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This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

SI Neg. CCC-3211D. Date: 5/1938. ...Burdine May Day 1938 (4 Negatives).Burdine May Day, 1938.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-1788. Date: 4/25/1919. ...First Aid Team - Jenkins.First Aid Team, Jenkins.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-1789. Date: 4/23/1919. ...Proto rescue Team Jenkins.";Proto"; Rescue Team 15 spec..From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2623. Date: na. ...Kindergarten, Jenkins.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2578. Date: na. ...Class and Teacher.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2336. Date: 3/4/1923. ...Jenkins Faculty.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2328. Date: 3/4/1923. ...Jenkins School Teachers.group on steps of building.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

Please visit the California Revealed website to see the most complete and up-to-date version of this object: https://repository.californiarevealed.org/node/384707 .

Caption: Nisei soldiers from Barracks 15, Military Intelligence Service Language School (MISLS) Camp Savage, Minnesota, April 24, 1943. Supplemental scan of ddr-ajah-2-743 with additional notes (Size of original: 12W x 7.75H) For more information, visit Densho

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

"[Illustration]: Portrait Group. John W. Alexander" is an article from Art and Progress, Volume 5 . View more articles from Art and Progress . View this article on JSTOR . View this article's JSTOR metadata . You may also retrieve all of this items metadata in JSON at the following URL: https://archive.org/metadata/jstor-20561080

SI Neg. CCC-3310. Date: 9/1946. ...Speaking to Picnic Pikeville Country Club.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

Zoomable full resolution image available at davidrumsey.com . This image 1576.016 is a part of image group 1576.000 . P1605.

SI Neg. CCC-3240C. Date: 10/20/1939. ...Pictures for Miss OʼConnner for magazine.School Scenes.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2368. Date: na. ...Kindergarten at Play.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

SI Neg. CCC-3106A. Date: 2/23/1935. ...Pictures Made For Hospital Anul Report.(negatives of doctors, nurses, and hospital rooms).From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

Tschumie, Mw. Zielinski, Bisschop Botero v. Bogota. vlnr: Zielinski, mevr ?, Fifi Römer, Bisschop Botero, doktoor da Costa Gomez, Ergo de los Santos; Groepsportret; Group portrait Collectie Wereldmuseum, objectnummer TM-60060941

Posing for a group photo in the International Space Station (ISS) Destiny U.S. Laboratory are: Left, top to bottom, black shirts: Expedition Four Flight Engineer Carl Walz, Flight Engineer Daniel Bursch, and Mission Commander (CDR) Yuri Onufrienko. Center, top to bottom, khaki green shirts: STS-111 UF-2 Mission Specialist (MS) Philippe Perrin, Pilot (PLT) Paul Lockhart, Commander (CDR) Kenneth Cockrell, and MS Franklin Chang-Diaz. Right, top to bottom, blue shirts: Expedition Five Flight Engineer Sergei Treschev, Flight Engineer Peggy Whitson, and Mission CDR Valery Korzun. Onufrienko, Treschev and Korzun represent Rosaviakosmos. Perrin represent CNES, the French Space Agency.

Posing for a group photo in the International Space Station (ISS) Destiny U.S. Laboratory are: Back row, L to R: STS-111 UF-2 Mission Specialist (MS) Philippe Perrin, MS Franklin Chang-Diaz, Pilot (PLT) Paul Lockhart and Commander (CDR) Kenneth Cockrell. Front row, L to R: Expedition Four Flight Engineer Daniel Bursch, Mission CDR Yuri Onufrienko, and Flight Engineer Carl Walz. Onufrienko represents Rosaviakosmos. Perrin represents CNES, the French Space Agency. Image 015 was a Crew Pick used for their postflight presentation.

Posing for a group photo in the International Space Station (ISS) Destiny U.S. Laboratory are: Back row, L to R: STS-111 UF-2 Mission Specialist (MS) Philippe Perrin, MS Franklin Chang-Diaz, Pilot (PLT) Paul Lockhart and Commander (CDR) Kenneth Cockrell. Front row, L to R: Expedition Four Flight Engineer Daniel Bursch, Mission CDR Yuri Onufrienko, and Flight Engineer Carl Walz. Onufrienko represents Rosaviakosmos. Perrin represents CNES, the French Space Agency. Image 015 was a Crew Pick used for their postflight presentation.

