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Note : Part 2 ends abruptly. Additional Title : Audiotape #51 Description : Oral history interview Rights : Copyrighted. Rights are owned by Napa County Historical Society. Copyright Holder has permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Digitized by the California Audiovisual Preservation Project (CAVPP) .

Note : Part 2 ends abruptly. Additional Title : Audiotape #51 Description : Oral history interview Rights : Copyrighted. Rights are owned by Napa County Historical Society. Copyright Holder has permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Digitized by the California Audiovisual Preservation Project (CAVPP) .

Note : Part 2 ends abruptly. Additional Title : Audiotape #51 Description : Oral history interview Rights : Copyrighted. Rights are owned by Napa County Historical Society. Copyright Holder has permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Digitized by the California Audiovisual Preservation Project (CAVPP) .

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

276 Carnegie Place

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126 Milford Avenue

Bessie Smith - Put It Right Here (Or Keep It Out There) - (1928)

The Library of Congress owns the original Alan Lomax recordings, but holds no copyright or intellectual property rights to these recordings. Some rights are held by the performers, and other rights may exist. For publication use, the American Folklife Center asks patrons to make a good faith effort to contact rights holders and deposit written permission at AFC. AFC facilitates this process, providing what contact information it has. AFC recommends that queries relating to publication be forwarded to AFC. By entering these pages, all users of the Alan Lomax Kentucky recordings agree that they will indemnify and hold the University of Kentucky/Berea College and its affiliates, employees, faculty members, members of its governing boards and agents harmless from and against any claims, losses, liabilities, damages, costs and expenses including reasonable attorneys' fees arising out of or relating to the making of the Alan Lomax Kentucky recordings or their use of them, or their breach of any other provision of this agreement.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

The Library of Congress owns the original Alan Lomax recordings, but holds no copyright or intellectual property rights to these recordings. Some rights are held by the performers, and other rights may exist. For publication use, the American Folklife Center asks patrons to make a good faith effort to contact rights holders and deposit written permission at AFC. AFC facilitates this process, providing what contact information it has. AFC recommends that queries relating to publication be forwarded to AFC. By entering these pages, all users of the Alan Lomax Kentucky recordings agree that they will indemnify and hold the University of Kentucky/Berea College and its affiliates, employees, faculty members, members of its governing boards and agents harmless from and against any claims, losses, liabilities, damages, costs and expenses including reasonable attorneys' fees arising out of or relating to the making of the Alan Lomax Kentucky recordings or their use of them, or their breach of any other provision of this agreement.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

Soprano Solo; Orchestra Accompaniment. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3.8 mil truncated conical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: 46712 Catalog number: 46712

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Performer: Virginie MORGAN Son Orgue électrique et ses rythmes Writer: C. H. Vic Blues. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 2.0mil truncated conical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Matrix number: DT-2075 Catalog number: 790 V 154 Other IDs from the record include: DT 2075

World Listening Day recording of the café ambience before boarding

This is a documentary about aviator Bessie Coleman - an unsung hero.

doctor who

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This item represents a case in PACER, the U.S. Government's website for federal case data. If you wish to see the entire case, please consult PACER directly.

This silent, tinted film "The Little Knight" is one of the episodes of a planned series of twelve, two-reel pictures entitled "The Strange Adventures of Prince Courageous" aka "The Adventures of Prince Courageous." Only three of the twelve films ended up being produced: "The Little Knight", "The Love Charm" (aka "The Little Defender") and "The Crown of Courage". All were produced in 1923 and star Bessie Love and five-year-old Arthur Trimble, and were directed Frederick G. Becker. The films re-used sets and costumes from Douglas Fairbanks in Robin Hood (1922). In "The Little Knight", a knight named Prince Courageous (William Butts) kills the giant son of witch Bwump, and the witch (Roy Coulson) retaliates by turning the knight into a little boy (Trimble). One day, King Lagg ("Boots" Fabing) encounters the little knight in the forest, and invites him back to his castle, where the knight falls in love with the king's daughter Beatrice (Doreen Turner), who is to marry Duke Craven (Monte Collins). The little knight saves princess from abduction, and the witch's spell is broken by the king's magicians.This version of "The Little Knight" was released by Cine-Art Productions of Hollywood, and sold through magazine ads in 1927 for $30 a print. The ad text stated "A wonderful story in glorious settings of old world splendor." Bessie Love (born Juanita Horton; September 10, 1898 – April 26, 1986) was an American-British actress who achieved prominence playing innocent, young girls and wholesome leading ladies in silent and early sound films. Her acting career spanned nearly seven decades—from silent film to sound film, including theatre, radio, and television—and her performance in The Broadway Melody (1929) earned her a nomination for the Academy Award for Best Actress. Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb.

Cover title

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This item represents a case in PACER, the U.S. Government's website for federal case data. This information is uploaded quarterly. To see our most recent version please use the source url parameter, linked below. To see the canonical source for this data, please consult PACER directly.

Bessie Smith   (15.04.1894 - 26.09.1937): African-American blues singer, nickname "The Empress of the blues". She started in the company of Ma Rainey as a dancer. Around 1913 she started to form an act on her own.  She made many popular records for Columbia in 1923-1931 and recorded 4 sides for Okeh in 1933.  In november 1929 she made a two-reeler, and sang St. Louis blues, accompanied by the Fletcher Henderson Orchestra, James P. Johnsonand a string section. A car crash killed her at the age of 43. Bessie Smith, vocals: 1  St. Louis blues (W.C. Handy)     acc.:  Louis Armstrong, cornet; Fred Longshaw, organ     78rpm 25 cm: Columbia F.3074S     Matrix nr.:  CL 8180-1     Recorded:  1925 01 14 2  Soft pedal blues (Bessie Smith)     acc.:  Charlie Green, trombone; Fred Longshaw, piano     78rpm 25 cm: Parlophone R 2482     Matrix nr.:  (W) 140601-2     Recorded:  1925 05 14 3  I used to be your sweet mama (Longshaw, Miller)     acc,:  Dermas Dean, cornet; Charlie Green trombone; Fred Longshaw, piano     78rpm 25 cm: Parlophone R 2482     Matrix nr.:  (W) 145628-1     Recorded:  1928 02 09 4  In the house (Bessie Smith)     acc.:  Louis Metcalf, cornet; Charlie Green, trombone; Clarence Williams, piano; Floyd Casey, drums     78rpm 25 cm: Parlophone R 2329     Matrix nr.:  (W) 151594     Recorded:  1931 06 11 5  Gimme a pigfoot (Wilson)     Buck and his Band         78rpm 25 cm: Parlophone R 2146     Matrix nr.:  (W) 152578-2     Recorded:  1933 11 24 6  Take me for a buggy ride (Wilson)     Buck and his Band     78rpm 25 cm: Parlophone R 2146     Matrix nr.:  (W) 152579-2     Recorded:  1933 11 24 Buck and his Band: Buck Washington, piano and leader Benny Goodman, clarinet Frankie Newton, trumpet Jack Teagarden, trombone Chu Berry, tenor saxophone Bobby Johnson, guitar, banjo Bill Taylor, bass

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On this episode, Shanna tries to prove the existence of a creature living in Lake Erie while PukwPJ tries to debunk it. With over 200 years of sightings, physical attacks, and more, there is a lot to unpack about this possible sea monster cryptid. So, listen in! Hosted on Acast. See acast.com/privacy for more information.

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Herensia - Elisabeth (Bessie) Emerenciana Fundashon Historiko Kultural Boneriano 2019

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