Downloads & Free Reading Options - Results

Bing Crosby (1903-1977) & Dinah Shore (1917-1994) Command Performance - February 24, 1943

Episode of Late Lunch with Out To Lunch triggered by François asking OTL to talk while he played ... AMM All-Stars at the Betsey Trotwood, Farringdon Road, London 14- vi -2024 Nick Lubran - acoustic guitar, wooden flutes Dave Black - electric guitar François Moreau - double bass Out To Lunch - Yamaha keyboard, acoustic guitar 0:00 Graham Davis "Blues Noise: the Late Lunch Theme Tune" 1:49 2:36 Bronski Beat "It Ain't Necessarily So" Age of Consent (Forbidden Fruit, 1984) 4:44 7:12 AMM All-Stars "OTL on Discovering the Bible (Thanks Ken, Thanks Jair-Rôhm)" 14:24 21:34 Frank Zappa "Dumb All Over" You Are What You Is (Barking Pumpkin 2LP, 1981) 5:50 27:45 AMM All-Stars "The Event Has Passed But You Are Still Available" 16:58 45:18 AMM All-Stars "The Notes that Led Me Up the Garden Path" 8:22 53:40 Out To Lunch plays piano ("Stereo Mix of Nude after Adnams and Parents" 17- iii -2024 5:49>>6:38) 0:49 54:28 Cab Calloway "It Ain't Necessarily So" Ed Sullivan TV Show 20- vi -1965 3:49 Image : "I Saw It and Now I've Drawn It You Cannot Deny I Saw It, or, Would that All the Lord's People Were Prophets (Moses)" MS Paint Select Tool Cut Out by Out To Lunch 15- vi -2024

Episode of Late Lunch with Out To Lunch triggered by François asking OTL to talk while he played ... AMM All-Stars at the Betsey Trotwood, Farringdon Road, London 14- vi -2024 Nick Lubran - acoustic guitar, wooden flutes Dave Black - electric guitar François Moreau - double bass Out To Lunch - Yamaha keyboard, acoustic guitar 0:00 Graham Davis "Blues Noise: the Late Lunch Theme Tune" 1:49 2:36 Bronski Beat "It Ain't Necessarily So" Age of Consent (Forbidden Fruit, 1984) 4:44 7:12 AMM All-Stars "OTL on Discovering the Bible (Thanks Ken, Thanks Jair-Rôhm)" 14:24 21:34 Frank Zappa "Dumb All Over" You Are What You Is (Barking Pumpkin 2LP, 1981) 5:50 27:45 AMM All-Stars "The Event Has Passed But You Are Still Available" 16:58 45:18 AMM All-Stars "The Notes that Led Me Up the Garden Path" 8:22 53:40 Out To Lunch plays piano ("Stereo Mix of Nude after Adnams and Parents" 17- iii -2024 5:49>>6:38) 0:49 54:28 Cab Calloway "It Ain't Necessarily So" Ed Sullivan TV Show 20- vi -1965 3:49 Image : "I Saw It and Now I've Drawn It You Cannot Deny I Saw It, or, Would that All the Lord's People Were Prophets (Moses)" MS Paint Select Tool Cut Out by Out To Lunch 15- vi -2024

Artist: Doc Severinsen (Trumpet Duets) & His Orchestra Title: It Ain't Necessarily So Year: 1965 Date: 1965 Performers: Tony Mottola, Al Casamenti & Bucky Pizzarelli (guitars)/Dick Hyman (organ)/Bob Haggart (bass)/Osie Johnson (drums)/Bob Rosengarden (other percussion) All arrangements are by Doc Severinsen and Lew DaviesCopied from an original 1965 vinyl pressing of the album ''High, Wide & Wonderful'' Produced by Enoch Light Engineered by George Piros. Supervised by Fred Christie. Grand Award Record Company, New York. Matrix: Label_Record: Command RS-883-SD

Performer: LAWRENCE TIBBETT Writer: Gershwin "Porgy and Bess" (Act 2) ; In English with Orchestra ; Baritone ; Orchestra under the direction of. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 250.0, Rolloff: -5.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: 2a 95466 Catalog number: DB 3395 Other IDs from the record include: 2A 95466

Cab Calloway (t), Sportin' Life; Chorus of the Blevins Davis and Robert Breen production, RIAS Light Orchestra, Alexander Smallens, cond. Membran, recorded live in the Titania Palast, Berlin, Sept. 21, 1952

Performer: THE THREE BARS; Nick Roberts; Murry Gropper; Frank Darling Writer: George Gershwin; Ira Gershwin Mambo; ("Porgy & Bess"); Guitar; Piano; Bass. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 500.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: F60 Catalog number: 20-034 Other IDs from the record include: (F 60)

