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@BluradioCo

@BluradioCo

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Cuantas veces hemos sentido que tenemos una vida perfectamente dibujada, con una trayectoria clara y que aparentemente nos llevará a un destino bien definido, cuando de pronto, todo se da la vuelta en el camino y lo que parecía una primavera que terminaría en verano, se convierte en un inesperado invierno que parece no tener fin. Entonces, nos toca elegir entre dos caminos; dejarnos ahogar por la lluvia y el frío o florecer en invierno. Y florecer en invierno, es título del libro que se convirtió en bestseller de Amazon, en el año 2020. El nombre de su autora es María Jose Ramírez Botero y es mi invitada en este episodio. Ella tenía la vida que siempre había soñado con dos hijos y el hombre al que ella describe como su príncipe azul, cuando de pronto un día todo cambió de la noche a la mañana, quedándose sola a cargo de dos niños de 5 y 2 años de edad.

ANDRES BOTERO COLDEPORTES SITUACION COMPLEJO Popayan, Cauca

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This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

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Ariel Gallego Botero Favorites

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Mónica Botero

Mónica Botero

Mónica Botero

Mónica Botero

Mónica Botero 

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Diuen que la llegenda és la germana petita de la història, ja que tota llegenda té un punt de veritat, sovint embolcallada amb la fantasia que la gent li ha anat afegint a través dels anys, modificant-la, sense que al cap i a la fi es pugui acabar discernint on acaba el que és cert i on comença el que és inventat... Aquest relat, en en el que trobem barrejats i sense transició fets històrics documentats i contrastables amb la més delirant fantasia, n’és un bon exemple.

Diuen que la llegenda és la germana petita de la història, ja que tota llegenda té un punt de veritat, sovint embolcallada amb la fantasia que la gent li ha anat afegint a través dels anys, modificant-la, sense que al cap i a la fi es pugui acabar discernint on acaba el que és cert i on comença el que és inventat... Aquest relat, en en el que trobem barrejats i sense transició fets històrics documentats i contrastables amb la més delirant fantasia, n’és un bon exemple.

De padres colombianos, Laura Restrepo hará historia para Panama. Será la primera profesional de su país en jugar un torneo de la LPGA del 6 al 9 dd agosto en Ohio.

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This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

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 Mónica Botero 

 Mónica Botero 

 Mónica Botero 

Established in 2009 by the Business and Society Program, the First Movers Fellowship is designed for exceptional business innovators who are integrating profitability and social value in their companies. The Fellowship meets a growing need for values-based business leaders who understand the interdependency of business success and the long-term health of society. Listed below are the 2009 Fellows, the inaugural class of First Movers. Felipe Botero, Vice President of Technology and Operations, MetLife Insurance. Felipe has been with MetLife for over 20 years, starting as a computer programmer and working on many different assignments throughout the company. In 2003, Felipe was made officer in charge of the MetLife Mexico IT operations. During 2005, he led the Global Program Management Office in the integration of the Travelers Life and Annuity acquisition from Citigroup. Since February of 2006, he has been part of the Retirement Strategies Group, which is responsible for developing and implementing business strategies to capitalize on the emerging retirement market opportunity. Throughout his time at MetLife, Felipe has been involved with diversity in various capacities and is currently the co-chair of his group in the Diversity Committee. As an industry professional, he volunteers his time with the International Labor Organization, helping further the development of the microinsurance industry, which aims to provide affordable financial products and services to the poor in countries around the globe. Felipe attained a Bachelor's Degree in Computer Science from Queens College and a Master's of Science degree in Systems Engineering from New York Polytechnic University. In 2000, he returned to school and received an MBA in Finance from New York University. Felipe has been married to Marcela for 25 years; together, they have four adult children and recently adopted two young children. Follow us on: Facebook https://www.facebook.com/aspenideas Twitter https://twitter.com/aspenideas LinkedIn https://www.linkedin.com/channels/aspenideas You can also follow the Aspen Institute: Instagram http://instagram.com/aspeninstitute Facebook https://www.facebook.com/AspenInstitute Twitter https://twitter.com/aspeninstitute LinkedIn https://www.linkedin.com/company/the-aspen-institute Pinterest http://www.pinterest.com/aspeninstitute