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

SI Neg. CCC-2692. Date: na. ...From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-3314O. Date: 10/5/1946. ...First Aid, Pikeville.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-3314A. Date: 10/5/1946. ...First Aid, Pikeville.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-3211C. Date: 5/1938. ...Burdine May Day 1938 (4 Negatives).Burdine May Day, 1938 (caption on negative reads ";Burdine Blue Ribbon Group, 1938";.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-3178. Date: 1937. ...May day pictures Jenkins white.All the children.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2772. Date: 9/1/1926. ...Mine Rescue Team at Jenkins.Mine Rescue Team at Jenkins, KY.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2772. Date: 9/1/1926. ...Mine Rescue Team at Jenkins.Mine Rescue Team at Jenkins, KY.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2772. Date: 9/1/1926. ...Mine Rescue Team at Jenkins.Mine Rescue Team at Jenkins, KY.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2772. Date: 9/1/1926. ...Mine Rescue Team at Jenkins.Mine Rescue Team at Jenkins, KY.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

SI Neg. CCC-2772. Date: 9/1/1926. ...Mine Rescue Team at Jenkins.Mine Rescue Team at Jenkins, KY.From the Consolidation Coal Company collection, National Museum of American History...Credit: unknown (Smithsonian Institution)

West-Indie. Curacao. Een groep Curacaosche schoonen; Een groepsportret van dames op Curacao; A group portrait of Curacao ladies Collectie Wereldmuseum, objectnummer TM-10028964

Caption below photo: Mess 58 crew. Tule Lake Center, Summer 1945 (Size of original: Unknown) For more information, visit Densho

Caption below photo: Mess 58 crew. Tule Lake Center, Summer 1945 (Size of original: Unknown) For more information, visit Densho

Professional. Polished. Personable. This outdoor executive group portrait reflects confidence, collaboration, and modern leadership in one frame. Captured in the vibrant streets of New York, this image demonstrates the power of location-based branding. At David Dupuy Studios , we help elevate your corporate image with editorial-style team photography that feels as authentic as it is professional. 📍For full team sessions and brand storytelling: 👉 www.daviddupuystudios.com

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

Caption below photo: Young adult school, Japanese Methodist Episcopal church, South in Alameda, CA. 1920. Front row center in Grace Umezawa (Size of original: Unknown) For more information, visit Densho

Schoolkinderen van Saba, vooraan rechts Pastoor Laur. Mulder op Saba. [wrsch. Pater Kok !]; Groepsportret met schoolkinderen; Group portrait including schoolchildren Collectie Wereldmuseum, objectnummer TM-60060982

