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April 1999 Digital Audio Masters by Brian Hagan

Since the capture is not mine,  THE ORIGINAL UNALTERED AUDIO IS LINKED HERE  (credit to  noogai3 ) Cover credited to  LaserDisc Database . I never expect to sync this on 2010-present masters (the one with Walt Disney Pictures logo plastered, as well for the Pixar Animation Studios logo plastered to the start of the film starting at 34144 ms) of this film. Despite the missing milliseconds (as it is by the 35mm audio masters for switching reels due to cue markers) on the start of side two (in Andy’s old house as Andy’s remaining toys confused both Buzz Lightyear and Woody (despite the remainder of Andy's toys never trust the latter after accidently "killed" Buzz by knocking to the window outside), as well for  Andy and his mother after leaving Planet Pizza restaurant), I did delayed it to keep it in sync. It is jarring to hear, but whatever. The Luxor Jr. lights off at the extract timing of the CGI Castle ending is interesting to hear however. *Despite 90% identical to the theatrical experience, this release screwed up the audio by the right channel (the second channel) lowered by 8.5 dB than the rest of the channels (which I fixed by increasing the volume using Audacity), and a brief right channel off at the end of side one (at mark 42:56). lasersam04 did say it was an audio processing error when placing the master mix to DTS as the fault for the earlier DTS LD releases. Regardless, I managed to do a rough time managed to synced this with the 2010 Blu-ray and later releases of this film. Worth the struggle at least.

Recorded January 2023 10 songs as an official document. credits released January 31, 2023 All songs written, produced, mixed and mastered by me, Cajm* *EXCEPT FOR THESE CRUCIAL PEOPLE / ELEMENTS Synthesizers on track 2 by Kenneth Owens Piano on track 3 played by Max Frith Piano on track 6 played by Ekstasis Vocals on track 8 by Bianca Scout Thankyou to the listening ears of Max Frith Lauren Auder Vivian Oparah Theo Zhykharyev Charlie Charles-Charlie Recorded at Worm Rotterdam worm.org Dedicated to Time. Now look what I did to your precious hands, It's all in the pudding!

Digital Masters for Jus Kiddin

Rehrig Pacific is an industry leader in waste, recycling and supply chain solutions. With an origin story that dates back to 1913, Rehrig has made its mark as a provider of sustainable packaging products. The company produces reusable, returnable plastic assets that integrate with smart material handling equipment to create end to end delivery solutions for the industries they serve. In the fast-moving supply chain space, customers demand innovation that will enable them to lower costs and drive operational efficiencies. To meet customer needs, Rehrig embarked on an ambitious journey to transform its product portfolio. One of those products is a scanning and tracking solution that enables large food and beverage manufacturers to verify SKUs with an AI-powered platform from order selection to delivery. Join us to hear from Rehrig’s Brian Rowe and Rob Martin as they cover how Ubuntu Core enabled them to deliver a nimble and secure platform for edge AI. Read the case study: https://ubuntu.com/engage/rehrig-pacific-secures-edge-AI. Learn more at https://canonical.com/solutions/ai and https://canonical.com/data

artbook

Speaker/Presenter: Kevin Custer, W3KKC & Scott Currie Documents (including slideshow): https://www.dropbox.com/sh/6dtmxhvx5op64v5/AABKDXyHAuB6oaSBCXOIZy_9a?dl=0 =========================================== Radio Amateur Training Planning and Activities Committee (RATPAC) comprises Amateur Radio Operators of a wide variety of backgrounds and experiences. Together, we host nationwide Amateur Radio Zoom presentations twice a week, Wednesdays on general radio topics and Thursdays on amateur radio emergency communications. Our Website- https://www.ratpac.us List of upcoming & previous sessions- http://tiny.cc/ratpac-list Facebook- https://www.facebook.com/ratapacfb Twitter- https://twitter.com/RatpacP The topics are selected from audience recommendations and the planning committee then seeks topic experts or discussion panel members. The presentation audience consists of thousands of amateur radio operators worldwide who participate directly in the Zoom sessions or with video links of the presentation and related documentation sent out after each session. Please complete the form on our web page to suggest a topic or speaker for future sessions. Join one or more of our Groups.io to receive notifications and participate in related discussions: Wed & Thur live ZOOM Link- http://www.ratpac.us/zoom RATPAC - https://groups.io/g/RATPAC NewHams - https://groups.io/g/NewHams EMCOMM - https://sec-emcomm.groups.io/g/main Please be sure to include your name and call sign when registering