Artist: Oscar Peterson Trio Title: It Ain't Necessarily So Year: 1952 Date: LA early, Dec, 1952 Performers: Oscar Peterson (p) Barney Kessel (g) Ray Brown (b) Matrix: 905-3 Label_Record: Clef 89038

Performer: ROBERT TRENDLER And Orchestra; BRUCE FOOTE; ROBERT TRENDLER Writer: George Gershwin (PORGY AND BESS); Baritone; Orchestra and Chorus; Orchestra, Vocalist and Chorus; Orchestra, Vocalist and Chorus; Orchestra, Vocalist and Chorus; Baritone; Orchestra, Duet and Chorus; Baritone; Orchestra and Chorus; Baritone; Orchestra and Chorus. Digitized at 78 revolutions per minute. Four stylii were used to transfer these records. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 250.0. The preferred version suggested by an audio engineer at George Blood, L.P. is the equalized version recorded with the 3.5mil truncated eliptical stylus, and has been copied to have the more friendly filename. Matrix number: PR5121-E-2; PR5124-D; PR5128-C; PR5123-D; PR5125-C; PR5127-D; PR5126-C; PR5122-C Catalog number: Other IDs from the record include: 5123; 103-6; 5126; 103-3; 5124; 5125; 5121; 5127; 103-8; 103-2; 103-4; 5122; 103-7; 5128; 103-5; 103-1

Includes bibliographical references (p. 233-239) and index

Includes bibliographical references (p. 233-239) and index

Includes bibliographical references (p. 233-239) and index

Includes bibliographical references (p. 233-239) and index

Tracklist: 1. It Ain't Necessarily So 2. Close To The Edge 3. Red Dance

Tracklist: 1. It Ain't Necessarily So 2. Close To The Edge 3. Red Dance

Artist: Ahmad Jamal Trio Title: It Ain't Necessarily So Year: 1955 Date: Chicago, May 23, 1955 Performers: Ahmad Jamal (p), Ray Crawford (g), Israel Cosby (sb) Matrix: Label_Record: Argo LP602

Artist: Ahmad Jamal Trio Title: It Ain't Necessarily So Year: 1955 Date: Chicago, May 23, 1955 Performers: Ahmad Jamal (p), Ray Crawford (g), Israel Cosby (sb) Matrix: Label_Record: Argo LP602

Artist: Ella Fitzgerald & Louis Armstrong Title: It Ain't Necessarily So Year: 1957 Date: LA, Aug 18, 1957 Performers: Louis Armstrong (tp,vcl) with orchestra with prob. personnel: Frank Beach, Buddy Childers, Cappy Lewis (tp) Milt Bernhart, Marshall Cram, James Henderson, Lloyd Ulyate (tb) Vincent DeRosa (frh) Victor Arno, Robert Barene, Jacques Gasselin, Joseph Livoti, Dan Lube, Amerigo Marino, Bill Miller, Erno Neufeld, Marschall Sasson, Robert Sushel, Gerald Vinci, Tibor Zelig (vln) Myron Bacon, Abraham Hochstein, Raymond Menhennick, Myron Sandler (viola) Justin DiTullio, Kurt Reher, William Van Den Burg (cello) Paul Smith (p) Tony Rizzi (g) Joe Mondragon (b) Alvin Stoller (d) Russell Garcia (arr,cond) Ella Fitzgerald (vcl) Matrix: 21293-2 Label_Record: Verve MGV4011-1/2

Artist: Morris Lane Title: It Ain't Necessarily So Year: 1952 Date: NY c., , 1952 Performers: Morris Lane (ts) Bill Doggett (org) + others Matrix: 82861 Label_Record: Coral 60853

Artist: Cal Tjader Modern Mambo Orchestra Title: It Ain't Necessarily So Year: 1954 Date: San Francisco, Sep 21, 1954 Performers: Dick Collins, John Howell, Al Porcino, Charlie Walp (tp) Cal Tjader (vib,timb) Manuel Duran (p) Carlos Duran (b) Edgard Rosales, Bayardo Verlardi (cga,bgo) Matrix: 1510 Label_Record: Fantasy 534

Artist: Harry Klein Quartet Title: It Ain't Necessarily So Year: 1955 Date: London, Nov 25, 1955 Performers: Vic Ash (cl) Harry Klein (bar) Dill Jones (p) Sammy Stokes (b) Eddie Taylor (d) Leslie Weeks (bgo) Matrix: Label_Record: Nixa (E)NJE1022

