history of Belgium explains the life, work of the eccentric symbolist painter James Ensor. Get your masks ready.

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Title: James Ensor
Author: Libby Tannenbaum
Language: English

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Internet Archive ID: jamesensor0000libb_b4k5

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6James Ensor, The Creative Years

By Lesko, Diane, 1942-

Episode 51 of the Random history of Belgium explains the life, work of the eccentric symbolist painter James Ensor. Get your masks ready.

“James Ensor, The Creative Years” Metadata:

Title: ➤ James Ensor, The Creative Years
Author: Lesko, Diane, 1942-
Language: English

“James Ensor, The Creative Years” Subjects and Themes:

Subjects: ➤ Ensor, James, 1860-1949 - Artists -- Belgium -- Biography

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Internet Archive ID: jamesensorcreati0000lesk

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7James Ensor 🇧🇪

Halloween1978

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Title: James Ensor 🇧🇪

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Internet Archive ID: curtis_202505

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8James Ensor, Peintre & Graveur

By James Ensor, Blanche Rousseau

Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb.

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Title: James Ensor, Peintre & Graveur
Author: James Ensor, Blanche Rousseau
Language: ➤ French - français, langue française

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Internet Archive ID: jamesensorpeint00rousgoog

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9Ecrits De James Ensor De 1921 À 1926, Avec Un Autographe D'Ensor Et Un Dessin Inédit Original ; Introduction De Fir. Cuypers

Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb.

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Title: ➤ Ecrits De James Ensor De 1921 À 1926, Avec Un Autographe D'Ensor Et Un Dessin Inédit Original ; Introduction De Fir. Cuypers
Language: fre

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Internet Archive ID: ecritsdejamesens00oste

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10James Ensor

By Émile Verhaeren

Book digitized by Google from the library of the University of Michigan and uploaded to the Internet Archive by user tpb.

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Title: James Ensor
Author: Émile Verhaeren
Language: ➤ French - français, langue française

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Internet Archive ID: jamesensor00verhgoog

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11James Ensor (1860 - 1949)

