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While everyone's attention has been focused on the coronavirus and the run-up to the 2020 election, a lot has been happening at the U.S. Agency for Global Media, which oversees a number of government-funded entities, including the Voice of America. Michael Pack, a conservative filmmaker, was confirmed as the head of the Agency for Global Media in June after much controversy on Capitol Hill. Once installed, Pack gutted the top leadership and took actions critics say breached the firewall meant to protect these various overseas news outlets from politicization. He held back congressionally appropriated funds and even defied a bipartisan congressional subpoena for his testimony. Investigations have been opened, and lawsuits have been filed. Margaret Taylor sat down with NPR's David Folkenflik to sort it all out.Support this show http://supporter.acast.com/lawfare. See acast.com/privacy for privacy and opt-out information.

Marnell and Dianne review episode 4 of the 2020-21 reboot of Stephen King's The Stand. M-O-O-N and that spells \"New Vegas is really debauched.\" Learn more, subscribe, or contact us at www.southgatemediagroup.com. You can write to us at [email protected] and let us know what you think. Be sure to rate us and review the episode. It really helps other people find us. Thanks! Follow us on Twitter at @biterspodcast Biters on YouTube http://bit.ly/2lt2VjX Email [email protected] Facebook.com/BitersPodcast Instagram.com/biterspodcast Webpage www.southgatemediagroup.com/nuffsaidpodcast Please consider supporting our network https://www.patreon.com/SouthgateMediaGroup Get a Biters T-Shirt at Tee Public with this link http://shrsl.com/t5aj SHOW HOSTS: Dianne Maythorne, Marnell Steiner SHOW EDITOR: Dianne Maythorne PRODUCER: Rob Southgate

Actor/writer Matt Watts (The Newsroom, Michael Tuesdays and Thursdays) on "incest" and "hush money" at the CBC, among other problems plaguing our TV industry.

Actor/writer Matt Watts (The Newsroom, Michael Tuesdays and Thursdays) on "incest" and "hush money" at the CBC, among other problems plaguing our TV industry.

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Movie

Actor/writer Matt Watts (The Newsroom, Michael Tuesdays and Thursdays) on \"incest\" and \"hush money\" at the CBC, among other problems plaguing our TV industry. Support CANADALAND: https://canadaland.com/joinSee omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

Fear and Loathing II, 2023 Preservation/Provenance Utilizing the Arweave Network/Protocol (decentralized storage), the works of Toppy Eton are preserved and documented offering access to immutable, long-lasting, verifiable access to the entire catalogue of digital artist Toppy Eton 2021-present. All art is minted to the Ethereum Blockchain as a mechanism for provenance, reference, and technological essence.  Uploading blockchain-related data to the Internet Archive creates a public, permanent, accessible record - safeguarding against risk of loss or inaccessibility over time (archival redundancy). The "white square" seen here is a visual metaphor for the token itself - meaning/value contexualized by metadata, blockchain record, and access to artwork. The token preserves, authenticates, and contexualizes the art, but is not the art itself. T he original minted art represents the true artistic expression and intrinsic value,  which the token protects and documents: Archival Arweave: https://vuthmy64o3xjqk6gchxftl6i3uyjkadk6rbxxrst4yobthnlyudq.arweave.net/rSZ2Y9x27pgrxhHuWa_I3TCVAGr0Q3vGU-YcGZ2rxQc/6 Archival Etherscan:  https://etherscan.io/nft/0x52b27883e17802e015f6cb7ab4743e3b8586d23a/165 As technology evolves, there is hope that art, provenance, and intent will endure. Digital Art by Toppy Eton - digital paintings reminiscent of Renaissance and Baroque-era style oil painting realism aesthetics inspired by master portrait artists like Rembrandt and Artemisia Gentileschi and modern avant-garde movements including Dadaism and Surrealism as well as sci-fi/fantasy and contemporary Internet meme culture. Digital art created in Procreate. All Artwork  ©   Copyright Toppy Eton. All rights reserved. Works created by Toppy Eton are protected by copyright law and may not be reproduced, distributed, transmitted, modified, or used in any way without the express consent of Toppy Eton. Any unauthorized use of this artwork may constitute a violation of copyright law and result in legal action.