Tracklist: 1. Praeludium And Allegro (In The Style Of Pugnani) - Fritz Kreisler 2. It Ain't Necessarily So (From Porgy & Bess) - George Gershwin 3. Clair De Lune - Claude Debussy 4. Banjo And Fiddle - William Kroll 5. Liebesieid - Fritz Kreisler 6. Liebesfreud - Fritz Kreisler 7. Prelude - George Gershwin 8. Cantabile - Niccolò Paganini 9. The Bee - Franz Schubert 10. The Easy Winners - Scott Joplin 11. The Swan (From Carnival Of The Animals) - Camille Saint-Saëns 12. Rondo - Fritz Kreisler 13. La Gitana - Fritz Kreisler 14. From Suite Populaire Espagnole: Asturiana - Manuel De Falla 15. From Suite Populaire Espagnole: Jota - Manuel De Falla 16. March (From The Love For Three Oranges) - Sergei Prokofiev 17. Tempo Di Minuetto (In The Style Of Pugnani) - Fritz Kreisler 18. Vocalise Op. 34 No. 14 - Sergei Vasilyevich Rachmaninoff

Tracklist: 1. Praeludium And Allegro (In The Style Of Pugnani) - Fritz Kreisler 2. It Ain't Necessarily So (From Porgy & Bess) - George Gershwin 3. Clair De Lune - Claude Debussy 4. Banjo And Fiddle - William Kroll 5. Liebesieid - Fritz Kreisler 6. Liebesfreud - Fritz Kreisler 7. Prelude - George Gershwin 8. Cantabile - Niccolò Paganini 9. The Bee - Franz Schubert 10. The Easy Winners - Scott Joplin 11. The Swan (From Carnival Of The Animals) - Camille Saint-Saëns 12. Rondo - Fritz Kreisler 13. La Gitana - Fritz Kreisler 14. From Suite Populaire Espagnole: Asturiana - Manuel De Falla 15. From Suite Populaire Espagnole: Jota - Manuel De Falla 16. March (From The Love For Three Oranges) - Sergei Prokofiev 17. Tempo Di Minuetto (In The Style Of Pugnani) - Fritz Kreisler 18. Vocalise Op. 34 No. 14 - Sergei Vasilyevich Rachmaninoff

Performer: PAUL ROBESON Writer: Gershwin Bass; with Orch.; "Porgy and Bess". Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 375.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: OEA5991 Catalog number: B.8711 Other IDs from the record include: OEA.5991

Tracklist: 1. Smalltown Boy 2. Why? 3. It Ain't Necessarily So

Tracklist: 1. Smalltown Boy 2. Why? 3. It Ain't Necessarily So

Martha Raye (1916-1994) was not known for her singing but she had a great voice! She recorded a bunch of records in the 1930s and 1940s. This one was recorded on May 27, 1939.

Paul Robeson Gershwin - Porgy and Bess - It ain't necessarily so His Masters Voice B6711Mx. 0EA5991 Nagaoka MP78 cartridge with 3mil (= 75u) stylus Turnover 250 Hz London 1938-01-21

Paul Robeson Gershwin - Porgy and Bess - It ain't necessarily so His Masters Voice B6711Mx. 0EA5991 Nagaoka MP78 cartridge with 3mil (= 75u) stylus Turnover 250 Hz London 1938-01-21

Artist: Doc Severinsen Title: It Ain't Necessarily So Year: 1965 Date: 1965 Performers: (Trumpet Duets) & His Orchestra = Tony Mottola, Al Casamenti & Bucky Pizzarelli (guitars)/Dick Hyman (organ)/Bob Haggart (bass)/Osie Johnson (drums)/Bob Rosengarden (other percussion) Arrangement by Doc Severinsen and Lew Davies Matrix: Label_Record: Command RS-883-SD

Performer: JOE VENUTI; BOBBY MAXWELL; Jimmy Brigg's Flute; The Joe Venuti Rhythmists Writer: Gershwin Opposite side: Seketon at Midnight (Danse Macabre); The Red-Hot Violin of; The Swing Harp of; with; and;. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: UR 148549 Catalog number: TR 416-B Other IDs from the record include: UR 148549

Performer: JOE VENUTI; BOBBY MAXWELL; Jimmy Brigg's Flute; The Joe Venuti Rhythmists Writer: Gershwin Opposite side: Seketon at Midnight (Danse Macabre); The Red-Hot Violin of; The Swing Harp of; with; and;. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: UR 148549 Catalog number: TR 416-B Other IDs from the record include: UR 148549