James Sidney Ensor (Ostend, 13 April 1860-19 November 1949) was the son of an English father (James Frederic) and a Belgian mother (Maria Catharina Haegheman). With an eye on obtaining the title of baron, only in 1929 did Ensor seek naturalisation. Up until that point he retained his father‘s nationality. The family operated a souvenir and curiosity shop in Ostend and boarded rooms out to summer guests. The young Ensor attended the College of the Blessed Virgin in Ostend. In 1876, Ensor attended drawing lessons at the local drawing school. During the spring and summer months he painted dozens of small nature studies on pink cardboard. From 1877 until 1880 he studied at the academy in Brussels. He received lessons from the Director, Jean Portales, among others. Fernard Khnopff, Theo Van Rysselberghe, Willy Finch and other future members of the exhibition associations, L'Essor and Les Vingt, were among his fellow students. In Brussels, he met the poet and art critic Théo Hannon, who introduced him to the liberal circles of Ernest Rousseau, professor at the Université Libre de Bruxelles, and his younger spouse, the nature expert Mariette Rousseau Hannon. The home of the Rousseau couple was a meeting place for the artistic, literary and scientific elite of the time. The contacts that Ensor had there-where he probably met Félicien Rops and Eugène Demolder and others-stimulated his artistic and intellectual development. Around the time of 1886-1889, Ensor would rework a number of his academic pieces into grotesque productions. In 1880 Ensor installed a studio in the attic of his parents‘ home in Ostend where he would work every now and then in the company of Willy Finch. Although he lived in Ostend until his death, he regularly stayed in Brussels and actively participated in the artistic life of the capital city. With the exception of a few excursions to London, Holland and Paris, Ensor scarcely traveled. In 1881, he debuted with the progressive Brussels art circle, La Chrysalide. He qucikly became recognised by friend and enemy alike as one of the prominent artists of the time. His seascapes, still lifes, naturalistic figure pieces and tableaux from the life of the young, modern bourgeois woman, such as the celebrated The Oyster-eater from 1882, unquestionably belong to the major works of the European Realism and plein aire movements. In 1883 Ensor, along with a few older students of the Brussels‘ academy, would take leave of the artists‘ association L'Essor. They established the artists‘ association Les Vingt. This will play an important role in the dissemination of various international avant-garde movements. etween 1885 and 1888, Ensor‘s attention went chiefly to drawing and etching. Under the influence of Rembrandt, Redon, Goya, Japanese woodcuts, Brueghelian images and contemporary spoofs, Ensor developed a highly personal iconography and design. He rejected French Impressionism and Symbolism and lent himself to the expressive qualities of light, line, colour and the grotesque and macabre motifs such as carnival masks and skeletons, which he rendered in massive tableaux such as in the series The Aureoles of Christ or The Sensibilities of Light (1885-1886). These grotesque metamorphoses culminate in Ensor‘s most well-known and monumental mask tableau: The Entry of Christ into Brussels (1888-1889, oil on canvas, Los Angeles, J. Paul Getty Museum). The women in Ensor's life Around 1888 Ensor would meet Augusta Bogaerts with whom he maintained a lifelong relationship, though without ever living together with her. After the death of his father in 1887, Ensor was often charged with the care for his mother, his live-in aunt Mimi, his divorcée sister Mariette (or Mitche) and her daughter Alexandrine, as well as the management of the family store, the most important source of income. Early Successes In 1893 Ensor fruitlessly set himself against the dissolution of the art circle Les Vingt. Octave Maus, secretary of Les Vingt, founded the exhibition association La Libre Esthétique. Ensor was regularly courted by La Libre Esthétique. The Print Room of the Royal Library in Brussels purchased a large number of etchings in 1893, followed one year later by the Kupferstichkabinett Museum of Prints and Drawings in Dresden and in 1899 by Albertina of Vienna. The rumour that in 1893 Ensor had offered unsuccessfully to sell the complete contents of his studio for 8.500 Belgian Francs (BEF) has never been documented and appears unlikely in light of his growing commercial success. In 1895, Ensor successfully solicited the Minister of Internal Affaires for the purchase of The Lamps (1880, oil on canvas) for the National Museum (the present-day Royal Museum of Fine Arts of Belgium in Brussels). Ensor asked 2.500 BEF for the work. In 1897, he again successfully asked the city government of Ostend to purchase a painting for the City Museum. Ostend paid 2.000 BEF for Sick Wretch Warming Himself (1882, oil on canvas, destroyed in 1940). Ensor participated more actively in the local artistic life in Ostend and became chair of the Cercle des Beaux-Arts, which he established. Ensor‘s artistic rejuvenation was noticed by German artists and critics around 1900. Alfred Kubin, Paul Klee, Emil Nolde, Ernst Ludwig Kirchner, Georg Grosz, Herbert von Garvens-Garvensburg or Wilhem Fraenger understood that 'le peintre des masks‘(the painting of masks) radically broke with the classical West-European artistic values and traditions. He was also recognised in Belgium as one of the pioneers of Modern Art. François Franck and the admirers who were members of the Antwerp exhibition association L'Art contemporain would successfully promote Ensor‘s work, both at home and abroad. Beginning in 1896, Ensor already was promoting himself more as a writer. Franz Hellens, who in 1974 wrote the foreward in one of the editions of Ecrits, spoke about 'maddest words‘ and indicated that this 'is the real Ensor [...] the sword-wielding and honeyed Ensor, biting and irreverent, naïve and cynical. The greatest enfant terrible that painting has ever known, a child in all the genuine and terrible connotations of the word‘. Primarily Ensor published on art in the newspapers Le Coq Rouge and La Ligue artistique. Later he was asked more and more as an occasional speaker and he took advantage of this opportunity to bring attention to the division of the sand dunes, modern architecture and vivisection. The Musician In a number of speeches Ensor called himself a forerunner of Luminism, Fauvism, Cubism, Expressionism, Futurism and Surrealism. Ensor also placed especially great importance on his musical productions. In 1911, he wrote the libretto and composed the music for a ballet entitled La Gamme d'amour. For this pantomime he also developed the décor and costumes. In 1924, this ballet was performed in the Antwerp opera house. In 1917, Ensor moved to the house in the Vlaanderenstraat/Rue de Flandre that he had inherited from his uncle. Today, the James Ensor museum is housed here. Unique sound recording In 2003, a unique sound recording was discovered in the radio archives of the VRT. On this recording, along with other well-known West Flemings, Ensor was interviewed in 1936 on the occasion of the 'Day of the Sea‘. Ensor speaks flawlessly in the Ostend dialect in this interview. Ostend was more than his birthplace, it was his muse. He called it 'Ostend, dear little coloured flower, 'eaven of the sea‘. Author: Herwig Todts, contributions by Cathérine Verleysen and Robert Hoozee