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@BluradioCo

Ana Botero Ángel Favorites

Federico Nuevo

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Jorge Enrique Botero, reconocido escritor y periodista colombiano, fue entrevistado por Sebastián Salgado para dataurgente.com A diez días de las elecciones presidenciales en Colombia quien fuera fundador de Telesur y autor de los libros Las siete vidas de Tanja Nijmeijer (Ocean Sur, 2014), Simón Trinidad, el hombre de hierro (Ocean Sur, 2014) y Espérame en el cielo capitán (Ocean Sur, 2016) explicó el contexto y las particularidades de estas elecciones presidenciales en Colombia; su vinculación con el complejo proceso de Paz inciado casi 2 años atrás. Las posibilidades de un ballotage alientan la esperanza sobre la resolución social e inclusión civil de los grupos desarmados. La figura de Gustavo Petro, ex guerrillero del M-19, acumula el foco de atención de una derecha recelosa, agazapada en la figura del ex presidente Álvaro Uribe, quien por sus lazos con el paramilitarismo es sindicado en la justicia como posible responsable de dos crímenes en una finca familiar en el año 1998. Compartimos la primera parte de la entrevista a Jorge Enrique Botero. Source: https://www.youtube.com/watch?v=3YJGzBizg8s Uploader: Data Urgente

botero Favorites

@BluradioCo

@BluradioCo

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La actriz colombiana María Cecilia Botero, quien interpretó a 'Alma', abuela de Mirabel en la película Encanto, habló en Mañanas BLU sobre su experiencia en la ceremonia de los premios Óscar. See omnystudio.com/listener for privacy information.