Performer: JOE VENUTI; BOBBY MAXWELL; Jimmy Brigg's Flute; The Joe Venuti Rhythmists Writer: Gershwin Opposite side: Seketon at Midnight (Danse Macabre); The Red-Hot Violin of; The Swing Harp of; with; and;. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: UR 148549 Catalog number: TR 416-B Other IDs from the record include: UR 148549

Tracklist: 1. It Ain't Necessarily So 2. The Maestro 3. Rosy Glow 4. Chelsea Bridge 5. They Can't Take That Away From Me 6. Wanting To Be Home (Feel) 7. Les Feuilles Mortes 8. Solitude 9. Writers Block

Artist: Art Farmer & Benny Golson Jazztet Title: It Ain't Necessarily So Year: 1960 Date: NY, , 1960 Performers: Art Farmer (T, Flh), Benny Golson (Ts), Curtis Fuller (TB), Addison Farmer (B), McCoy Tyner (P), Lex Humphries (D), Matrix: 10026 Label_Record: Argo LP664

Artist: Stan Kenton And His Orchestra Title: It Ain't Necessarily So Year: 1945 Date: Capitol transcriptions, Hollywood, Dec 20, 1945 Performers: Buddy Childers, John Anderson, Russ Burgher, Bob Lymperis, Ray Wetzel (tp) Fred Zito, Jimmy Simms, Milt Kabak, Ray Klein (tb) Bart Varsalona (b-tb) Boots Mussulli, Al Anthony (as) Vido Musso, Bob Cooper (ts) Bob Gioga (bar) Stan Kenton (p) Bob Ahern (g) Eddie Safranski (b) Ralph Collier (d) June Christy (vcl) Ken Hanna (arr) Matrix: ET525-1 Label_Record: Proper (E)PVCD112 [CD]

View collection guide: https://mms.newberry.org/xml/xml_files/Driscoll.xml

Performer: MAXINE SULLIVAN Writer: Du Bose Heyward; Ira & George Gershwin Vocal w. Orch.; (From: "Porgy and Bess"); With Orchestra. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 500.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: OA030384 Catalog number: B.8911 Other IDs from the record include: OA.030384

Writer: George Gershwin Performer: Robert Trendler Porgy and Bess; And Orchestra; Orchestra, Vocalist and Chorus. Digitized at 78 revolutions per minute. Four stylii were used to transfer these records. They are 2.0 mil truncated conical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred version suggested by an audio engineer at George Blood, L.P. is the equalized version recorded with the 2.0 mil truncated conical stylus, and has been copied to have the more friendly filename. Matrix number: 5121; 5123 Catalog number: S45; S45 Other IDs from the record include: Album 103-2; 5121; Album 103-1; 5123

Artist: Maxine Sullivan And Her Orchestra Title: It Ain't Necessarily So Year: 1938 Date: NY, Dec 10, 1938 Performers: Maxine Sullivan (vcl) acc by Bobby Hackett (cnt) Slats Long, Chester Hazlett (cl,as) Bud Freeman (ts) Milt Rettenberg (p) Ken Binford (g) Ed Brader (b) Edward P. Rubsam (d) Matrix: 030384-1 Label_Record: Victor 26132

Tracklist: 1. Praeludium and Allegro (in the Style of Pugnani) - Fritz Kreisler 2. Porgy and Bess, Act II Scene 2: It Ain’t Necessarily So - George Gershwin 3. Suite Bergamasque L. 75 no. 3: Clair de lune - Claude Debussy 4. Banjo and Fiddle - William Kroll 5. Liebesleid - Fritz Kreisler 6. Liebesfreud - Fritz Kreisler 7. Prelude no. 1 in B-flat major - George Gershwin 8. Cantabile in D major, op. 17 - Niccolò Paganini 9. Bagatelle for violin & piano “The Bee”, op. 13 no. 9 - Franz Schubert 10. The Easy Winners - Scott Joplin 11. Carnival of the Animals: XIII. The Swan - Camille Saint‐Saëns 12. Serenade no. 7 in D major “Haffner”, KV 250: IV. Rondeau: Allegro - Fritz Kreisler 13. La Gitana - Fritz Kreisler 14. Siete canciones populares españolas, G. 40 no. 3: Asturiana - Manuel de Falla 15. Siete canciones populares españolas, G. 40 no. 4: Jota - Manuel de Falla 16. The Love for Three Oranges Suite, op. 33bis: III. March - Sergei Prokofiev 17. Tempo di Menuetto (in the Style of Pugnani) - Fritz Kreisler 18. Vocalise, op. 34 no. 14 - Сергей Васильевич Рахманинов