Speaker/Presenter: Kevin Custer, W3KKC & Scott Currie Documents (including slideshow): https://www.dropbox.com/sh/6dtmxhvx5op64v5/AABKDXyHAuB6oaSBCXOIZy_9a?dl=0 =========================================== Radio Amateur Training Planning and Activities Committee (RATPAC) comprises Amateur Radio Operators of a wide variety of backgrounds and experiences. Together, we host nationwide Amateur Radio Zoom presentations twice a week, Wednesdays on general radio topics and Thursdays on amateur radio emergency communications. Our Website- https://www.ratpac.us List of upcoming & previous sessions- http://tiny.cc/ratpac-list Facebook- https://www.facebook.com/ratapacfb Twitter- https://twitter.com/RatpacP The topics are selected from audience recommendations and the planning committee then seeks topic experts or discussion panel members. The presentation audience consists of thousands of amateur radio operators worldwide who participate directly in the Zoom sessions or with video links of the presentation and related documentation sent out after each session. Please complete the form on our web page to suggest a topic or speaker for future sessions. Join one or more of our Groups.io to receive notifications and participate in related discussions: Wed & Thur live ZOOM Link- http://www.ratpac.us/zoom RATPAC - https://groups.io/g/RATPAC NewHams - https://groups.io/g/NewHams EMCOMM - https://sec-emcomm.groups.io/g/main Please be sure to include your name and call sign when registering

Hoy recordamos un juego arcade de 1988  Wonderboy 3: Monster Lair , también disponible en  MegaDrive , no lo confundáis con el Dragon's trap de  MasterSystem . Un juego de acción en desarrollo horizontal que combina plataformeo en las pantallas principales y los enfrentamientos de los jefes los haremos montados en un dragón, al mas puro estilo matamarcianos. En la sección de cartón y dados damos descanso a  Micropakito  y volvemos a contar con  Sheik , que nos trarerá un juego que está pegando fuerte últimamente.  Dice Masters . Nos explicará el como jugar, combinar los dados y cartas y lo que nos puede costar este juego. Esperamos que os guste. Las músicas CC que suenan en este programa son; 8bits kraftsman de Morgantj Goodbye the angry mix de Admiralbob77 Con los audios promocionales de: Asespod

September 2000 Digital Audio Masters by Brian Hagan

1.01 Picasso #1 (0.41) 1.02 Picasso #2 (3.17) 1.03 Amazing Grace #1 #2 (4.40) 1.04 Money #5 (3.24) 1.05 Money #6 (3.20) 1.06 Celestial Seasons (On The Silent Wings Of Freedom) (7.48) 1.07 Richard #1 (4.16) 1.08 Richard #2 (2.30) 1.09 Days #1 (1.11) 1.10 Days #2 (1.18) 1.11 Some Are Born (5.40) 1.12 Rail Fourteen (Incl. "Arriving UFO") (7.45) 1.13 Dance Through The Light (3.24) 1.14 The Golden Age (6.02) 1.15 In The Tower (7.11) 1.16 Friend Of A Friend (3.01) 1.17 To Let You Know (3.43) 1.18 Everybody Loves You (4.10) 1.19 Flower Girl (3.29) Tracks 1-10 and 12 : "Tormato" sessions outtakes, 1978 Tracks 11 and 13-19 : Paris sessions 1979

VHS Tape - PBS Digital - American Masters - Woody Guthrie - Ain't Got No Heart With Commercials Video Size: 720x480 Length: 1:25:34 Audio synch issues This VHS Tape recording comes directly from the legend himself, CosmicWheelz ! Note: Audio may be out of sync with the video when played in your browser. Use a desktop video player, such as Pot Player, and it will be fine. PBS Digital American Masters Woody Guthrie - Ain't Got No Heart