The Legends Of S.H.I.E.L.D. Director SP an Agent Michelle discuss the Agents Of S.H.I.E.L.D. season six third episode \"Fear and Loathing on the Planet of Kitson.\" THIS TIME ON LEGENDS OF S.H.I.E.L.D.: Agents Of S.H.I.E.L.D. \"Fear and Loathing on the Planet of Kitson\" The Legends Of S.H.I.E.L.D. Director SP and Agent Michelle discuss the Agents Of S.H.I.E.L.D. season 6 third episode \"Fear And Loathing On The Planet Of Kitson.\" The Agents debrief you on Jemma and Daisy's Ladies' Night, Fitz And Enoch's intergalactic Vegas bachelor party, their answers on who would win a Quake-Simmons fight, Fitz and Jamma's spoiled reunion, speculate on if Sarge is trying to save time, they rate Daisy as Mission Leader, and what's with Time Hunters and broken timelines? AGENTS OF S.H.I.E.L.D. \"FEAR AND LOATHING ON THE PLANET OF KITSON\" [4:41] AGENTS OF S.H.I.E.L.D. \"FEAR AND LOATHING ON THE PLANET OF KITSON\" Agents Of S.H.I.E.L.D. \"Fear and Loathing on the Planet of Kitson\" aired on ABC on May 24th, 2019. Main Cast: Clark Gregg                                           Sarge / Phil Coulson Ming-Na Wen                                         Melinda May Chloe Bennet                                         Daisy Johnson a.k.a. Quake Iain De Caestecker                                 Leo Fitz Elizabeth Henstridge                               Jemma Simmons Henry Simmons                                     Alphonso \"Mack\" MacKenzie Natalia Cordova-Buckley                         Elena \"Yo-Yo\" Rodriguez Jeff Ward                                               Deke Shaw Maximilian Osinski                                  Agent Davis Briana Venskus                                      Agent Piper Barry Shabaka Henley                            Marcus Benson Christopher James Baker                                    Malachi Karolina Wydra                                      Izel Joel Stoffer                                            Enoch          Lucas Bryant                                          Damon Barry Shabaka Henley                            Dr. Marcus Benson Winston James Francis                            Juco Matt O'Leary                                          Trok Brooke Williams                                     Butterfly Directed By: Jesse Bochcohttps://www.imdb.com/name/nm1061992/?ref_=tt_ov_dr16 directing credits starting 200210x NYPD Blue1x The Closer2x Prison Break6x Dallas (reboot)9x Murder in the First11x Agents of Shield Written By: Brent Fletcherhttps://www.imdb.com/name/nm0281957/?ref_=ttfc_fc_wr68 writing credits starting 20041x Angel1x Lost1x Spartacus: Gods of the Arena8x Spartacus13x Agents of Shield Written By: Craig Titleyhttps://www.imdb.com/name/nm0864471/?ref_=ttfc_fc_wr710 writing credits starting 20012x Star Wars: The Clone Wars2x The Cape11x Agents of Shield OUTRO [37:38] Haley, Lauren, Michelle and Stargate Pioneer love to hear back from you about how you would rate the episode we just discussed, your top 5 Marvel character lists, your science of Marvel questions, who would you pick in an all-female Avenger team, or which Marvel male you would like to see shirtless. Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                   Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the season 6 fourth episode of Agents Of S.H.I.E.L.D \"Code Yellow.\" You can listen in live when we record Sunday Afternoons at 6:15 PM Eastern time at Geeks.live (Also streamed live on Spreaker.com). Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871 Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com). This podcast was recorded on Sunday May 24th, 2019. Standby for your S.H.I.E.L.D. debriefing --- Audio and Video Production by Stargate Pioneer of GonnaGeek.com.

Channel Awesome: 633 Nostalgia Critic Commentary Fear and Loathing

Channel Awesome: 633 Nostalgia Critic Commentary Fear and Loathing

Fear And Loathing Wiki dumped with WikiTeam tools.

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suksma fear and loathing in provo orem slam dants

Congressman Madison Crawford has recently come forward with non-specific allegations that lawmakers in DC are engaged in coke-fueled orgies behind the scenes to which he claims to have been invited. The only thing surprising about this, of course, is that they would invite a paralyzed guy in a wheelchair. Meanwhile, other members of Congress like Angus King don't understand why Israel won't help Ukraine. I have a theory. This is EPISODE 862 of So to Speak w/ Jared Howe!