“James Ensor (1860 - 1949)” Metadata:

Title: James Ensor (1860 - 1949)

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Internet Archive ID: ➤ 2330MuziekInDeVlaanderenstraat1891

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12James Ensor

By Verhaeren, Émile, 1855-1916

Book from Project Gutenberg: James Ensor

“James Ensor” Metadata:

Title: James Ensor
Author: Verhaeren, Émile, 1855-1916
Language: fre

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Internet Archive ID: jamesensor35124gut

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13James Ensor;

By Verhaeren, Emile, 1855-1916

Book from Project Gutenberg: James Ensor

“James Ensor;” Metadata:

Title: James Ensor;
Author: Verhaeren, Emile, 1855-1916
Language: fre

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Internet Archive ID: jamesensorillus00verhgoog

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14Master Of Graphic Art--James Ensor, 1860-1949 : [exhibition] R. S. Johnson International Gallery, Chicago, Fall 1976

By Ensor, James, 1860-1949

Book from Project Gutenberg: James Ensor

“Master Of Graphic Art--James Ensor, 1860-1949 : [exhibition] R. S. Johnson International Gallery, Chicago, Fall 1976” Metadata:

Title: ➤ Master Of Graphic Art--James Ensor, 1860-1949 : [exhibition] R. S. Johnson International Gallery, Chicago, Fall 1976
Author: Ensor, James, 1860-1949
Language: English

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Internet Archive ID: masterofgraphica0000enso

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15Boat Of Car & Meet James Ensor Instore Performance - They Might Be Giants

By ParticleMen

A bonus video from the TMBG documentary "Gigantic." Buy It Here: http://geni.us/2hN8 Stream They Might Be Giants on Spotify! https://found.ee/TMBGSpotify Get They Might Be Giants merch! https://found.ee/TMBGMerch See They Might Be Giants on tour! https://found.ee/TMBGShows Source: https://www.youtube.com/watch?v=hTsWrDeD7-4 Uploader: ParticleMen

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Title: ➤ Boat Of Car & Meet James Ensor Instore Performance - They Might Be Giants
Author: ParticleMen

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Subjects: ➤ Youtube - video - Music - Boat - of - Car - Meet - James - Ensor - Instore - Performance - They - Might - Be - Giants - TMBG - Gigantic - documentary - bonus - song - extra

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Internet Archive ID: youtube-hTsWrDeD7-4

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16James Ensor

By Colin, Paul, 1890-1943

92 p

“James Ensor” Metadata:

Title: James Ensor
Author: Colin, Paul, 1890-1943
Language: ger

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Internet Archive ID: jamesensor00coli

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17James Ensor Von Paul Colin

By Hans Jacob

92 p

“James Ensor Von Paul Colin” Metadata:

Title: James Ensor Von Paul Colin
Author: Hans Jacob
Language: English

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Internet Archive ID: jamesensorvonpau0000hans