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Since the capture is not mine, THE ORIGINAL UNALTERED AUDIO IS LINKED HERE (credit to noogai3 ) Cover credited to LaserDisc Database . To celebrate on one of the best films in the Disney animated canon, here is the sync I never pass on. This is not the same audio capture from 0l1rum , but rather by the bit-perfect capture for it. The difference is I adjusted the sync to the 2011 Blu-ray Diamond Edition-present masters of the film, and extracted the audio using Audacity. I need to redo that and upload the 5.1 mix as FLAC which I fall to the same trap like 011rum does.  This is my first time combining the sides from the AC-3 files (Dolby Digital RF captures). This audio track is different from other LD audio systems (does not use PCM/Dolby Surround for Digital Track nor the later DTS LaserDisc releases) containing all of the theatrical mix in 384 kbits which placed as one of the analog tracks instead. However, it requires a player with a demodulator output, as well for a demodulator itself (expensive to get these days). It is slightly higher bitrate than the 35mm counterpart (which is 320 kbits due to the film strip limitations at the time).  I really wish this one got a DTS release, so we can hear the roars and the music in the clearest theatrical mix as possible. Considering The Nightmare Before Christmas (film theatrically released in 1993) and the three Disney animated canon movies (Pocahontas, The Hunchback of Notre Dame (1996) and Hercules (1997)) got one, it is a shame this one did not get the DTS LD treatment. While the 2003 Special Edition DVD has a theatrical mix (as a secondary audio, in addition to the remixed track as default) with increased bitrate of 448 kbits (confirmed by Original Trilogy ), there is some minor adjustments which I don't know which one I have to increase or decrease the volume channels of it. In other words, the LD 5.1 mix is the only one left unmatrixed to the viewing experience. The audio is actually set in 24fps which means I have to slow down the audio to 23.976fps by -0,100 percentage in Effects/Change Tempo, so it can meet with the Blu-ray standard frame rate (as 99.99% speed of the 35mm masters). As most LD releases has it on that speed, this is an exception to the rule as a brief speedup (can tell by going off-sync). There is cut offs in the first three sides when I have to delay the audio (since this is based on the 35mm masters). However, between the end of side 3 to the start of side 4 (at mark 1:09:57) when Timon and Pumbaa must be joking when Nala asked them about Simba trying to take over the Pride Lands from Scar, I have to appropriately cut in the middle between the side cuts to keep the joke timing before shifting into the clouds. Either way for edited, combined and synced last night on Memorial Day, this is worth it for the 30th Anniversary preparation date (on June 15th).

Since the capture is not mine, THE ORIGINAL UNALTERED AUDIO IS LINKED HERE (credit to noogai3 ) Cover credited to LaserDisc Database . To celebrate on one of the best films in the Disney animated canon, here is the sync I never pass on. This is not the same audio capture from 0l1rum , but rather by the bit-perfect capture for it. The difference is I adjusted the sync to the 2011 Blu-ray Diamond Edition-present masters of the film, and extracted the audio using Audacity. I need to redo that and upload the 5.1 mix as FLAC which I fall to the same trap like 011rum does.  This is my first time combining the sides from the AC-3 files (Dolby Digital RF captures). This audio track is different from other LD audio systems (does not use PCM/Dolby Surround for Digital Track nor the later DTS LaserDisc releases) containing all of the theatrical mix in 384 kbits which placed as one of the analog tracks instead. However, it requires a player with a demodulator output, as well for a demodulator itself (expensive to get these days). It is slightly higher bitrate than the 35mm counterpart (which is 320 kbits due to the film strip limitations at the time).  I really wish this one got a DTS release, so we can hear the roars and the music in the clearest theatrical mix as possible. Considering The Nightmare Before Christmas (film theatrically released in 1993) and the three Disney animated canon movies (Pocahontas, The Hunchback of Notre Dame (1996) and Hercules (1997)) got one, it is a shame this one did not get the DTS LD treatment. While the 2003 Special Edition DVD has a theatrical mix (as a secondary audio, in addition to the remixed track as default) with increased bitrate of 448 kbits (confirmed by Original Trilogy ), there is some minor adjustments which I don't know which one I have to increase or decrease the volume channels of it. In other words, the LD 5.1 mix is the only one left unmatrixed to the viewing experience. The audio is actually set in 24fps which means I have to slow down the audio to 23.976fps by -0,100 percentage in Effects/Change Tempo, so it can meet with the Blu-ray standard frame rate (as 99.99% speed of the 35mm masters). As most LD releases has it on that speed, this is an exception to the rule as a brief speedup (can tell by going off-sync). There is cut offs in the first three sides when I have to delay the audio (since this is based on the 35mm masters). However, between the end of side 3 to the start of side 4 (at mark 1:09:57) when Timon and Pumbaa must be joking when Nala asked them about Simba trying to take over the Pride Lands from Scar, I have to appropriately cut in the middle between the side cuts to keep the joke timing before shifting into the clouds. Either way for edited, combined and synced last night on Memorial Day, this is worth it for the 30th Anniversary preparation date (on June 15th).