On today's 'BradCast', our Republican National Convention wrap up following Donald Trump's dark and dishonest acceptance speech at the end of a chaotic week for the GOP in Cleveland. Salon's Heather Digby Parton -- who was with us on Day 1 of Trump's candidacy last year, when we largely predicted what has now happened -- joins us to try and make sense of where things are now for the nation, for the nominee and for the future of a Republican Party which she sees in its death throes. Brad is not quite as certain about that future, particularly given the continuing disservice to voters performed by the dreadful corporate media, which is still misleading Americans about the candidates, the facts and the state of American politics.

The rubes and the hicks think that the politicians are squeaky-clean. But insiders like you and me? We understand that politics is a game... and the winner is whoever plays it best. That's the thesis of RACE FOR THE WHITE HOUSE (2016), a CNN docutainment series about the wheeling-and-dealings of presidential campaigns. We recall such titanic bouts as Kennedy v. Nixon, Bush v. Dukakis, and Clinton v. Bush, and ask, as we so often do: "Okay, but what were these campaigns ABOUT?" PLUS: the Democratic Party debates, the summer movies, and Luke's online brush with the First Family."Joe Biden Was a Trainwreck in Last Night's Debate" by Luke Savage - https://www.jacobinmag.com/2019/08/joe-biden-democratic-debate"The Human Factor" by Will Sloan - https://willsloanesq.wordpress.com/2019/07/27/the-human-factor/

Thunder in the Sahara. It was everywhere, non-stop. www.youtube.com/watch?v=P2pgWsYSyUA Source: https://www.flickr.com/photos/89446016@N00/23673318536 Uploader: Gilbert Sopakuwa

Thunder in the Sahara. It was everywhere, non-stop. www.youtube.com/watch?v=P2pgWsYSyUA Source: https://www.flickr.com/photos/89446016@N00/23673318536 Uploader: Gilbert Sopakuwa

This episode is all about Fear. Fear is an emotion that I believe is the root of all negative emotions in our body. SO when you are feeling jealousy, envy, shame, unhappiness, or anger, the underlying cause is always a subtle form of fear. I also believe that fear has been my biggest teacher in life and I want to share what I've learned about recognizing and letting go of it in order to live my dreams. If nothing else, this episode will hopefully help you become aware of the fears that live inside of you, and give you inspiration to make some subtle shifts.

234 pages ; 22 cm

Source: https://www.twitch.tv/videos/1051234835 Uploader: TheSphereHunter

Fear and Loathing I, 2023. Preservation/Provenance Utilizing the Arweave Network/Protocol (decentralized storage), the works of Toppy Eton are preserved and documented offering access to immutable, long-lasting, verifiable access to the entire catalogue of digital artist Toppy Eton 2021-present. All art is minted to the Ethereum Blockchain as a mechanism for provenance, reference, and technological essence.  Uploading blockchain-related data to the Internet Archive creates a public, permanent, accessible record - safeguarding against risk of loss or inaccessibility over time (archival redundancy). The "white square" seen here is a visual metaphor for the token itself - meaning/value contexualized by metadata, blockchain record, and access to artwork. The token preserves, authenticates, and contexualizes the art, but is not the art itself. T he original minted art represents the true artistic expression and intrinsic value,  which the token protects and documents:  Archival Arweave: https://vuthmy64o3xjqk6gchxftl6i3uyjkadk6rbxxrst4yobthnlyudq.arweave.net/rSZ2Y9x27pgrxhHuWa_I3TCVAGr0Q3vGU-YcGZ2rxQc/5 Archival Etherscan:  https://etherscan.io/nft/0x52b27883e17802e015f6cb7ab4743e3b8586d23a/164 As technology evolves, there is hope that art, provenance, and intent will endure. Digital Art by Toppy Eton - digital paintings reminiscent of Renaissance and Baroque-era style oil painting realism aesthetics inspired by master portrait artists like Rembrandt and Artemisia Gentileschi and modern avant-garde movements including Dadaism and Surrealism as well as sci-fi/fantasy and contemporary Internet meme culture. Digital art created in Procreate. All Artwork  ©   Copyright Toppy Eton. All rights reserved. Works created by Toppy Eton are protected by copyright law and may not be reproduced, distributed, transmitted, modified, or used in any way without the express consent of Toppy Eton. Any unauthorized use of this artwork may constitute a violation of copyright law and result in legal action.

