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The term gender is relatively new in such disciplines as Sociology, Anthropology, Political Science, Sociolinguistics, let alone with Literary Linguistics. As opposed to sex which refers to biological characteristics, gender is culture based. Nowadays, it is actively recommended to include aspects of gender in whatever project we undertake. The present article is an attempt at probing the language used by male and female characters in Soyinka’s The Lion and the Jewel to see how gender issues are grounded in the play to let it play its didactic role. The aim is to pinpoint the way female and male are represented through a lexicogramatical analysis with a special focus on its transitivity system as suggested by Halliday (1994) to enter Wole Soyinka’s characters’ inner and outer world as they use language to enable them ‘to build a mental picture of reality, to make sense of what goes on around them and inside them’ (1994:106). That Soyinka considers or does not consider women or just recounts the situation of women in Yoruba traditional societies is what is at stake in this study. The results of the investigation in the light of transitivity and Critical Discourse Analysis shows that Soyinka, consciously or unconsciously has represented male characters as strong, powerful and metaphorically as a lion, a symbol of irresistible power. They are also portrayed as initiator, doer of something, and commander in chief, the king while their female counterparts (Sidi, Sadikou) are represented as goals and/or beneficiaries of men’s actions and associated with processes of sensing and of emotion.