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18James Ensor, Peintre & Graveur

By Ensor, James, 1860-1949 and Rousseau, Blanche

Special issue of La Plume

“James Ensor, Peintre & Graveur” Metadata:

Title: James Ensor, Peintre & Graveur
Authors: Ensor, James, 1860-1949Rousseau, Blanche
Language: fre

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Internet Archive ID: gri_33125010886436

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19James Ensor, 1860-1949 : Masks, Death, And The Sea

By Beck-Malorny, Ulrike

95 pages : 23 cm

“James Ensor, 1860-1949 : Masks, Death, And The Sea” Metadata:

Title: ➤ James Ensor, 1860-1949 : Masks, Death, And The Sea
Author: Beck-Malorny, Ulrike
Language: English

“James Ensor, 1860-1949 : Masks, Death, And The Sea” Subjects and Themes:

Subjects: ➤ Ensor, James, 1860-1949 -- Criticism and interpretation - Ensor, James, 1860-1949 - Painters -- Belgium -- Biography - Painting, Modern -- 19th century - Painters - Painting, Modern - Belgium

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Internet Archive ID: jamesensor1860190000beck

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20James Ensor 1860-1949 : Theatre Of Masks

By Ensor, James, 1860-1949

95 pages : 23 cm

“James Ensor 1860-1949 : Theatre Of Masks” Metadata:

Title: ➤ James Ensor 1860-1949 : Theatre Of Masks
Author: Ensor, James, 1860-1949
Language: English

Edition Identifiers:

Internet Archive ID: isbn_9780946372362

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21The Prints Of James Ensor

By Ensor, James, 1860-1949

95 pages : 23 cm

“The Prints Of James Ensor” Metadata:

Title: The Prints Of James Ensor
Author: Ensor, James, 1860-1949
Language: English

Edition Identifiers:

Internet Archive ID: printsofjamesens0000enso

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The book is available for download in "texts" format, the size of the file-s is: 244.61 Mbs, the file-s for this book were downloaded 98 times, the file-s went public at Thu Oct 14 2021.

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22James Ensor

95 pages : 23 cm

“James Ensor” Metadata:

Title: James Ensor
Language: English

Edition Identifiers:

Internet Archive ID: jamesensor0000unse

Downloads Information:

The book is available for download in "texts" format, the size of the file-s is: 1308.11 Mbs, the file-s for this book were downloaded 41 times, the file-s went public at Fri Dec 03 2021.

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23Rue James Ensor 102, 1070 Anderlecht, Belgique - Morning In The Gardens

By lou.walrave

Birds singing while the sun rise on the community gardens

“Rue James Ensor 102, 1070 Anderlecht, Belgique - Morning In The Gardens” Metadata:

Title: ➤ Rue James Ensor 102, 1070 Anderlecht, Belgique - Morning In The Gardens
Author: lou.walrave

“Rue James Ensor 102, 1070 Anderlecht, Belgique - Morning In The Gardens” Subjects and Themes:

Subjects: ➤ field recording - phonography - soundscape - sound art - soundmap - radio - ephemeral - listening - radio aporee

Edition Identifiers:

Internet Archive ID: aporee_59002_67709

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24James Ensor

By Verhaeren, Emile, 1855-1916

26

“James Ensor” Metadata:

Title: James Ensor
Author: Verhaeren, Emile, 1855-1916
Language: English

Edition Identifiers:

Internet Archive ID: jamesensor00verhuoft

Downloads Information:

The book is available for download in "texts" format, the size of the file-s is: 276.35 Mbs, the file-s for this book were downloaded 2743 times, the file-s went public at Fri Mar 09 2007.