Fear and Loathing I, 2023. Preservation/Provenance Utilizing the Arweave Network/Protocol (decentralized storage), the works of Toppy Eton are preserved and documented offering access to immutable, long-lasting, verifiable access to the entire catalogue of digital artist Toppy Eton 2021-present. All art is minted to the Ethereum Blockchain as a mechanism for provenance, reference, and technological essence.  Uploading blockchain-related data to the Internet Archive creates a public, permanent, accessible record - safeguarding against risk of loss or inaccessibility over time (archival redundancy). The "white square" seen here is a visual metaphor for the token itself - meaning/value contexualized by metadata, blockchain record, and access to artwork. The token preserves, authenticates, and contexualizes the art, but is not the art itself. T he original minted art represents the true artistic expression and intrinsic value,  which the token protects and documents:  Archival Arweave: https://vuthmy64o3xjqk6gchxftl6i3uyjkadk6rbxxrst4yobthnlyudq.arweave.net/rSZ2Y9x27pgrxhHuWa_I3TCVAGr0Q3vGU-YcGZ2rxQc/5 Archival Etherscan:  https://etherscan.io/nft/0x52b27883e17802e015f6cb7ab4743e3b8586d23a/164 As technology evolves, there is hope that art, provenance, and intent will endure. Digital Art by Toppy Eton - digital paintings reminiscent of Renaissance and Baroque-era style oil painting realism aesthetics inspired by master portrait artists like Rembrandt and Artemisia Gentileschi and modern avant-garde movements including Dadaism and Surrealism as well as sci-fi/fantasy and contemporary Internet meme culture. Digital art created in Procreate. All Artwork  ©   Copyright Toppy Eton. All rights reserved. Works created by Toppy Eton are protected by copyright law and may not be reproduced, distributed, transmitted, modified, or used in any way without the express consent of Toppy Eton. Any unauthorized use of this artwork may constitute a violation of copyright law and result in legal action.

Alexandra Pelosi strikes again! In her documentary SAN FRANCISCO 2.0 (2015), the political scion turns her attention to her home city, gazing with awe upon the tech industry's sudden takeover while registering some tepid notes of ambivalence about the gentrification that has priced many longtime residents out. We discuss why, despite being Nancy Pelosi's daughter who regularly makes films for HBO, nobody seems to know about Alexandra Pelosi.Check out the Michael & Us Patreon - https://www.patreon.com/posts/69528022

topics: ‘Me too’ views in India; Fear and mistrust in Chemnitz; Nigeria toilet crisis; Do Brits still want Brexit?