On Saturday, June 20th, 2015, ALL self-identifying Chicago Artists were invited to sit for a group portrait on the steps of the Museum of Contemporary Art, Chicago, IL   Over 600 artists arrived to be included in the portrait.  The open ended and non-discriminating gesture brought a diverse array of practitioners from across the city to form this historical moment.   Organized by Jason Lazarus Photo Assistants: Aron Gent Patrick Putze Many thanks to give: Museum of Contemporary Art Chicago  volunteers and staff who were so thoughtful, collaborative, and willing, with special mentions for  curator  Steven L. Bridges  and  Madeleine Grynsztejn  for immediate openess and enthusiasm,  Julie Rodrigues Widholm  for immediate support, Duncan Robert Anderson  for logistics,  Abraham Ritchie  for social media, Elena Grotto for non stop coordinating, (all those prep meetings paid off)! Sylvie Hayes-Wallace ,  Kevin Barrett Weil ,  Daniel Stephen Miller  for being first points of contact for many excited attendees.  And most important,  ALL ATTENDEES for being super patient and lovely! PS thank you to the immovable pigeon for bearing symbolic load and providing comic relief! ---- The Original Invite: OPEN INVITE TO ALL CHICAGO ARTISTS Dear Chicago Artists, You are warmly invited to stand in a group portrait, rain or shine, on the front steps of the MCA Chicago on Saturday, June 20th, mark your calendars! Given the unique light/shadow situation that changes all day on front steps, it is looking likely that the photograph will need to be made at 12:30pm, and the plaza is open to attendees to socialize and primp starting at 11:30am...stay tuned for a confirmation of these times! Arrival and Check-In: 11:30am-12:30pm Photoshoot: 12:30pm-1:15pm  EVENT INFO HERE: http://bit.ly/GrpFoto --- The group portrait will be owned by everyone and become part of the public domain! It is my intention to not ‘own’ this photograph but to put it online for anyone to print, alter, distribute as they see fit (as this seems to happen anyways in our image culture)...in other words, I want to have it in the public domain where I think it belongs and watch it move around, mutate, and engage a greater audience.  For any minors who wish to join in the moment, please bring your parent or guardian sign a release form provided at the event. If you have questions about this, email [email protected] om --- EPILOGUE  "The most powerful human forces are found in the meeting of the face and the gaze. Only there do we exist for one another. In the gaze of the other, we become, and in our own gaze others become. It is there, too, that we can be destroyed. Being unseen is devastating, and so is not seeing." --Karl Oove Knausgaard, New Yorker, 2015 On June 20th, 2015 I organized a group portrait on the iconic, three-tier, front cascade of steps to the Museum of Contemporary Art in Chicago. Billing it through email solicitations, social media, and press as an invite to any ‘Chicago Artist,’ the final decision of whether that label successfully applied was left up to the individual. The notion to create this moment was personal and collective. Having recently accepted a position as Assistant Professor of Photography and Digital Media at the University of South Florida, Tampa I had recently come to obsess on all of the significant relationships and experiences I’ve had in Chicago, a place where I became interested in art while working at a conceptual theatre in Hyde Park in 1999. Newly post-MFA in 2003, I began to experience many moments of doubt and precarity. Twelve years later and about to leave the city, I can say for sure that whatever talent or work ethic I might have employed, the city MADE me. Chicago artists ambitions, thoughts, tweets, criticisms, ingenuity, writing, profundity, collectivity, pragmatism, and single-mindedness MADE me. I have belonged to many communities while in Chicago–institutional or medium-based, communities based on attitude, humor, poverty, privilege, empathy, criticality, collectivity, in-communities, out-communities, moments of bodies and minds coming together that only lasted one night. Communities based on drunk musings and mutual desire. Some of the most transformative communities are unplanned, totally liquid, and may last a moment at best. One of the most profound moments of the Chicago Artist Group Portrait was two weeks prior when talking to a former student who displays much talent and future promise. When I asked her if she planned to attend the portrait, she replied that she didn’t feel like she was part of the Chicago artist community. I asked her to explain, but I immediately understood her point of view. These memberships are intensely subjective, impetuous, and momentary. For all of the goodwill a collective moment may create, her response was the perfect irritant to a tidy narrative, and charged the edges of the actual portrait as violent and revelatory. Solidarity with a community, momentary or otherwise, can soften and embolden in a career that is at the end of the day still based on stretches of solitude and salt to create meaning. Perhaps with the collectivity of myriad networked communities, a sense of solitude is most important to keep in focus? Still, having that many bodies together in 2015 feels RADICAL! Through proximity, feeling the sweat and heat of those past community members is beyond eroticism. There is undeniable goodwill here, but still, individual sitters generate heat yet cast shadows on each other. There is a front and a back. There is the loud shirt and the averted gaze. There is the nausea of claustrophobia, the social anxiety, the benign and unknowing dog. What to make of all of this? History will tell us, or not. More likely, these community thresholds will be crossed by our minds and our hearts before our bodies catch up. Where our body ends up is a footnote to the real story. --Jason Lazarus, August 2015

Calais, ME This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.

Helen Hubbard (2nd from right) with three school friends This collection includes glass plate negatives that range in date from 1893-1901, though much of the material is undated. Ervin S. Hubbard, an architect, photographed these images. These images' subjects primarily cover geographic locations—including New England, the greater Washington, D.C. area, and New Brunswick, Canada—and portraits.