Downloads and Free Reading Options

Tracklist: 1. Volume 1: Guitar Solos / No. 1 (Sonoro J = 40 ) 2. No. 2 (Lontano J = 48 ) 3. No. 3 (Misterioso J = 54 ) 4. No. 4 (Timoroso J = 76 or slower) 5. No. 5 (Festoso J = 104 ) 6. No. 6 (Appassionato = 56) 7. No.7 (Andante J = 84 ) 8. No. 8 (Caloroso J = 108 ) 9. No. 9 (Animoso J. = 126) 10. No. 10 (Deciso J = 144 ) 11. No. 11 (Innocentemente b = 160 12. No. 12 (Tranquillo = 58) 13. No. 13 (Cantabile J = 96 ) 14. No. 14 (Affettuoso J = 112 ) 15. No. 15 (Velato J = 42 ) 16. Volume II: Guitar Duos / No. 16 (Semplice J = 60 ) 17. No. 17 (Serioso J = 69 ) 18. No. 18 (Doloroso = 88) 19. No. 19 (Espressivo J = 63 ) 20. No. 20 (Dolce = 80) 21. No. 21 (Elevato J = 66 ) 22. No. 22 (Pesante J = 92 ) 23. No. 23 (Delicato J = 116 ) 24. No. 24 (Grazioso J = 44 ) 25. No. 25 (Leggiero J = 72 ) 26. No. 26 (Drammatico J = 46 ) 27. No. 27 (Declamando J = 50) 28. No. 28 (Lamentoso b = 100 ) 29. No. 29 (Fuocoso J = 132 ) 30. No. 30 (Mesto b = 120 ) 31. Volume III: Guitar Trios / No. 31 (Mormoroso = 152) 32. No. 32 (Poco precipitato = 52) 33. No. 33 (Risoluto = 84) 34. No. 34 (Agitato = 138) 35. No. 35 (Tempestuoso = 88) 36. No. 36 (Sempre stringendo ca. 184) 37. CHARLES WUORINEN: Sonata for guitar & piano (1995) 38. MILTON BABBITT: Sheer Pluck for solo guitar (1984) 39. ELLIOTT CARTER: Changes for solo guitar (1983)

Tracklist: 1. Volume 1: Guitar Solos / No. 1 (Sonoro J = 40 ) 2. No. 2 (Lontano J = 48 ) 3. No. 3 (Misterioso J = 54 ) 4. No. 4 (Timoroso J = 76 or slower) 5. No. 5 (Festoso J = 104 ) 6. No. 6 (Appassionato = 56) 7. No.7 (Andante J = 84 ) 8. No. 8 (Caloroso J = 108 ) 9. No. 9 (Animoso J. = 126) 10. No. 10 (Deciso J = 144 ) 11. No. 11 (Innocentemente b = 160 12. No. 12 (Tranquillo = 58) 13. No. 13 (Cantabile J = 96 ) 14. No. 14 (Affettuoso J = 112 ) 15. No. 15 (Velato J = 42 ) 16. Volume II: Guitar Duos / No. 16 (Semplice J = 60 ) 17. No. 17 (Serioso J = 69 ) 18. No. 18 (Doloroso = 88) 19. No. 19 (Espressivo J = 63 ) 20. No. 20 (Dolce = 80) 21. No. 21 (Elevato J = 66 ) 22. No. 22 (Pesante J = 92 ) 23. No. 23 (Delicato J = 116 ) 24. No. 24 (Grazioso J = 44 ) 25. No. 25 (Leggiero J = 72 ) 26. No. 26 (Drammatico J = 46 ) 27. No. 27 (Declamando J = 50) 28. No. 28 (Lamentoso b = 100 ) 29. No. 29 (Fuocoso J = 132 ) 30. No. 30 (Mesto b = 120 ) 31. Volume III: Guitar Trios / No. 31 (Mormoroso = 152) 32. No. 32 (Poco precipitato = 52) 33. No. 33 (Risoluto = 84) 34. No. 34 (Agitato = 138) 35. No. 35 (Tempestuoso = 88) 36. No. 36 (Sempre stringendo ca. 184) 37. CHARLES WUORINEN: Sonata for guitar & piano (1995) 38. MILTON BABBITT: Sheer Pluck for solo guitar (1984) 39. ELLIOTT CARTER: Changes for solo guitar (1983)

In Vino Veritas is one section of Kierkegaard's Stages on Life's Way, originally published in 1845. In a conscious reference to Plato's Symposium, it is determined that each participant must give a speech, and that their topic shall be love. Lee M. Hollander said, "it excels Plato's work in subtlety, richness, and refined humor. To be sure, Kierkegaard has charged his creation with such romantic superabundance of delicate observations and rococo ornament that the whole comes dangerously near being improbable; whereas the older work stands solidly in reality." Some of the speakers in this book are charcters from Kierkegaard's other books. Victor Eremita, Judge William, and Johannes the Seducer were all from Either/Or (1843) and Constantin and the Young Person were from Repetition (1843). (Summary by Soupy)

2Fear and Trembling (selections)

By Soren Kierkegaard

"And God tempted Abraham and said unto him: take Isaac, thine only son, whom thou lovest and go to the land Moriah and sacrifice him there on a mountain which I shall show thee. Genesis 22:1" Soren Kierkegaard wondered how Abraham made the movement of faith that made him the father of faith mentioned in the New Testament (Hebrews 11:17-19). Fear and Trembling is the product of his wonder. Work out your salvation in fear and trembling (Philippians 2:12). One-third of "Fear and Trembling" was translated in 1923 by Lee Hollander in the University of Texas Bulliten. This book has already been read in parts in the Short Nonfiction Collection but I think some might be interested in listening to it as a complete reading. (Summary by Craig Campbell)