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25James Ensor

By Ensor, James, 1860-1949

26

“James Ensor” Metadata:

Title: James Ensor
Author: Ensor, James, 1860-1949
Language: English

“James Ensor” Subjects and Themes:

Subjects: ➤ Ensor, James, (1860-1949) -- Catalogues d'exposition - Ensor, James, 1860-1949 -- Exhibitions - Ensor, James, 1860-1949 -- Expositions

Edition Identifiers:

Internet Archive ID: jamesensor0000enso

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The book is available for download in "texts" format, the size of the file-s is: 596.64 Mbs, the file-s for this book were downloaded 135 times, the file-s went public at Mon Jan 08 2024.

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26James Ensor

By Le Roy, Grégoire

26

“James Ensor” Metadata:

Title: James Ensor
Author: Le Roy, Grégoire
Language: English

Edition Identifiers:

Internet Archive ID: jamesensor00lerouoft

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The book is available for download in "texts" format, the size of the file-s is: 467.14 Mbs, the file-s for this book were downloaded 3404 times, the file-s went public at Fri Mar 09 2007.

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27James Ensor, 1860-1949 : Les Masques, La Mer Et La Mort

By Becks-Malorny, Ulrike, 1950- ..

26

“James Ensor, 1860-1949 : Les Masques, La Mer Et La Mort” Metadata:

Title: ➤ James Ensor, 1860-1949 : Les Masques, La Mer Et La Mort
Author: ➤ Becks-Malorny, Ulrike, 1950- ..
Language: fre

“James Ensor, 1860-1949 : Les Masques, La Mer Et La Mort” Subjects and Themes:

Subjects: Ensor, James - Ensor, James, 1860-1949

Edition Identifiers:

Internet Archive ID: jamesensor1860190000beck_o2c8

Downloads Information:

The book is available for download in "texts" format, the size of the file-s is: 466.08 Mbs, the file-s for this book were downloaded 130 times, the file-s went public at Sun Feb 27 2022.

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28Les Écrits De James Ensor : Avec 36 Reproductions D'après Les Dessins Originaux Du Peintre

By Ensor, James, 1860-1949

"Il a été tiré de cet ouvrage cinq exemplaires sur papier Japon impérial, marqués A, B, C, D, E; cinq cents exemplaires sur papier de Hollande, Van Gelder 'Dubbel Bijkorf vergé'; et cinquante exemplaires sur papier Dickens, réservés au service de presse, sans numéro"--P. 161

“Les Écrits De James Ensor : Avec 36 Reproductions D'après Les Dessins Originaux Du Peintre” Metadata:

Title: ➤ Les Écrits De James Ensor : Avec 36 Reproductions D'après Les Dessins Originaux Du Peintre
Author: Ensor, James, 1860-1949
Language: fre

Edition Identifiers:

Internet Archive ID: lescritsdejame00enso

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The book is available for download in "texts" format, the size of the file-s is: 201.05 Mbs, the file-s for this book were downloaded 3479 times, the file-s went public at Tue Jun 01 2010.

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29James Ensor

By Janssens, Jacques

"Il a été tiré de cet ouvrage cinq exemplaires sur papier Japon impérial, marqués A, B, C, D, E; cinq cents exemplaires sur papier de Hollande, Van Gelder 'Dubbel Bijkorf vergé'; et cinquante exemplaires sur papier Dickens, réservés au service de presse, sans numéro"--P. 161

“James Ensor” Metadata:

Title: James Ensor
Author: Janssens, Jacques
Language: eng,fre

“James Ensor” Subjects and Themes:

Subjects: ➤ Ensor, James, 1860-1949 - Painters -- Belgium -- Biography

Edition Identifiers:

Internet Archive ID: jamesensor0000jans

Downloads Information:

The book is available for download in "texts" format, the size of the file-s is: 292.26 Mbs, the file-s for this book were downloaded 152 times, the file-s went public at Wed Jan 13 2021.

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Source: The Internet Archive

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“James Ensor - Belgian Artist - Preface By Jean Cassou” Metadata:

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“Master Of Graphic Art--James Ensor, 1860-1949 : [exhibition] R. S. Johnson International Gallery, Chicago, Fall 1976” Metadata:

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