Tracklist: 1. Praeludium and Allegro (in the Style of Pugnani) - Fritz Kreisler 2. Porgy and Bess, Act II Scene 2: It Ain’t Necessarily So - George Gershwin 3. Suite Bergamasque L. 75 no. 3: Clair de lune - Claude Debussy 4. Banjo and Fiddle - William Kroll 5. Liebesleid - Fritz Kreisler 6. Liebesfreud - Fritz Kreisler 7. Prelude no. 1 in B-flat major - George Gershwin 8. Cantabile in D major, op. 17 - Niccolò Paganini 9. Bagatelle for violin & piano “The Bee”, op. 13 no. 9 - Franz Schubert 10. The Easy Winners - Scott Joplin 11. Carnival of the Animals: XIII. The Swan - Camille Saint‐Saëns 12. Serenade no. 7 in D major “Haffner”, KV 250: IV. Rondeau: Allegro - Fritz Kreisler 13. La Gitana - Fritz Kreisler 14. Siete canciones populares españolas, G. 40 no. 3: Asturiana - Manuel de Falla 15. Siete canciones populares españolas, G. 40 no. 4: Jota - Manuel de Falla 16. The Love for Three Oranges Suite, op. 33bis: III. March - Sergei Prokofiev 17. Tempo di Menuetto (in the Style of Pugnani) - Fritz Kreisler 18. Vocalise, op. 34 no. 14 - Сергей Васильевич Рахманинов

We look at non-classical negations and their corresponding adjustment connectives from a modal viewpoint, over complete distributive lattices, and apply a very general mechanism in order to offer adequate analytic proof systems to logics that are based on them. Defining non-classical negations within usual modal semantics automatically allows one to treat equivalent formulas as synonymous, and to have a natural justification for a global version of the contraposition rule. From that perspective, our study offers a particularly useful environment in which negative modalities and their companions may be used for dealing with inconsistency and indeterminacy. After investigating modal logics based on arbitrary frames, we extend the results to serial frames, reflexive frames, functional frames, and symmetric frames. In each case we also investigate when and how classical negation may thereby be defined.

Performer: GUY LOMBARDO AND HIS ROYAL CANADIANS Writer: Heyward; Gershwin Dance Orchestra; FOX-TROT; ("Porgy and Bess"); (with Vocal Refrain). Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 300.0, Rolloff: -10.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: OA98425 Catalog number: B.D.5313 Other IDs from the record include: OA.98425

Tracklist: 1. CUBAN OVERTURE 2. BUT NOTFOR ME 3. MY MAN'S GONE NOW 4. PRELUDE NO.2 5. IT AIN'T NECESSARILY SO 6. SOMONE TO WATCH OVER ME 7. SUMMERTIME 8. HOW LONG HAS THIS BEEN COING ON

Bell's theorem is 50 years old. Still there is a controversy about its implications. Much of it has its roots in confusion regarding the premises from which the theorem can be derived. Some claim that a derivation of Bell's inequalities requires just locality assumption, and nothing more. Violations of the inequalities are then interpreted as ``nonlocality'' or ``quantum nonlocality''. We show that such claims are unfounded and that every derivation of Bell's inequalities requires a premise -- in addition to locality and freedom of choice -- which is either assumed tacitly, or unconsciously, or is embedded in a single compound condition (like Bell's ``local causality''). The premise is equivalent to the assumption of existence of additional variables which do not appear in the quantum formalism (in form of determinism, or joint probability for outcomes of all conceivable measurements, or ``additional causes`'', or ``hidden variables'', ``complete description of the state'' or counterfactual definiteness, etc.). A certain irony is that perhaps the main message of violation of Bell's inequalities is that our notion of locality should be based on an operationally well-defined no-signalling condition, rather than on local causality.

Bell's theorem is 50 years old. Still there is a controversy about its implications. Much of it has its roots in confusion regarding the premises from which the theorem can be derived. Some claim that a derivation of Bell's inequalities requires just locality assumption, and nothing more. Violations of the inequalities are then interpreted as ``nonlocality'' or ``quantum nonlocality''. We show that such claims are unfounded and that every derivation of Bell's inequalities requires a premise -- in addition to locality and freedom of choice -- which is either assumed tacitly, or unconsciously, or is embedded in a single compound condition (like Bell's ``local causality''). The premise is equivalent to the assumption of existence of additional variables which do not appear in the quantum formalism (in form of determinism, or joint probability for outcomes of all conceivable measurements, or ``additional causes`'', or ``hidden variables'', ``complete description of the state'' or counterfactual definiteness, etc.). A certain irony is that perhaps the main message of violation of Bell's inequalities is that our notion of locality should be based on an operationally well-defined no-signalling condition, rather than on local causality.