Since the capture is not mine, THE ORIGINAL UNALTERED AUDIO IS LINKED HERE (credit to noogai3 ) Cover credited to LaserDisc Database . To celebrate on one of the best films in the Disney animated canon, here is the sync I never pass on. This is not the same audio capture from 0l1rum , but rather by the bit-perfect capture for it. The difference is I adjusted the sync to the 2011 Blu-ray Diamond Edition-present masters of the film, and extracted the audio using Audacity. I need to redo that and upload the 5.1 mix as FLAC which I fall to the same trap like 011rum does.  This is my first time combining the sides from the AC-3 files (Dolby Digital RF captures). This audio track is different from other LD audio systems (does not use PCM/Dolby Surround for Digital Track nor the later DTS LaserDisc releases) containing all of the theatrical mix in 384 kbits which placed as one of the analog tracks instead. However, it requires a player with a demodulator output, as well for a demodulator itself (expensive to get these days). It is slightly higher bitrate than the 35mm counterpart (which is 320 kbits due to the film strip limitations at the time).  I really wish this one got a DTS release, so we can hear the roars and the music in the clearest theatrical mix as possible. Considering The Nightmare Before Christmas (film theatrically released in 1993) and the three Disney animated canon movies (Pocahontas, The Hunchback of Notre Dame (1996) and Hercules (1997)) got one, it is a shame this one did not get the DTS LD treatment. While the 2003 Special Edition DVD has a theatrical mix (as a secondary audio, in addition to the remixed track as default) with increased bitrate of 448 kbits (confirmed by Original Trilogy ), there is some minor adjustments which I don't know which one I have to increase or decrease the volume channels of it. In other words, the LD 5.1 mix is the only one left unmatrixed to the viewing experience. The audio is actually set in 24fps which means I have to slow down the audio to 23.976fps by -0,100 percentage in Effects/Change Tempo, so it can meet with the Blu-ray standard frame rate (as 99.99% speed of the 35mm masters). As most LD releases has it on that speed, this is an exception to the rule as a brief speedup (can tell by going off-sync). There is cut offs in the first three sides when I have to delay the audio (since this is based on the 35mm masters). However, between the end of side 3 to the start of side 4 (at mark 1:09:57) when Timon and Pumbaa must be joking when Nala asked them about Simba trying to take over the Pride Lands from Scar, I have to appropriately cut in the middle between the side cuts to keep the joke timing before shifting into the clouds. Either way for edited, combined and synced last night on Memorial Day, this is worth it for the 30th Anniversary preparation date (on June 15th).