Version nov 2022 edited

viii, 283 p. : 21 cm

viii, 283 p. : 21 cm

Pedro Meier Bibliothek – Hunter S. Thompson – Fear and Loathing in Las Vegas – Gonzo Journalist USA – Pedro Meier Multimedia Artist, Schriftsteller – DADA, FLUXUS * Harald Szeemann – Der Hang zum Gesamtkunstwerk – When Attitudes become Form * Pedro Meier – Wikimedia : https://commons.wikimedia.org/wiki/Category:Pedro_Meier * Pedro Meier – Amazon : https://www.amazon.de/-/en/Pedro-Meier/e/B09L56MPZ6?ref_=dbs_p_pbk_r00_abau_000000 * https://www.pedro-meier-artist.ch/ * Work in Progress – @pedro.meier – @pedro.meier.schriftsteller – @Kunsthalle_Olten – * Vita: – Pedro Meier (*1941) ist Schriftsteller, Lyriker, Autor und multimedial arbeitender Künstler. Aufgewachsen in Niederbipp BE im Oberaargau am Jurasüdfuss. Er besuchte anschliessend Schulen in Bern und Neuchâtel. Er ist der Sohn von Schriftsteller Gerhard Meier – (» Land der Winde « – Bibliothek Suhrkamp). Pedro Meier absolvierte eine Buchhändlerlehre in der Buchhandlung Lüthy Solothurn, später war er Gründer und Besitzer eines Buchantiquariats in Zürich. Seit über 40 Jahren pendelt Pedro Meier zwischen Europa und Asien, seinem Dschungel-Atelier am Golf von Siam in Thailand. Orient und Okzident, Morgenland und Abendland, fernöstliche Kulturen, Spiritualität, Zen-Buddhismus, ein Pendler zwischen Kulturen und Zeiten; zeitlebens auf der Suche nach dem utopischen Gesamtkunstwerk. * Pedro Meier Bücher : Pedro Meier – » Parallelwelten – Wasteland Factory – Oder Der Garten der Lüste « – Gedichte und Mauerspuren – AMRAIN BOOKS Literatur Verlag * Pedro Meier – » Das Gewicht des Schattens im Sonnenschein « – Gedichte und Polaroid-Fotos – Streifzüge durch Berlin – Verlag Königshaus & Neumann, Würzburg * Pedro Meier – Museums-Ausstellungen – Kunstmuseum Olten – »Aschenbilder – Zeichnungen – Randmarken« – 1994             (Solo-Ausstellung) – Kunsthaus Grenchen – «Bilder der letzten 15 Jahre» – 1995 (Solo-Ausstellung) – Kunsthaus Zofingen – »Zwischenwelten« – 1997 – (Solo-Ausstellung) – Kunsthaus Grenchen – »Diese Kunst sammelt Grenchen« – 1998 – Kunsthaus Grenchen – »Forty examples« – 2012 – Kunstmuseum Solothurn – »Das dunkle Fest des    Lebens« – 1995             (In Zusammenhang mit Buchpräsentationen – Gerhard Meier –             »Das dunkle Fest des Lebens – Amrainer Gespräche«, Werner Morlang – Kunsthaus Langenthal – »Kunst im Oberaargau« – Jahresausstellungen 1993/1995/1998 – Aargauer Kunsthaus – Kunstmuseum –   »Aargauer-Künstler – Jahresausstellung« – 1996 * 2001 – grosser Atelierbrand – Das Feuer zerstört das gesamte bisherige bildnerisches Werk von Pedro Meier. Über 1000 Öl- und Acrylbilder, ca. 10'000 Fotos, Text und Manuskriptseiten, Notizbücher, Zeichenbücher, Künstlerbücher, Artist Books , die gesamte Bibliothek von 13'000 Büchern, Skulpturen und Installationen etc wurden vernichtet und sind für immer verloren. * » Pedro Meier Urgestein der Beat-Generation, als letzter Mohikaner, Schamane, als Buschpilot in Alaska oder Australien, als Schriftsteller, als Multimedia Artist oder als Performance-Künstler. Ob in Kyoto, Mexico, New York oder Berlin, ob in Niederbipp alias Amrain oder in seinem Dschungelatelier am Golf von Siam: Pedro Meier ist ein unermüdlich nach dem Gesamtkunstwerk Forschender... «. Zitat aus Interview: – D. T. Koller – Vitaltransformer Zürich

Pedro Meier Bibliothek – Hunter S. Thompson – Fear and Loathing in Las Vegas – Gonzo Journalist USA – Pedro Meier Multimedia Artist, Schriftsteller – DADA, FLUXUS * Harald Szeemann – Der Hang zum Gesamtkunstwerk – When Attitudes become Form * Pedro Meier – Wikimedia : https://commons.wikimedia.org/wiki/Category:Pedro_Meier * Pedro Meier – Amazon : https://www.amazon.de/-/en/Pedro-Meier/e/B09L56MPZ6?ref_=dbs_p_pbk_r00_abau_000000 * https://www.pedro-meier-artist.ch/ * Work in Progress – @pedro.meier – @pedro.meier.schriftsteller – @Kunsthalle_Olten – * Vita: – Pedro Meier (*1941) ist Schriftsteller, Lyriker, Autor und multimedial arbeitender Künstler. Aufgewachsen in Niederbipp BE im Oberaargau am Jurasüdfuss. Er besuchte anschliessend Schulen in Bern und Neuchâtel. Er ist der Sohn von Schriftsteller Gerhard Meier – (» Land der Winde « – Bibliothek Suhrkamp). Pedro Meier absolvierte eine Buchhändlerlehre in der Buchhandlung Lüthy Solothurn, später war er Gründer und Besitzer eines Buchantiquariats in Zürich. Seit über 40 Jahren pendelt Pedro Meier zwischen Europa und Asien, seinem Dschungel-Atelier am Golf von Siam in Thailand. Orient und Okzident, Morgenland und Abendland, fernöstliche Kulturen, Spiritualität, Zen-Buddhismus, ein Pendler zwischen Kulturen und Zeiten; zeitlebens auf der Suche nach dem utopischen Gesamtkunstwerk. * Pedro Meier Bücher : Pedro Meier – » Parallelwelten – Wasteland Factory – Oder Der Garten der Lüste « – Gedichte und Mauerspuren – AMRAIN BOOKS Literatur Verlag * Pedro Meier – » Das Gewicht des Schattens im Sonnenschein « – Gedichte und Polaroid-Fotos – Streifzüge durch Berlin – Verlag Königshaus & Neumann, Würzburg * Pedro Meier – Museums-Ausstellungen – Kunstmuseum Olten – »Aschenbilder – Zeichnungen – Randmarken« – 1994             (Solo-Ausstellung) – Kunsthaus Grenchen – «Bilder der letzten 15 Jahre» – 1995 (Solo-Ausstellung) – Kunsthaus Zofingen – »Zwischenwelten« – 1997 – (Solo-Ausstellung) – Kunsthaus Grenchen – »Diese Kunst sammelt Grenchen« – 1998 – Kunsthaus Grenchen – »Forty examples« – 2012 – Kunstmuseum Solothurn – »Das dunkle Fest des    Lebens« – 1995             (In Zusammenhang mit Buchpräsentationen – Gerhard Meier –             »Das dunkle Fest des Lebens – Amrainer Gespräche«, Werner Morlang – Kunsthaus Langenthal – »Kunst im Oberaargau« – Jahresausstellungen 1993/1995/1998 – Aargauer Kunsthaus – Kunstmuseum –   »Aargauer-Künstler – Jahresausstellung« – 1996 * 2001 – grosser Atelierbrand – Das Feuer zerstört das gesamte bisherige bildnerisches Werk von Pedro Meier. Über 1000 Öl- und Acrylbilder, ca. 10'000 Fotos, Text und Manuskriptseiten, Notizbücher, Zeichenbücher, Künstlerbücher, Artist Books , die gesamte Bibliothek von 13'000 Büchern, Skulpturen und Installationen etc wurden vernichtet und sind für immer verloren. * » Pedro Meier Urgestein der Beat-Generation, als letzter Mohikaner, Schamane, als Buschpilot in Alaska oder Australien, als Schriftsteller, als Multimedia Artist oder als Performance-Künstler. Ob in Kyoto, Mexico, New York oder Berlin, ob in Niederbipp alias Amrain oder in seinem Dschungelatelier am Golf von Siam: Pedro Meier ist ein unermüdlich nach dem Gesamtkunstwerk Forschender... «. Zitat aus Interview: – D. T. Koller – Vitaltransformer Zürich