Fernando Botero Angulo  (born 19 April 1932) is a Colombian  figurative artist  and sculptor. Born in  Medellín , his signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume, which can represent political criticism or humor, depending on the piece. He is considered the most recognized and quoted living artist from Latin America, [2] [3] [4]  and his art can be found in highly visible places around the world, such as  Park Avenue  in New York City and the  Champs-Élysées  in Paris. [5] Self-titled "the most Colombian of Colombian artists" early on, he came to national prominence when he won the first prize at the  Salón de Artistas Colombianos  in 1958. Working most of the year in Paris, in the last three decades [ when? ]  he has achieved international recognition for his paintings, drawings and sculpture, with exhibitions across the world. [6]  His art is collected by many major international museums, corporations, and private collectors. In 2012, he received the  International Sculpture Center 's Lifetime Achievement in Contemporary Sculpture Award. [7] Early life [ edit ] Fernando Botero was born as the second of three sons of David Botero (1895–1936) and Flora Angulo (1898–1972) in 1932. David Botero, a salesman who traveled by horseback, died of a heart attack when Fernando was four. His mother worked as a seamstress. An uncle took a major role in his life. Although isolated from art as presented in museums and other cultural institutes, Botero was influenced by the  Baroque  style of the colonial churches and the city life of Medellín while growing up. [8] He received his primary education in Antioquia Ateneo and, thanks to a scholarship, he continued his secondary education at the Jesuit School of Bolívar. [9]  In 1944, Botero's uncle sent him to a school for  matadors  for two years. [10]  In 1948, Botero at age 16 had his first illustrations published in the Sunday supplement of the  El Colombiano , one of the most important newspapers in Medellín. He used the money he was paid to attend high school at the  Liceo de Marinilla de Antioquia . Career [ edit ] Botero's work was first exhibited in 1948, in a group show along with other artists from the region. [11] Fernando Botero,  Abu Ghraib, 2005, oil on canvas. Botero painted the  abuses of Abu Ghraib  between 2004 and 2005 as a permanent accusation Woman with fruit , Bamberg, Germany From 1949 to 1950, Botero worked as a set designer, before moving to  Bogotá  in 1951. His first one-man show was held at the  Galería Leo Matiz  in Bogotá, a few months after his arrival. In 1952, Botero travelled with a group of artists to  Barcelona , where he stayed briefly before moving on to  Madrid . In Madrid, Botero studied at the  Academia de San Fernando . [12]  In 1952, he traveled to Bogotá, where he had a solo exhibit at the Leo Matiz gallery. In 1953, Botero moved to Paris, where he spent most of his time in the  Louvre , studying the works there. He lived in  Florence , Italy from 1953 to 1954, studying the works of Renaissance masters. [11]  In recent decades, he has lived most of the time in Paris, but spends one month a year in his native city of Medellín. He has had more than 50 exhibits in major cities worldwide, and his work commands selling prices in the millions of dollars. [13]  In 1958, he won the ninth edition of the  Salón de Artistas Colombianos . [14] Style [ edit ] While his work includes  still-lifes  and  landscapes , Botero has concentrated on situational portraiture. His paintings and sculptures are united by their  proportionally  exaggerated, or "fat" figures, as he once referred to them. [13] Botero explains his use of these "large people", as they are often called by critics, in the following way: "An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it." [15] Botero is an  abstract  artist in the most fundamental sense, choosing colors, shapes, and proportions based on intuitive  aesthetic  thinking. Though he spends only one month a year in Colombia, he considers himself the "most Colombian artist living" due to his isolation from the international trends of the art world. [13] In 2004, Botero exhibited a series of 27 drawings and 23 paintings dealing with the violence in Colombia from the drug cartels. He donated the works to the  National Museum of Colombia , where they were first exhibited. [16] In 2005, Botero gained considerable attention for his  Abu Ghraib  series, which was exhibited first in Europe. He based the works on  reports of United States forces' abuses of prisoners at Abu Ghraib prison  during the  Iraq War . Beginning with an idea he had on a plane journey, Botero produced more than 85 paintings and 100 drawings in exploring this concept [17]  and "painting out the poison". [13]  The series was exhibited at two United States locations in 2007, including Washington, DC. Botero said he would not sell any of the works, but would donate them to museums. [18] In 2006, after having focused exclusively on the Abu Ghraib series for over 14 months, Botero returned to the themes of his early life such as the family and maternity. In his  Une Famille [19]  Botero represented the Colombian family, a subject often painted in the seventies and eighties. In his  Maternity , [20]  Botero repeated a composition he already painted in 2003, [21]  being able to evoke a sensuous velvety texture that lends it a special appeal and testifies for a personal involvement of the artist. The child in the 2006 drawing has a wound in his right chest as if the Author wanted to identify him with Jesus Christ, thus giving it a religious meaning that was absent in the 2003 artwork. In 2008, he exhibited the works of his  The Circus  collection, featuring 20 works in oil and watercolor. In a 2010 interview, Botero said that he was ready for other subjects: "After all this, I always return to the simplest things: still lifes." [13] Sculpture [ edit ] Between 1963 and 1964, Fernando Botero attempted to create sculptures. Due to financial constraints preventing him from working with bronze, he made his sculptures with acrylic resin and sawdust. A notable example during this time was "Small Head (Bishop)" in 1964, a sculpture painted with great realism. However, the material was too porous and Botero decided to abandon this method. Donations [ edit ] Botero Plaza  in his hometown of  Medellín  is a popular tourist site for taking pictures. Botero has donated several artworks to museums in Bogotá and his hometown, Medellín. In 2000, Botero donated to the  Museo Botero  in Bogotá 123 pieces of his work and 85 pieces from his personal collection, including works by  Chagall ,  Picasso ,  Robert Rauschenberg , and the French impressionists. [22]  He donated 119 pieces to the Museum of Antioquia. [23]  His donation of 23 bronze sculptures for the front of the museum became known as the  Botero Plaza . Four more sculptures can be found in Medellín's Berrio Park and San Antonio Plaza nearby. Personal life [ edit ] Botero married  Gloria Zea  (who became the director of Colombian Institute of Culture (Colcultura)) Together they had three children:  Fernando , Lina, and Juan Carlos. [9]  The senior Boteros divorced in 1960 and each remarried. [14]  Starting in 1960, Botero lived for 14 years in New York, but more recently has settled in Paris. Lina also lives outside of Colombia, and in 2000 Juan Carlos moved to southern Florida. In 1964, Botero began living with Cecilia Zambrano. They had a son, Pedro, born in 1974, who was killed in 1979 in a car accident in which Botero was also injured. Botero and Zambrano separated in 1975. [14] [24] Last Botero married the Greek artist  Sophia Vari . They reside in Paris and have a house in  Pietrasanta , Italy. [24]  Botero's 80th birthday was commemorated with an exhibition of his works at Pietrasanta. [25]