Since the capture is not mine, THE ORIGINAL UNALTERED AUDIO IS LINKED HERE (credit to noogai3 ) Cover credited to LaserDisc Database . To celebrate on one of the best films in the Disney animated canon, here is the sync I never pass on. This is not the same audio capture from 0l1rum , but rather by the bit-perfect capture for it. The difference is I adjusted the sync to the 2011 Blu-ray Diamond Edition-present masters of the film, and extracted the audio using Audacity. I need to redo that and upload the 5.1 mix as FLAC which I fall to the same trap like 011rum does.  This is my first time combining the sides from the AC-3 files (Dolby Digital RF captures). This audio track is different from other LD audio systems (does not use PCM/Dolby Surround for Digital Track nor the later DTS LaserDisc releases) containing all of the theatrical mix in 384 kbits which placed as one of the analog tracks instead. However, it requires a player with a demodulator output, as well for a demodulator itself (expensive to get these days). It is slightly higher bitrate than the 35mm counterpart (which is 320 kbits due to the film strip limitations at the time).  I really wish this one got a DTS release, so we can hear the roars and the music in the clearest theatrical mix as possible. Considering The Nightmare Before Christmas (film theatrically released in 1993) and the three Disney animated canon movies (Pocahontas, The Hunchback of Notre Dame (1996) and Hercules (1997)) got one, it is a shame this one did not get the DTS LD treatment. While the 2003 Special Edition DVD has a theatrical mix (as a secondary audio, in addition to the remixed track as default) with increased bitrate of 448 kbits (confirmed by Original Trilogy ), there is some minor adjustments which I don't know which one I have to increase or decrease the volume channels of it. In other words, the LD 5.1 mix is the only one left unmatrixed to the viewing experience. The audio is actually set in 24fps which means I have to slow down the audio to 23.976fps by -0,100 percentage in Effects/Change Tempo, so it can meet with the Blu-ray standard frame rate (as 99.99% speed of the 35mm masters). As most LD releases has it on that speed, this is an exception to the rule as a brief speedup (can tell by going off-sync). There is cut offs in the first three sides when I have to delay the audio (since this is based on the 35mm masters). However, between the end of side 3 to the start of side 4 (at mark 1:09:57) when Timon and Pumbaa must be joking when Nala asked them about Simba trying to take over the Pride Lands from Scar, I have to appropriately cut in the middle between the side cuts to keep the joke timing before shifting into the clouds. Either way for edited, combined and synced last night on Memorial Day, this is worth it for the 30th Anniversary preparation date (on June 15th).

Since the capture is not mine, THE ORIGINAL UNALTERED AUDIO IS LINKED HERE (credit to noogai3 ) Cover credited to LaserDisc Database . To celebrate on one of the best films in the Disney animated canon, here is the sync I never pass on. This is not the same audio capture from 0l1rum , but rather by the bit-perfect capture for it. The difference is I adjusted the sync to the 2011 Blu-ray Diamond Edition-present masters of the film, and extracted the audio using Audacity. I need to redo that and upload the 5.1 mix as FLAC which I fall to the same trap like 011rum does.  This is my first time combining the sides from the AC-3 files (Dolby Digital RF captures). This audio track is different from other LD audio systems (does not use PCM/Dolby Surround for Digital Track nor the later DTS LaserDisc releases) containing all of the theatrical mix in 384 kbits which placed as one of the analog tracks instead. However, it requires a player with a demodulator output, as well for a demodulator itself (expensive to get these days). It is slightly higher bitrate than the 35mm counterpart (which is 320 kbits due to the film strip limitations at the time).  I really wish this one got a DTS release, so we can hear the roars and the music in the clearest theatrical mix as possible. Considering The Nightmare Before Christmas (film theatrically released in 1993) and the three Disney animated canon movies (Pocahontas, The Hunchback of Notre Dame (1996) and Hercules (1997)) got one, it is a shame this one did not get the DTS LD treatment. While the 2003 Special Edition DVD has a theatrical mix (as a secondary audio, in addition to the remixed track as default) with increased bitrate of 448 kbits (confirmed by Original Trilogy ), there is some minor adjustments which I don't know which one I have to increase or decrease the volume channels of it. In other words, the LD 5.1 mix is the only one left unmatrixed to the viewing experience. The audio is actually set in 24fps which means I have to slow down the audio to 23.976fps by -0,100 percentage in Effects/Change Tempo, so it can meet with the Blu-ray standard frame rate (as 99.99% speed of the 35mm masters). As most LD releases has it on that speed, this is an exception to the rule as a brief speedup (can tell by going off-sync). There is cut offs in the first three sides when I have to delay the audio (since this is based on the 35mm masters). However, between the end of side 3 to the start of side 4 (at mark 1:09:57) when Timon and Pumbaa must be joking when Nala asked them about Simba trying to take over the Pride Lands from Scar, I have to appropriately cut in the middle between the side cuts to keep the joke timing before shifting into the clouds. Either way for edited, combined and synced last night on Memorial Day, this is worth it for the 30th Anniversary preparation date (on June 15th).

Take your art to the next level in this Digital Art Foundation crash course taught by Forbes 30 Under 30 Artist RossDraws.

Take your art to the next level in this Digital Art Foundation crash course taught by Forbes 30 Under 30 Artist RossDraws.

Take your art to the next level in this Digital Art Foundation crash course taught by Forbes 30 Under 30 Artist RossDraws.