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Künstliches Geschlechtswesen oder Geschöpf aus Fleisch und Blut? Diese Verunsicherung, die Fotografien geschlechtlich ausgestatteter Puppen evozieren können, resultiert aus dem Prinzip der Verdopplung: Die Puppe ist unser Doppelgänger, die Fotografie entsteht als indexikalische Lichtspur der »Wirklichkeit« und das Geschlecht ist Effekt performativer Wiederholungen. Aufgrund ihrer strukturellen Analogien ziehen sich alle drei Instanzen regelrecht an und potenzieren sich in ihrer unheimlichen Qualität. Denn jedes Double verfügt über das Potential, vertraute Vorstellungen zu bestätigen und in Frage zu stellen. Die fotografierte Puppe scheint den authentischen Körper bzw. das Geschlecht zu präsentieren und führt gleichzeitig beides als Artefakt vor. Auf der Suche nach dem echten Körper treffen wir nur auf seinen Stellvertreter. In diesem Wechsel zwischen wahr und falsch wird das fotografische Puppenbild gleichsam zur aktiven Instanz, die uns unsere Erwartungshaltung und Wahrnehmungsmuster vorführt. Die Analyse der fotografischen Arbeiten Hans Bellmers, Pierre Moliniers und Cindy Shermans spürt den Obsessionen der Puppe nach, die Künstler/innen wie Betrachter/innen nicht mehr loslässt.

Episode #087: Surveying some of the props she's used over the years, including masks and mannequin parts, artist Cindy Sherman demonstrates how she uses stand-ins to gauge the focus and composition of her images. In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives lived out of frame. Sherman’s investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Learn more about Cindy Sherman at: http://www.art21.org/artists/cindy-shermanVIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Lizzie Donahue & Paulo Padilha. Artwork Courtesy: Cindy Sherman.

High quality scans of slides. This is the art of Cindy Sherman. Please do not use this art for training a ML program or any other program without the permission of the artist or their estate.

High quality scans of slides. This is the art of Cindy Sherman. Please do not use this art for training a ML program or any other program without the permission of the artist or their estate.

High quality scans of slides. This is the art of Cindy Sherman. Please do not use this art for training a ML program or any other program without the permission of the artist or their estate.

Perma.cc archive of https://www.hauserwirth.com/artists/33676-cindy-sherman/ created on 2022-01-31 12:39:11.544146+00:00.

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Barnstable Today Daily News Program

Barnstable Today Daily News Program

1989 January 24-1989 April 16

Perma.cc archive of https://www.dailyartmagazine.com/cindy-sherman-old--masters/ created on 2022-09-15 14:59:49.262823+00:00.

Ally Drozd and Crystal Baxley talking about Ally's marriage to Madame de Pompadour

Episode #143: Commissioned by French Vogue to create a fashion editorial featuring clothes from the Spanish design house Balenciaga, artist Cindy Sherman discusses the first time she used a digital camera to make pictures, ultimately creating different versions of images for the magazine and for herself. In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives lived out of frame. Shermans investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Learn more about Cindy Sherman at: http://www.art21.org/artists/cindy-sherman CREDITS | Producer: Ian Forster, Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Lizzie Donahue & Paulo Padilha. Artwork Courtesy: Cindy Sherman. Video: © 2011, Art21, Inc. All rights reserved.

Episode #143: Commissioned by French Vogue to create a fashion editorial featuring clothes from the Spanish design house Balenciaga, artist Cindy Sherman discusses the first time she used a digital camera to make pictures, ultimately creating different versions of images for the magazine and for herself. In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives lived out of frame. Shermans investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Learn more about Cindy Sherman at: http://www.art21.org/artists/cindy-sherman CREDITS | Producer: Ian Forster, Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Lizzie Donahue & Paulo Padilha. Artwork Courtesy: Cindy Sherman. Video: © 2011, Art21, Inc. All rights reserved.

Episode #139: Cindy Sherman reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as "Bus Riders" (1976), "Untitled Film Stills" (1977-1980), and the untitled rear screen projections (1980). In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives lived out of frame. Shermans investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Learn more about Cindy Sherman at: http://www.art21.org/artists/cindy-sherman CREDITS | Producer: Ian Forster, Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Joaquin Perez. Artwork Courtesy: Cindy Sherman. Video: © 2011, Art21, Inc. All rights reserved.

Episode #139: Cindy Sherman reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as "Bus Riders" (1976), "Untitled Film Stills" (1977-1980), and the untitled rear screen projections (1980). In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives lived out of frame. Shermans investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography. Learn more about Cindy Sherman at: http://www.art21.org/artists/cindy-sherman CREDITS | Producer: Ian Forster, Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Joaquin Perez. Artwork Courtesy: Cindy Sherman. Video: © 2011, Art21, Inc. All rights reserved.

http://uf.catalog.fcla.edu/uf.jsp?st=UF030361484&ix=pm&I=0&V=D&pm=1

http://uf.catalog.fcla.edu/uf.jsp?st=UF030361484&ix=pm&I=0&V=D&pm=1

CHASM (cindy Sherman)

Jane O'neail from Culturally Curious offers this fantastic talk about photographer, Cindy Sherman. Presented by the Chelmsford Public Library.

Jane O'neail from Culturally Curious offers this fantastic talk about photographer, Cindy Sherman. Presented by the Chelmsford Public Library.

Jane O'neail from Culturally Curious offers this fantastic talk about photographer, Cindy Sherman. Presented by the Chelmsford Public Library.

Jane O'neail from Culturally Curious offers this fantastic talk about photographer, Cindy Sherman. Presented by the Chelmsford Public Library.

I tagli al bilancio della rivista "Constant Consumer" hanno colpito anche Dorine Douglas che, dopo sedici anni di servizio come editor, viene declassata a semplice impiegata "a domicilio". Perciò, il fatto che il suo odiato capo Gary ci rimanga secco per uno shock elettrico non la sconvolge più di tanto: anzi...

I tagli al bilancio della rivista "Constant Consumer" hanno colpito anche Dorine Douglas che, dopo sedici anni di servizio come editor, viene declassata a semplice impiegata "a domicilio". Perciò, il fatto che il suo odiato capo Gary ci rimanga secco per uno shock elettrico non la sconvolge più di tanto: anzi...

I tagli al bilancio della rivista "Constant Consumer" hanno colpito anche Dorine Douglas che, dopo sedici anni di servizio come editor, viene declassata a semplice impiegata "a domicilio". Perciò, il fatto che il suo odiato capo Gary ci rimanga secco per uno shock elettrico non la sconvolge più di tanto: anzi...