Actor/writer Matt Watts (The Newsroom, Michael Tuesdays and Thursdays) on \"incest\" and \"hush money\" at the CBC, among other problems plaguing our TV industry. Support CANADALAND: https://canadaland.com/joinSee omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

ORIGINAL FILE 1,10 GB

ORIGINAL FILE 1,10 GB

00:01 1. Fear And Loathing In The Kali Yuga 04:48 2. Difficult Truths For Conformist Liars 13:27 3. Information Awareness Office (I.A.O.) 19:39 4. Chaos Streets 25:48 5. Marxist Dystopia 32:53 6. 66 Questions (The Answers Will Be Ours) 37:53 7. Victory To ISIS 42:54 8. Zoologist Extermination Network (Z.E.N.)

suksma fear and loathing in provo orem neticks

An original protest poem for those who want life to return to normal after COVID-19 aka the Coronavirus Pandemic to come to an end. This is my original slam poetry. 

topics: ‘Me too’ views in India; Fear and mistrust in Chemnitz; Nigeria toilet crisis; Do Brits still want Brexit?

Episode 15 of the You Haven't Seen?! Podcast featuring Fear and Loathing In Las Vegas. 

DevOpsDays ROX 2016 Day 1 presentation "Fear and Loathing in Systems Administration" by H. "Waldo" Grunenwald on 21 April 2016

This is a New Zealand classification of Fear and Loathing in Las Vegas . Title Fear and Loathing in Las Vegas Publication number 9801040 Application number 980100364 Medium Film 35mm Current decision R18 Objectionable except if the availability of the publication is restricted to persons who have attained the age of 18 years. Associated documents 77807_18_4_55257.pdf (Register Page) Registration date 1998-09-17 Language English Country United States Classification body Office of Film and Literature Classification (1994–) Submission channel Section 12(1) - Labelling Body Running time At submission: 119:17 At classification: 119:17

suksma fear and loathing in provo orem pisscocleave

Fear and Loathing in Las Vegas A Savage Journey to the Heart of the American Dream HUNTER S. THOMPSON Formatted for TTS. Reformatted for machine speech, and also so you don’t have to be high to read it.

1970s.

1970s.

Chronique de Fear and loathing : on the campaign trail '72, de Hunter S. Thompson.

Chronique de Fear and loathing : on the campaign trail '72, de Hunter S. Thompson.

Nantucket Shorts Festival 2016

just some clips and effects

just some clips and effects